Talking about Collaborations: Personal Memories and a Critical Study of Robert Creeley’s Collaboration with Artist Arthur Okamura
I first met Robert Creeley in 2004 on a hot October Indian summer afternoon. Walking through Brown University’s elegant campus, heading to Creeley’s office, I experienced a bizarre feeling of both fear and excitement. I was about to meet the “subject” of my doctoral dissertation. Someone who, up to that moment, had only been a picture in a book and a voice recorded on a file, downloaded from the Internet.
___
- Butterick, George F., ed. Charles Olson and Robert Creeley: The Complete Correspondence. Vol. VII. Santa Barbara: Black Sparrow Press, 1980.
- Cage, John. Theme & Variation. New York: Station Hill Press, 1982.
- Clemente, Francesco and Robert Creeley. Tandoori Satori and Commonplace. Waltham: The Rose Art Museum of Brandeis University, 2004.
- Creeley, Robert. The Collected Poems of Robert Creeley 1945-1975. Berkeley: U of California P, 1982.
- ---. Autobiography. New York: Henuman Books, 1990.
- ---. “Interview with Linda Wagner.” Tales Out of School: Selected Interviews (Poets on Poetry). Ann Arbor: U of Michigan P, 1993.
- Eco, Umberto. Opera Aperta: Forma e Indeterminazione nelle Poetiche Contemporanee. 1962. Milano: Bompiani, 2000.
- Laubiès, René and Robert Creeley. The Immoral Proposition. Karlsruhre: Jonathan Williams, 1953.
- Lyotard, Jean-François. Discours, figure. Paris: Editions Klincksieck, 1971.
- Maldinay, Henri. Regard, Parole, Espace. Lausanne: L’Age de l’homme, 1994.
- Montefalcone, Barbara. “An Active and Defining Presence: Le visible et le lisible dans l’oeuvre collaborative de Robert Creeley.” Revue Lisa / Lisa e-journal 5.2 (2007) .
- Okamura, Arthur, and Robert Creeley. 1°2°3°4°5°6°7°8°9°0°. San Francisco/Berkeley: Mudra/ Shambala, 1971.
- ISSN: 1300-6606
- Başlangıç: 1995
- Yayıncı: -