Journal of American Studies of Turkey
- K is for Korean: Manifestations of Culinary Identity and Masculinity in Contemporary Korean American Chef Memoirs
- “Fruit of Violence”: The Subaltern Refugee and the Intersection of Oppressions in Ocean Vuong’s On Earth We’re Briefly Gorgeous
- Üçüncü Kültürler Arasında, Üçüncü Kültürlere Doğru: Jhumpa Lahiri’nin Eserlerinde Güney Asyalı Amerikalı Ulusötesicilik ve Rizomatik Öznellikler
- The Buddha in the Attic (2011) by Julie Otsuka: An Intersectional Reading
- Aging, Abandonment and Friendship in a Cruel World: Human-Canine Bonding in Sigrid Nunez’s The Friend
- Enlightenment Ideology Awry in Philip K. Dick’s Do Androids Dream of Electric Sheep?
- Establishing Historical Consciousness via the Historical Novel: Don DeLillo and His Epic Work Underworld
- Inscribing African American Women into the National Narrative: Lucille Clifton’s Generations as a Work of Life Writing Within the Black Arts Movement
- Culinary Survivance: Maya Angelou’s Gastrographic Writing
- The Workings of Space in Steve Tomasula’s VAS: An Opera in Flatland
- Cities of the Plain: The End of the All-American Cowboys
- “House on the Moon”: Female Isolation and Sisterhood in Shirley Jackson’s We Have Always Lived in the Castle (1962)
- The Healing Promise of Adoptions: Revisiting a Foundational American Myth through News of the World
- Karakter Gelişimi Sürecinde Cinsel Kimliğin Keşfi: Edmund White’ın A Boy’s Own Story Adlı Eserinde Gey Erkek Cinselliğinin İnşası
- Argentine Cinema and Immigrant Filmmakers: The Use of Subversion in Mario Soffici’s Viento Norte
- A Reflection on the 1637 Mystic Fort Massacre in Connecticut
- Kızılderili Kadın Lider Kimliğinin Toplumsal ve Kültürel Oluşumu
- Introduction: Now is the Time of the Postindian
- Dialogism or Interconnectedness in the Work of Louise Erdri ch
- Yirmi Birinci Yüzyılda Kızılderili Tarihini Yeniden Keşfetmek
- Yalnızca Toprak Varlığını Sürdürmeye Devam Edecektir: Kızılderililerin Hayatta Kalışları Hakkında Düşünceler
- Filmlerdeki Kızılderili mi, Gerçek Kızılderili mi?: Western Filmlerdeki Kızılderili Betimlemelerinde Kullanılan Üç Farklı Yaklaşım
- Edward Dorn’s Idea of the Native American and His “Curious Paleface” Consciousness in The Shoshoneans
- “Katolik İrlandalılar Ne İçin Savaşıyor?”: Pilot’ın İç Savaş Sırasında Amerikan Milliyetçi Bellek Yitimine Alternatif bir Arşiv Oluşturması
- Towards a Collective Memorial: American Poetry After the Attacks on the World Trade Center, NYC
- Troubling Memories?: The German-American Heritage Museum of the U.S.A. and the Memory of the Holocaust
- (De)construction of American Masculinity Through Vietnam Veterans Memorial in Bobbie Ann Mason’s In Country
- Crossing the Boundaries, Blurring the Boundaries: The Museum of Jurassic Technology as a Postmodern American Space
- The Female Body and Female Spectatorship in the American Silent Movie Love ‘em and Leave ‘em
- Building Native Women’s Leadership through Community and Culture
- The Reel Indian or The Real Indian?: The Three Modes of Representation of Native Americans in Western Movies
- Only the Earth Shall Endure: Thoughts on Native American Survival
- Reinventing the Writing of American Indian History in the Twenty-First Century
- Dialogism or Interconnectedness in the Work of Louise Erdrich
- On the Trail of Sitting Bull: A Documentary Film on the Lakota of Today
- Amy Waldman’ın The Submission Romanında Anıtsal Temsil ve Bir Karşı Anıt olarak Roman
