OKUL ÖNCESİ ÖĞRETMEN ADAYLARININ MÜZİĞE İLİŞKİN ALGILARININ BELİRLENMESİ

Müzik, bireylerin hayatına anne karnındayken giren, hayat boyu vazgeçilmez ihtiyaçlardan biri olan, duygu ve düşüncelerimizin temsilcisi olan bir sanattır. Aynı zamanda müzik, çeşitli müziksel deneyimler yoluyla çocukların tüm gelişim alanlarını desteklemekte ve erken çocukluk döneminden itibaren eğitimde etkin bir şekilde kullanılmaktadır. Okul öncesi dönemdeki çocuklara müziğin tüm bu katkıları sağlaması için müzik etkinlerinin sistematik bir şekilde hazırlanması gerekmektedir. Okul öncesi dönemde sistematik bir şekilde hazırlanan müzik etkinlikleri kapsamında nefes açma ve şarkı söyleme, ses dinleme, üretme, ayırt etme, yaratıcı hareket ve dans, ritim ve müzikli öykü çalışmaları bulunmaktadır. Okul öncesi dönemde müzik etkinliklerinin etkili bir şekilde gerçekleştirilebilmesi için öğretmenlerin gerekli bilgi ve becerilere sahip olmaları gerekmektedir. Müzik etkinliklerini plânlayacak ve gerçekleştirecek olan öğretmenlerin müziğe yönelik algılarının belirlenmesi büyük önem taşımaktadır. Buradan hareketle bu çalışmanın amacı; okul öncesi öğretmen adaylarının müziğe ilişkin algılarını metaforlar aracılığıyla ortaya çıkarmaktır. Araştırmada nitel araştırma yöntemi kapsamında fenomenolojik yaklaşım kullanılmıştır. Araştırmanın çalışma grubunu, 2016-2017 eğitim-öğretim yılı güz döneminde Afyon Kocatepe Üniversitesi Eğitim Fakültesi Okul Öncesi Eğitimi Anabilim Dalı’nda müzik dersini almış olan 123 ikinci sınıf öğretmen adayı oluşturmaktadır. Araştırmada veri toplama aracı olarak sekiz açık uçlu sorudan oluşan bir form kullanılmıştır. Elde edilen verilerin analizinde içerik analizi kullanılmış olup veriler sayısal değerlerle ifade edilmiştir. Bu çalışma sonucunda öğretmen adaylarının müziğe, müzik etkinlikleri kapsamındaki çalışmalara, müzik etkinliklerinde öğretmenin ve çocuğun rolüne yönelik (n=959) farklı metafor ürettikleri sonucuna ulaşılmıştır. Ayrıca öğretmen adaylarının müzik derslerinde edindikleri bilgilerin ve uygulamalar sırasında kazandıkları deneyimlerin, ürettikleri metaforlar üzerinde etkili olduğu belirlenmiştir.

IDENTIFYING EARLY CHILDHOOD TEACHER CANDIDATES’ MUSIC PERCEPTIONS

Entering individuals from the time they are in their mothers’wombs, music is a representative art of our emotions and thoughts anda lifelong essential need. At the same time, music can support alldevelopmental domains of children through various musical experiences,and it is used in education efficiently since early childhood. Musicalactivities should be prepared in a systematic way so that preschoolersfully benefit from music. Within the scope of these such prepared musicalactivities in preschool, there are practices such as breathing and singing,audio listening, producing, distinguishing, creative movement and dance,rhythm and musical story experiences. Teachers should possess thenecessary knowledge and abilities to ensure the efficiency of musicalactivities in preschool. Thus, the determination of the teachers’perceptions towards music is of crucial importance, since they will planand apply these activities in classes. In this sense, the aim of the studyis to determine preschool teacher candidates’ perceptions towards musicthrough metaphors. The study was designed using the phenomenologicalresearch method which is one of the qualitative research methods. Thestudy sample included 123 second year preschool teacher candidatesstudying at Afyon Kocatepe University, Education Faculty, PreschoolEducation Department, during the 2016-2017 academic year, fall term.A form which consisted of eight open-ended questions, was used as adata collection instrument in the study. The data was analyzed usingcontent analysis, and it was represented with numerical values. Thestudy results show that the participant teacher candidates produced different metaphors regarding music, musical activities, the roles ofteachers and children in these activities (n=959). Additionally, it wasrevealed that the knowledge and experiences the participant teachercandidates had acquired during music courses had effects on theirmetaphors.

