Determinism as a Defining Element in Fitzgerald’s Oeuvre, 1920-1940: Literary Naturalism and “The Cut-Glass Bowl,” “The Ice Palace,” The Great Gatsby, Tender is the Night, The Last Tycoon, The CrackUp, and Other Texts

Fitzgerald’ın erken dönem eserlerinin determinizm etkisi altında olduğuna ancak olgunluk dönemi eserlerinin bu felsefeden uzaklaşarak, karakterlerin daha aktif olduğu modernizmin etkisi altına girdiğine dair genel bir kanı vardır.Ancak Fitzgerald’ın hem kurmaca olan hem de kurmaca olmayan eserleri üzerinde determinizmin etkisi o kadar güçlüdür ki, bu unsurun göz ardı edilmesi eserlerindeki çok önemli noktaların kaçırılması ve bu eserlerin bugüne kadarkinden daha farklı açılardan incelenememesi ile sonuçlanacaktır.Bu amaçla, bu makale Fitzgerald’ın birçok eserini, aralarındaki bağlantıları vurgulayarak edebi natüralizm açısından incelemeyi hedeflemektedir.

Determinism as a Defining Element in Fitzgerald’s Oeuvre, 1920-1940: Literary Naturalism and “The Cut-Glass Bowl,” “The Ice Palace,” The Great Gatsby, Tender is the Night, The Last Tycoon, The CrackUp, and Other Texts

It is widely accepted that Fitzgerald’s apprentice work is marked by determinism while his mature work abandons that philosophy, with victims transformed into agents when he grows into modernism. Yet the impact of the philosophy of determinism on Fitzgerald’s works of fiction and non-fiction alike is so powerful that to ignore it is to miss a central element in his oeuvre, and thereby to miss the opportunity to provide a richer interpretation of these works than has heretofore been accomplished. To this end, this article analyzes many of Fitzgerald’s works through the lens of literary naturalism, emphasizing the interconnections among them

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  • ---. “The Crack-Up.” The Crack-Up. Ed. Wilson. 69-74.
  • ---. “The Cut-Glass Bowl.” Flappers and Philosophers. Ed. West. 87-107.
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  • ---. The Great Gatsby. New York: Scribner’s, 1925. Print.
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  • ---. “Head and Shoulders.” Flappers and Philosophers. Ed. West. 61-86.
  • ---. “The Ice Palace.” Flappers and Philosophers. Ed. West. 36-60.
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  • ---. “The Last of the Belles.” The Short Stories of F. Scott Fitzgerald. Ed. Bruccoli. 449-63.
  • ---. The Last Tycoon. Ed. and Foreword Edmund Wilson. New York: Scribner’s, 1941.
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  • ---. “Pasting It Together.” The Crack-Up. Ed. Wilson. 80-84.
  • ---. “A Short Trip Home.” The Short Stories of F. Scott Fitzgerald. Ed. Bruccoli. 372-89.
  • ---. “The Sensible Thing.” The Short Stories of F. Scott Fitzgerald. Ed. Bruccoli. 288-301.
  • ---. This Side of Paradise. New York: Scribner’s, 1920. Print.
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  • ---. Tales of the Jazz Age. 1922. Ed. James L. W. West III. Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge UP, 2012. Print.
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  • ---. Tender is the Night. New York: Scribner’s, 1934. Print.
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  • ---. Rev. of Stephen Crane, by Thomas Beer. Baltimore Evening Sun, 19 January 1924. A Mencken Chrestomathy: His Own Selection of the Choicest of His Writings.1949. Ed. H. L. Mencken. New York: Vintage, 1982. 496-97. Print.
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