- Bir Mekân Hikâyesi: Mark Z. Danielewski’nin Yapraklar Evi Romanı
- Kristeva’nın Abject (İğrençlik) Kavramı ve HIV/AIDS: Jamaica Kincaid’in My Brother ve Sapphire’in Push Adlı Eserleri
- İmparatorluklar ve Tanrılar Arasında Bölünmüş Sömürge Kimlikleri: Elizabeth Nell Dubus’un Cajun Romanında Arkadiyen Kültürel Mirası
- Meksikalı Amerikalı Yazarların Yaşam Yazınlarında “Yeni Mestiza Bilinci:” Cherríe Moraga ve Loving in the War Years: Lo que nunca pasó por sus labios
- Joanna Russ’un Dişi Adam’ı: Bilim Kurgu Romanı ve Feminist Yaklaşımlar
- Bilim ve Maymun Davasının Çatışması: Scopes Davası Sonrasında Demokrat Partide Muhafazakârlık Politikalarında Gerileme
- Başka Yerlerdeki Uyumayan Uyumamışlar: Adrienne Rich’in Son Dönem Şiirlerinde Radikal Eşzamanlılık
- Distopik Cinsiyetçilik: Kelly Sue DeConnick’in Bitch Planet Eseri ile 1970’lerin Feminist Kuramına Geri Dönüş
- İkinci Dalga Öldü Mü? Wendy Wasserstein’ın An American Daughter2Adlı Oyununda Erkekler ve İkinci Dalga Feminizm Karşıtlığı
- Yirminci Yüzyılın Başlarında New York’ta Çalışan Kadın İşçiler Sorunu ve Dorothy Richardson’ın Romanı The Long Day (1905)
- Amy Newman’ın “Darwin’s Unfinished Notes to Emma” Şiirinde Doğanın Çağrısının Sansürlenmesi
- The Ballad of the Sad Café Adlı Novellada Anlatı Yapısı
- Bir Telafi Girişimi: Broken Arrow ve The Searchers’da Birbirine Ters Düşen Kızılderili İmgeleri
- Beklenmedik Bir Politik Miras: Richard Nixon ve İspanyolca Konuşanlara Yönelik Politikaları
- Interview: Richard Nixon and the Verdict of History
- Still Awaiting Nixon's Place in History
- Introduction: Richard Nixon and Public Memory
- Geçmişte ve Günümüzde Nixon: Değişen Algılar
- Amerikan Dış İlişkilerinde Başkanlık Retoriği: Soğuk Savaş Müzakerecisi Richard Nixon
- Başkanlık Karakteri: Edebi Bir Özne Olarak Nixon
- An Implausible Juncture? Locating the Turkish Novel in an American Frame, from Neocolonial Anxiety to the ‘Threshold Novel’
- Violence and Corruption among New York Longshoremen: Jim Longhi and His Two Fingers of Pride
- The Dead Hand of Tradition
- (Re)Imagining the 1950s: The Crux of Board Games, Wonder Woman, and the American Ideal
- Monstrous America: HBO’s True Blood as a Gothic/Fantastic Allegory
- Dreams Deferred: Exploring the Masculine Mystique in August Wilson’s Fences
- Oriental Fantasies of the American Advertisement Industry during the Late 19th-Early 20th Century: A Reading of the Recurring Images of Cigarette Marketing
- In Remembrance: Professor Robert J. Bertholf
- The Cambridge Companion to Elizabeth Bishop. Angus Cleghorn and Jonathan Ellis (eds.). Cambridge: Cambridge University Press, 2014. P/bk 216 pp. ISBN 978-1-107-67254-3. Price $27.99.
- Historical Film: A Critical Introduction. Jonathan Stubs. New York: Bloomsbury, 2013. p/bk 206 pp. ISBN 978-1-84788-497-8. Price $32.95.
- Overriding Values: Locating Post-9/11 Anxieties in Adaptation and Youth Culture
- Muscle Shoals. Dir. Greg 'Freddy' Camalier. Magnolia Pictures, 2013. Film
- Thoreauvian Modernities: Transatlantic Conversations on an American Icon. François Specq, Laura Dassow Walls, and Michael Granger (eds.). Athens, GA: The University of Georgia Press, 2013. P/ bk 310pp. ISBN 978-0-8203-4429-4. Price £21.50
- Anger and Racial Politics: The Emotional Foundation of Racial Attitudes in America. Antoine J. Banks. New York: Cambridge UP, 2014. ISBN: 9781107049833. Hardback. 214 pages. $90 USD.