___

  • Acay Sözbir, S., & Çamlıbel Çakmak, Ö. (2016). Metaphorical perceptions of pre-school teacher candidates about music. The Journal of Academic Social Science Studies, 42, 269-282.
  • Arslan, A. (2003). The importance of music and song teaching. In M. Sevinç (Eds.), Development in Early Childhood and New Approaches in Education (pp 291-296) İstanbul: Morpa Culture Publishing.
  • Arslan, M. M., & Bayrakçı, M. (2006). The investigastion of metaphoric thinking and teaching approaches about education-teaching. National Education Journal, 171, 100-108.
  • Artan, İ. (2014). Creative movement and dance practice. In I. Artan (Eds.), Preschool Education In Every Aspects (pp 80-123). Ankara: Hedef Publishing.
  • Artan, İ., & Bencik Kangal, S. (2014). Musical stories. In I. Artan (Eds.), Preschool Education In Every Aspects (pp 126-146). Ankara: Hedef Publishing.
  • Babacan, E. (2014). Agsl student’s perception of music concept: metaphor analysis. Journal of Research in Education and Teaching, 3(1), 124-132.
  • Bal, S., & Artan, İ. (1995). Meeting the Voices. İstanbul: Ya-Pa Publishing.
  • Bencik Kangal, S. (2014). Listening voice, distinguish-production voice studyings. In I. Artan (Eds.), Preschool Education In Every Aspects (pp 70-78). Ankara: Hedef Publishing.
  • Bulut, D., & Aktaş, A. (2014). Implementation status of musical activities in education program by preschool teachers (sample of Niğde province). The Journal of Academic Social Science Studies, 25(1), 21-34.
  • Cano, R. L. (2003). Setting the body in music. Music and gesture inretnational conference http://www.geocities.com/lopezcano/articulos/sbm.pdf
  • Cerit, Y. (2008). Students, teachers and administrators' views on metaphors with respect to the concept of principal. Education and Science, 33(147), 3-12.
  • Cox, G. (2001). Teaching music in schools. In C. Philpott & C. Plummeridge (Eds.), Issues in music teaching (pp. 9-20). London: Routledge/Falmer.
  • Çilden, Ş. (2001). Music, child development and learning. Gazi Education Faculty Journal, 21, 1- 18.
  • Çoban, A., & Çeçen, M. A. (2013). The perceptions of Turkish preservice teachers regarding drama practices. Journal of Theory and Practice in Education, 9(4), 334-353.
  • Dikici Sığırtmaç, A. (2014). Music and development. Preschool Education In Every Aspects (pp 16- 29). Ankara: Hedef Publishing.
  • Eliason, C., & Jenkins, L. (2003). A pratical guide to early childhood curriculum. Upper Saddle River, NJ: Merill.
  • Fox, D. B. (1991). Music, development and young child. Music Educators Journal, 77(5), 42-46.
  • Girmen, P. (2007). The capacity of the primary students’ usage of metaphors in the speaking and writing expression. Unpublished Phd Thesis, Anadolu Üniversitesi, Eskişehir.
  • Gruhn, W. (2005). Children need music. International Journal of Music Education, 23(2), 99-101.
  • Gültek, B. 2002. Positive Effects of Music on Children. Çoluk- Çocuk Dergisi, 11, 1-29.
  • Güveli, E., İpek, S., Atasay, E., & Güveli, H. (2011). Prospective primary teachers’ metaphorical perceptions towards mathematics. Turkish Journal of Computer and Mathematics Education, 2(2), 140-159.
  • Kangsoon, L. (1998). Guidelines for creative dance instruction for kindergarten children in Korea, New-York University. Umi No: 9908275
  • Kaya, H. (2010). Metaphors developed by secondary school students towards “earthquake” concept. Educatioanl Research and Review, 5(1), 712-718.
  • Kemple, K.M., Batey, J. J., & Hartle, L.C. (2004). Creating enters for musical play and exploration. National Assocaition for the Education of Young Children, 59, 30-37.
  • Kim, J. (1998). The effects of creative dance istruction on creative and critical thinking of seventh grade female students in Seoul, Korea, School of Education New York University, USA. UMI No: 9832748.
  • Lazdauskas, H. (1996). Music makes the school go round. Young Children, 51(5), 22-23.
  • Levinowitz, L. M. (1999). The importance of music in early childhood. Music Educators Journal, 86(1), 17-18.
  • Lew, J.C.T., & Campbell, P. S. (2005). Children's natural and necessary musical play: global contexts, local applications. Music Educators Journal, 91(5), 57-62.
  • Macnaughton, G., & Williams, G. (2004). Singing, teaching young children. Australia: Open University Press.
  • Matter, D. E. (1982). Musical development in young children. Childhood Education, 58(5), 305-307.
