Sylvia Plath’s The Bell Jar as Counter-Narrative

Sylvia Plath’s The Bell Jar as Counter-Narrative

American literature in the mid-twentieth century undertook a thorough critique of some of the guiding narratives of the nation’s popular mythology and political ideology. The fiction of the 1960s was especially intent on reevaluating such official discourses by de-centering narratives to include previously suppressed viewpoints.

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  • Bakhtin, Mikhail M. Tvorchestvo Fransua Rable i Narodnaia Kul’tura Srednevekov’ia i Renessansa. Moskva: Khudozh Literatura, 1965. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington: Indiana University Press, 1984.
  • Foucault, Michel. Surveiller et Punir: Naissance de la Prison. Paris: Gallimard, 1975. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York: Vintage, 1979.
  • Foucault, Michel. “Nietzsche, Genealogy, History.” Language, Counter-Memory, Practice: Selected Essays and Interviews. Ed. Donald F. Bouchard. Ithaca: Cornell University Press, 1977. 137-164.
  • Plath, Sylvia. Ariel. London: Faber and Faber, 1965.
  • Plath, Sylvia. The Bell Jar. 1963. New York: Bantam, 1971.