- Henry Miller: The Inhuman Artist: A Philosophical Inquiry. Indrek Männiste. Bloomsbury: New York, 2013. h/bk 142 pp. ISBN 978-1- 6235-6108-6. Price $110.00.
- On the Condition of Democracy in America: A pragmatic critique of liberalism and neoliberalism in the United States
- Repositioning Let Us Now Praise Famous Men in the Social Sciences: Ethnography, thick description, and reflexive sociology
- The Triple Package: What Really Determines Success. Amy Chua and Jed Rubenfeld. London: Bloomsbury, 2014. h/bk 320pp. ISBN 978- 1-4088-5223-1. Price £18.99.
- Transdisciplinarity: Resistance and opportunity for transformation
- A Freudian Reading of Amory’s Personal Development in F. Scott Fitzgerald’s This Side of Paradise
- Fitzgerald the Poet
- Tarleton Revisited: Representation of the South in Fitzgerald’s Tarleton Stories
- From Noir Hoodlum to Jay-G: Film Adaptations of Gatsby
- Interpreting Fidelity: Gatsby in Translation
- Determinism as a Defining Element in Fitzgerald’s Oeuvre, 1920-1940: Literary Naturalism and “The Cut-Glass Bowl,” “The Ice Palace,” The Great Gatsby, Tender is the Night, The Last Tycoon, The CrackUp, and Other Texts
- Chronotope as Counter Movements in Time and Space in The Great Gatsby
- Latin@ Studies in Transnational Contexts: Reading, Writing, and Living Lives on/in the Margins
- Is Ariel Dorfman a Latino?: The Place of Alterlatinos in Latino Studies
- ‘Telling the Silenced Stories’ of the Southern Cone: An Interview with Carolina De Robertis
- Interview with Santiago Vaquera-Vasquez
- Décimarinas” and iDécimas
- Organic Home Spaces: the Chambered Nautilus in Judith Ortiz Cofer’s Silent Dancing; a Partial Remembrance of a Puerto Rican Childhood
- El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance
- Excerpt from Crawling with Monsters, Participants’ Essays, and an Introduction
- Transnational Translations: Five Poems from Tonalamatl, dream notes
- “Being Chinese in Puebla:” Connecting Transnational Stories in Mexico
- Border Crossings? Elizabeth Smart and Elizabeth Hay Writing About Mexico
- Dedé as a Feminist in Julia Alvarez’s In the Time of the Butterflies
- Afro-Dominican American Women Writers: Gender and Race in Angie Cruz’s Soledad and Nelly Rosario’s Song of the Water Saints
- hola turquia
- Latino Liberty and the Meaning of Security: On Prison Nations and Liberal States
- Introduction: Testing Times for American Studies
- Framing Errors: Reality and Fiction in Audio Drama
- “An Indefinite Procession of Shadows”: Fitzgerald on Film in The Great Gatsby
- Arthur Miller in Erzurum
- Multiculturalism in Turkish Classrooms
- American Undercurrents in the 21st Century: Trauma, Transformation, and the Reader as Witness in Nicole Krauss’s Man Walks into a Room
- Massified Illusions of Difference: Photography and the Mystique of the American Historically Black Colleges and Universities HBCUs
- Era c ing the South: Modern Popular Culture Depictions of Southern History
- The Re-emergence of the Silent Film in Contemporary Cinema and Culture
- The Beauties of Gravity
- Introduction: Henry James Special Issue
- From Practice to Theory: Henry James’s Prefaces
- The Europeans on Broadway
- The Bostonians from Novel into Film
- Revisiting Henry James: High Modernists and Objectivists
- Pure Love: Reading The Wings of the Dove with Badiou
- Illness as Capital in The Wings of the Dove
- Power Games in The Wings of the Dove—the “Worker” IS the “Worked”
- Only Connect ...
- Translation and Interdisciplinarity – An Interview with Susan Bassnett
- Adaptation Studies and the Australian National Curriculum
- Chained into That Machine: John Jesurun’s Mediaturgical Adaptations
- Occidentalism/ Orientalism in Reverse: The West in the Eyes of Modern Arab Intellectuals
- Sultan’s America: Lessons from Ottoman Encounters with the United States
- “Living the Dream”: One Inner-City Neighborhood Fifty Years After the March on Washington
- Impressions on “The Splendor of the Mighty One”: The Atomic Bomb and its Legacy
- Re-Writing the Eugenic Whitman in Michael Cunningham’s Specimen Days 2005
- Mako Mori and the Gender Politics of Pacific Rim 2013
- Jim Welsh 1938-2013 : An Appreciation
- Introduction: Transnational Feminisms
- Transnational Feminist Pedagogy: An Interview with
- “Speaking Truth to Power” in Transnational Feminist History
- Turkey’s Weakest Link
- From the Holy Land to the New World and Back : Transnational Arab Feminism in the Early Twentieth Century
- Writing Body and Culture: Mohja Kahf’s The Girl in the Tangerine Scarf
- “I am she who will be free”: June Jordan’s Transnational Feminist Poetics
- Continuities
- Remembering Gore Vidal: A Postscript
- “A Sword with Two Edges”: Lawrence of Arabia 1962 and the End of Empire
- Interview: The Untold History of the United States
- Food as a Language of Cultural Expression and Revitalization in Arab-American Women’s Writing
- The Turkish Reader’s Reception of Toni Morrison’s “Recitatif”
- Jamesian Intertexts in Selim İleri’s Bu Yalan Tango
- Film and Drama in Guy Vanderhaeghe’s The Englishman’s Boy
- The Great Gatsby on Film
- Introduction: Why is Gore Vidal important today?
- Gore: A Personal Reminiscence
- Memories of Gore Vidal
- Gore Vidal, the American Empire, and the Cultural Vocabulary of the Post-Civil War South
- Myra in Middle-Age: The Creatrix in Her Contexts
- Re-reading World History through an “all-seeing eye”: Cultural relativism in Gore Vidal’s Creation
- Gore Vidal’s Caligula 1979 : Denying the Author
- Gore Vidal in the Cinema
- “It’s Problem of Perception.” The Coen Brothers’ Constructivist Use of Genre
- Ezra Pound’s Adaptation and Translation of the Japanese Nō
- Speaking Over the Words: Realizing Text into Audio
- Billion Dollar Noir: Christopher Nolan and the Reconstruction of Film Noir in Hollywood
- The Artistic Multitude
- “Locked In”: The Ethics of Infidelity in Adaptation and Cross-Cultural Arts-Based Research
- The Poetics and Politics of Bayard Taylor’s The Lands of the Saracen and Poems of the Orient
- “Language Cannot Do Everything”: Ekphrasis as a Strategy of Re-vision in Adrienne Rich’s Poetry
- Shifting Realities and Sowing the Seeds of a Better Future: Mestiza Consciousness and Conocimiento in Octavia Butler’s Parable of the Sower
- The Paradoxical Status of Knowledge in American Postmodern Fiction
- In Sickness and in Health: “Performativity” and “Autopoiesis” in US Feminist Theater
- Hanna by Joe Wright
- Guest Editors’ Introduction Ecocriticism and a Conservationist Manifesto
- Henry David Thoreau’s Environmental Humanism
- John Muir and the Ambivalence of Technology
- Scripting the Wilderness
- Mysteries of the Mountain: Environmental Racism and Political Action in Percival Everett’s Watershed
- “Hunger and Lead”: An Ecocritical Reading of Robert Schenkkan’s The Kentucky Cycle
- An Essay on Ecocriticism in “the Century of Restoring the Earth”
- New Directions in Africana Studies/Africalogy: Bridging the Gap Between Liberal Arts and Utilitarianism
- Interrogating the Problematic of Race, Ethnicity and Identity in African American Studies
- Recovering the African American Past for the Purposes of the Policy Present: The History and Evolution of Africana Cultures and Policy Studies
- Crossing The Black Atlantic: Jon Sensbach, Paul Gilroy, and the Historiography of Colonial Black America
- Reframing Black Internationalism and Civil Rights during the Cold War
- Writing Nation: Giovanni, Sanchez, and Lorde and the Black Arts Movement
- Adapting Ambiguous America; or, per-Forming a More Perfect Union in the Plays of Caridad Svich and Suzan-Lori Parks
- The Messenger by Oren Moverman
- The Survey on Issues in Africana Studies: A First Report
- Introduction: Race and Ethnicity
- Becoming the Other: Louise Erdrich’s Tracks and the Issue of Identity for the Native Character Pauline Puyat
- Visually Dual: The Conflicted Image of Asian American Representations
- No Special Pleading: Abolitionism, Orientalism, and Identity Politics
- “We Sit on a Boiling Kettle”: The Influence of Race on U.S. Policy towards the Decolonization of North Africa, 1942-1962
- A “Crash” Course in American Racial Ethics: Paul Haggis Didactic Film in a Humanities Context
- “So, onward my friend!”
- And Then He Bought Some Lettuce: Living into Robert Creeley’s Poetics
- A Note on Robert Creeley, New England, and “This”
- Robert Creeley, Turkey, and Me
- Small Spaces of Existence: Robert Creeley’s Poetry
- Body, Breath, World: Robert Creeley’s Phenomenological Poetics
- Talking about Collaborations: Personal Memories and a Critical Study of Robert Creeley’s Collaboration with Artist Arthur Okamura
- “all happening visually as well as intellectually”: Robert Creeley and the Act of Writing
- Relationship, Place, and Company: A Conversation with Robert Creeley about Robert Duncan
- Culturalism and Its Discontents: An Essay Review of David Treuer’s Native American Fiction: A User’s Manual
- Re-inscribing Ancient Connections, Following New Trajectories in Native American Literature: William Sanders’ The Ballad of Billy Badass and the Rose of Turkestan
- Trickster Orthodoxy?: Deceptive Appearances in Louise Erdrich’s The Last Report on the Miracles at Little No Horse
- When the Beasts Spoke: The Ecopoetics of Joy Harjo
- Collecting Myaamiaki: An Exploration of Indigenous Space through Things
- Contemporary Native American Education Issues in the United States: A Year in Review
- Indian, Native American, American Indian?
- Introduction: Visual Culture
- A Black Vision in a White America?: The Beat Poetry, Art and Illustration of Ted Joans
- The Metaphors of Spatial Merging: The Female Body as House in the Work of Mary Caponegro, Louise Bourgeois, and Francesca Woodman
- Eye Was There: From The World Trade Center to the Freedom Tower
- Do Tread on My Dreams: The Perception of Cityscape in Science Fiction Films
- Gesture after the Gestural: Abstract Expressionism, American Visual Culture and Post-War Painting in Turkey
- Into the Wild by Sean Penn
- Reflections on Movement: New Installations in Historical Dervish Sites of İstanbul
- Sara Blair. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton and Oxford: Princeton University Press, 2007.
- Introduction: What, in the World, Is American Studies?
- The American Question
- The Making of American Studies in Bosnia
- Teaching American Studies in a Changing World Environment
- A British American Voice: Exploring the Transatlantic Connections in American History in Britain
- From Landscape to Literature: What Can Writing about Nature Bring to the Classroom?
- Americans Abroad: Misconceptions about the US in Latin America
- Teaching Differences: Presenting U.S. Literature in Vilnius, Lithuania
- Reading the Country of the Blue
- Transgressive Appropriations in Lucha Corpi’s Detective Fiction
- Chicano/a Children’s Literature: A Transaztlantic Reader’s History
- The Grotesque Body and Women’s Embodied Ethnography in Denise Chávez’s Fiction
- “You can be both the apple and the hand who holds it”: Aztlán and the Politics of Storytelling in Anaya’s Heart of Aztlán and Arias’s The Road to Tamazunchale
- More Room to Play in Sandra Cisneros’s The House on Mango Street
- The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso
- Hoyt Street: An Autobiography or Una Memoria de Desplazamiento or a Communo-Biography
- Voices, Discourse and Identity in Chicano Narrative
- Chicano and the Rise of Mitos: Luis Valdez
- Braiding Languages, Weaving Cultures: An Interview with Diana Montejano
- A Challenge to the Borderline from A Daughter of Aztlán: An Interview with Cherríe Moraga
- “I give myself where I choose”: The Irrepressible Power of the Drive for Authenticity and Selfhood in Four Selected Stories of Kate Chopin
- Over Her Dead Body: Sherwood Anderson’s “The Man Who Became a Woman” and “Death in the Woods”
- Imagining Iraq and the Cultural Politics of Misreading: John Barth’s The Last Voyage of Somebody the Sailor
- Mark Twain’s Critique of Literacy through the War Machine of Joan of Arc
- Japanese Immigration and Japanese Internment as Reflected in the Works of Japanese-American Authors
- A Critical Study of the Theme of Death in Don Delillo’s White Noise from an Intertextual Perspective
- America Six Feet Under: Serial Death and the Paternal Ghost in Neo-Soap Opera
- Critical Mestizaje and National Identity: Discourse of Difference in Americo Paredes
- Southern California Artists Challenge America
- W.E.B Du Bois and The Souls of Black Folk: Yesterday, Today and Tomorrow
- The Ominous Legacy of Joseph McCarthy for America Today
- From Pinkerton to G-Man: The Transition from Private to State Political Repression, 1873-1956
- Introduction: Whither the “American Dream”?
- Daniel Denton’s A Brief Description of New-York: A Pre-Industrial American Dream
- Amerindian Identity, the Book of Mormon, and the American Dream
- Treasure Hunt in Nathaniel Hawthorne’s “Peter Goldthwaite’s Treasure”
- The Destruction of the American Dream in Sam Shepard’s Curse of the Starving Class
- Investigating the American Dream in Pretty Woman 1990
- The Myth of the American Dream as reflected in Adrian Lyne’s Indecent Proposal 1993
- Reality TV: A Contemporary Medium for Participating in the “New” American Dream
- The American Dream as el Sueño Americano: Lost in Translation?
- The American Dream: A Still Viable Concept of American Exceptionalism?
- Staging Waiting for Lefty: Or, Agit-Prop in Ankara
- Humor and Hemispheric Consciousness:Chicana/o and NativeAmerican Contemporary Art
- Norma Jeane De Constructs Marilyn Monroe: Joyce Carol Oates’ Blonde
- The Narrative as a Statement of Identity and History in Julie Dash’s Daughters of the Dust
- O’Neill’s The Emperor Jones and The Hairy Ape:The Alienation of the American Anti-hero
- Transformations of the African-American Self in Adrienne Kennedy’s "Funnyhouse" and "Owl"dom
- Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl
- International Relations: A Special issue
- The Revival of Neoconservatives
- The 'War on Terror': Widening the Perception Gap US Neo-Conservaties, the Media, and the Muslim World
- Policy and Atrocity: The US and Hussein’s lraq, 1979-2003
- The Middle East between War and Peace
- The Frontier Myth in Modern American Politics
- The Brightest House: Civilization and Asymmetry
- America Within or Without
- The Multiple Faces of Greek American Religious Experience: Helen Papanikolas’s The Apple Falls from the Apple Tree
- Cubist Poetics: Wallace Stevens and Painting
- Cities of the Red Night: Inscribing William Burroughs in the Carnivalesque Tradition
- The Land Ethic for A More-Than-Human-World”
- Are We Really Interconnected? Ecophilosophy and Quantum Theory from a Postmodern Perspective
- Contemporary Relevance of the Du Boisean Duality Construct
- “Advertising Art That Advertises Itself As Art That Hates Advertising”: Jenny Holzer and the Truisms of Times Square
- Introduction: Teaching American Studies past, present and future
- American Studies and Gender Issues in an International Classroom
- Another Kind of “road map”?: A Response to Helena Maragou’s "American Studies and Gender Issues in an International Classroom"
- "The Fulbright Difference": The Future of Visiting Academics in Turkey and Elsewhere
- Autumn In Bulgaria: September. 15, 1998 - February 15, 1999
- American Impact on Turkish Social Life 1945-1965
- American Culture Studies: Themes and Methodology
- American Literature and Other Curricular Issues in Syria
- Movies, McDonald’s, and Mickey Mouse: Hong Kong Student Reflections
- Rhetoric and/as Terrorism: Notes on September 11
- “9/11”, or Words of Nihilism
- Enduring Freedom: War, Corporate Television, and the Delusion of the Delusion
- When Disaster Strikes at Home: September 11 and Its Aftermath in The New Yorker
- Heartbreak Written on the Landscape: Public Memorials and Remembering the Attack on the World Trade Center
- United States Foreign Policy and the 9/11 Crisis
- What Kind of Tears? 9/11 and the Sublime
- ‘After 9/11’: 25th Hour
- September 11, In Theory
- Emergence of an Anti-Theatre for the Youth in the United States: The Case of Punch and Judy by Aurand Harris
- Antiquity and the Making of American Myth: The Oresteia and Mourning Becomes Electra
- Passing Through Europe: Race and National Identity in James Weldon Johnson’s Autobiography of An Ex-Colored Man and James Baldwin’s Giovanni’s Room
- "All the world's a stage…": Lanford Wilson's Mirroring of the Contemporary U.S.
- Anglo–American Literary Sources on the Muslim Orient: The Roots and the Reuiterations
- White Noise: Consumerism or Death
- Postmodern Ethnicity in Sandra Cisneros’ Caramelo: Hybridity, Spectacle, and Memory in the Nomadic Text
- Contracting Chicano Culture
- Heterogeneity in California Chicana/o Muralism
- New Mexican Narratives and the Politics of Home
- Bending Chicano Identity and Experience in Arturo Islas's Early Borderland Short Stories
- Social Justice, Spirituality, and Chicana Writing: An Interview with Demetria Martínez
- Detective Fiction and the Creative Process: Rolando Hinojosa
- Who Do You Think You Are? Storytelling, Performance, and Outrageous Lies in Emily Prager’s Eve’s Tattoo
- Sexual Politics in the English Department: A Feminist Appraisal of Death in a Tenured Position by Amanda Cross
- Jean Toomer's Cane as a Swan Song
- Changing Reels: Positive Gay/Lesbian Images in 1990s American Cinema
- Imagining the Worst: Science Fiction and Nuclear War
- Breaking the Ties that Bind: Literary Representations of the New Woman in American Society
- Writing Dialogues, Reading Myths: Ezra Pound, William Carlos Williams, and the Publication of Kora in Hell
- 'I refuse these givens': Embracing Multiplicity of Identity in the Poetry of Adrienne Rich
- The Emperor and the Sultan in Mark Twain: How Innocent were the "Innocents"?
- Turkey and The United States: More Alike than Different
- “Communicating America,” Validating Turkey
- John Barth’s On with the Story: Stories and the Transformation of American Postmodernist Poetics
- American Realism versus French Naturalism: Henry James, Émile Zola and the Negotiation of Ideology
- Sylvia Plath’s The Bell Jar as Counter-Narrative
- Disruption of the Traditional View of the Southern Past in Bobbie Ann Mason’s “Shiloh”
- Space and Domesticity in “The Yellow Wallpaper” by Charlotte Perkins Gilman
- Teaching American Studies in Brazilian Universities: Johannes Factotum Or Janus?
- From Realignment to Dealignment : The Changing Electoral Behavior in the United States
- Streets Paved With Gold: Immigration and the Image of America
- Alienating American Studies: A European Perspective
- “This bitter power of song”: Hilda Doolittle, Grecian Masks and Poetic Creativity in Women
- First Encounters Between the Unites States and the Muslim World
- American Women Readers Encounter Turkey in the Shadow of Popular Romance
- “The Pleasures of the Text”: Mark Twain’s Following the Equator
- American Indians and Environmentalism: The Problematics of the Land Ethic Stereotype
- A Thorny Identification: Rosebuds as Symbols of Native Identity
- The Hopi Kachina Cult: Religion and Ritual as Elements of Cultural Identity Preservation
- Native American Artists’ Use of Irony in Works Restating the Past
- The Perils of Native American Urbanization and Alcoholism in Janet Campbell Hale’s The Jailing of Cecelia Capture
- Status, Mixedbloods, and Community in Thomas King’s Medicine River
- Bulworth: The Hip-Hop Nation Confronts Corporate Capitalism A Review Essay
- The Impact of Television on Our Perception of Reality: A Joint Review of Three Recent American Films
- The “Unmanning” Word: Language, Masculinity and Political Correctness in the Work of David Mamet and Philip Roth
- America as Gurbet : The Litanies of a Repentant Émigré or Kolyo Nikolov’s Writings on the US
- The Politics of the Personal: Constructions of Identity in Elmore Leonard’s Bandits
- Paul Bowles as Orientalist: Toward a Nomad Discourse
- Blurred Action, Blurred Narration: Three Scenes Of Hurry From William Faulkner
- James Adams’s The New Spies: Exploring the Frontiers of Espionage: A Review Essay
- The Violence of Hybridity in Silko and Alexie
- Culture, History and Consciousness in DeLillo’s White Noise: The Aesthetics of Cyberspace
- American Magic Realism: Crossing the Borders in Literatures of the Margins
- Didion’s “On Going Home”: The Rhetoric of Fragmentation
- A Descriptive Study of Multicultural Education in İncirlik Schools
- Post-Nostalgia in the Films of Quentin Tarantino and Robert Rodriguez
- Anglo-American Relations in Palestine 1919-1925: An Experiment in Realpolitik
- Surviving the Weight of Tradition: Alice Walker’s Possessing the Secret of Joy
- Twentieth-century American Indian Artists: An Issue of Identity
- The Mad Nomad: Interview with Talât Sait Halman
- Henry James’s New Approach to the Autobiographical Genre: The Growing Consciousness of A Small Boy
- Controlling the Images of Black Womanhood: The Contemporary African-American Women's Novel
- Charles Olson’s Poetical Economy
- Postmodern Language-centered Writing and the Question of Ideology: A Polish Perspective
- The Problematics of Kingston's "Cultural Translation": A Chinese Diasporic View of The Woman Warrior
- Bharati Mukherjees Jasmine: Making Connections Between Asian and Asian American Literature
- The Cultural Context of American Literature: A Barrier or a Bridge to Understanding?
- American Archaeologists in Turkey: Intellectual and Social Dimensions
- Feminist Science Fiction: The Alternative Worlds of Piercy, Elgin and Atwood
- Television as Cultural Form
- Lyric Poetry in the Age of Teleculture: Issues in Contemporary American Poetics
- A Multidimensional Theory of Colonialism: The Native North American Experience
- John Dewey in Turkey: An Educational Mission
- The 1996 Election and Populism: Some Readings
- Cultural Studies in the United States and Multiculturalism
- Sam Shepard's States of Shock: Nihilism in Political Drama
- The Novel as Performance: The Example of Raymond Federman
- The Thematic and Structural Function of Time in William Faulkner's "The Bear"
- Contemporary Black American Women Poets: Resisting Sexual Violence
- Multiculturalism and Humor
- Chinese American Cinema Today
- Hollywood UK: UK's Hollywood
- Jasmine or the Americanization of an Asian
- Black Women's Selfhood in Alice Walker's Possessing the Secret of Joy
- From Virtue to Morality: Republicanism in the Texts and Contexts of William James
- Language, Subjectivity and Ideology in "A Rose for Emily"
- Fascist Language in The Adams Cantos of Ezra Pound
- Swirling Voices: Considerations of Working-class Poetic Property
- Forrest Gump and the Myth of American Innocence*
- Reframing the Multiculturalism Debates and Remapping American Studies
- The Disintegration of the New Deal Coalition
- The Discourse on "Post-Nationalism" A Reflection on the Contradictions of the 1990's
- What Hath Rock Wrought?: Blues, Country Music, Rock'n'Roll and Istanbul
- Dance in America
- Alfred Hitchcock - A Silent Vision
- Storytelling: Ritual, Catharsis and Healing in the Jewish American Experience
- Maxine Hong Kingston Languages and Silences of Being Chinese-American
- Multiculturalism in Contemporary American Poetry
- ISSN: 1300-6606
- Başlangıç: 1995
- Yayıncı: -
23.2b 7.5b