  • MENC: The National Association for Music Education (1999). The K-12 National Standarts, PreK Standarts, And What They Mean to. USA. Retrieved from: http:// musiced.nafme.org/resources/the-school-music-program-a-new-vision/
  • Mertoğlu E. (2002). Investigation of 5-6 year old pre-schoolers rhythm perceptions. Unpublished PhD thesis, İstanbul Teknik Üniversitesi, İstanbul.
  • Mertoğlu, E. (2003). Music and rhytme education. Development in Early Childhood and New Approaches in Education (pp. 282-289) İstanbul: Morpa Culture Publishing.
  • Mertoğlu, E. (2014a). Breathing and teaching songs practices. In I. Artan (Eds.), Preschool Education In Every Aspects (pp 58-65). Ankara: Hedef Publishing.
  • Mertoğlu, E. (2014b). Rhytme practice. In I. Artan (Eds.), Preschool Education In Every Aspects (pp 58-65). Ankara: Hedef Publishing.
  • Morin, F. L. (2001). Cultivating music play: The need for changed teaching practice. General Music Today, 14(2), 24-30.
  • Newnam, H. M. (2001). The effects of participation in selected dance activities on self-efiicacy and movement skills in children with educable mental retardation. The Florida State University, College of Education. Retrived from: https://elibrary.ru/item.asp?id=5259504
  • Olesch, S. M. (1994). Enhancing the self-esteem of mildly retarded adult females through dance treatment. Adler School of Professional Phsycology. UMI No: 9434620.
  • Ödemiş, M., & Adiloğulları, İ. (2016). Does 12-week Latin dance training affect the self-confidence of the university students? Journal of Education and Learning, 5(4), 159-164.
  • Ömeroğlu, E., Ersoy, Ö., Kandır, A., & Turla, A. (2006). Using music in preschool education. (2nd ed.). Ankara: Kök Publishing.
  • Özden, Y. (2011). Learning and teaching. (11nd ed.). Ankara:PegemA Publishing.
  • Özevin Tokinan, B., & Bilen, S. (2007). Preschool education and creative dance. Ege Eğitim Dergisi, (8)2, 69–85.
  • Özmenteş, G. (2007). Body-mental relationship in music, 38. International Congress of Asian and North African Studies (10-15.09.20017), Ankara: Fayton Publishing.
  • Plummeridge, C. (2001). The justification for music education. In C. Philpott & C. Plummeridge (Eds.), Issues In Music Teaching (pp. 21 – 31). London: Routledge/Falmer.
  • Riley, A. (1984). The interrelationships and effects of creative dance on the physical self-esteem, body image and problem solving of grade four children. EdD thesis, University of Toronto, Canada.
  • Saban, A. (2004). Entry level prospective classroom teachers’ metaphors about the concept of “teacher”. Türk Eğitim Bilimleri Dergisi, 2(2), 189-203, Ankara.
  • Saban, A. (2009). Prospective teachers’ mental images about the concept of student Türk Eğitim Bilimleri Dergisi, 7(2), 281-326.
  • Scott Kassner, C. (1999). Developing teachers for early childhood programs. Music Educators Journal, 86(1), 19-25.
  • Sever, S. (2015). Primary school students’ musical images in their pictures and its’ relationship with the music lessons at school. İlköğretim Online, 14(2), 538-556.
  • Sığırtmaç, A. (2002). Music education in preschool. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 9(9), 30-39.
  • Smith-Autard, J. M. (2002). The art of dance in education (2nd Edition). London: A&C Black.
  • Sökezoğlu, D. (2010). The influence of music education with rhythm, action and song teaching on the social development of the orphanage students between the age 7-11 (The sample of Afyonkarahisar), Afyon Kocatepe Üniversitesi Sosyal Bilimler Dergisi, 12(2), 161-181.
  • Strickland, E. (2001). Move to the music. Early Childhood Today, 15(4): 36-38
  • Sun, M., & Seyrek, H. (2002). Okul Öncesi Eğitimde Müzik. İzmir: Mey Müzik Eserleri Yayınları.
  • Suthers, L. (2001). Toddler diary: A study of development and learning through music in the second year of life. Early Child Development and Care. 171, 21-32.
  • Tez, İ. (2016). Investigating the secondary school students' perceptions in regard to concepts of music - music lesson and music teacher through the metaphors. Master’s thesis, Niğde Üniversitesi, Niğde.
  • Theodorakou, K., & Zervas, Y. (2003). The effects of creative movement teaching method and the traditional teaching method on elementary school childrens self-esteem. Sport, Education and Society, 8(1), 91-104.
  • Tobin. K., & La Master, S. U. (1992). An interpretation of high school science teaching based on metaphors and beliefs for specific roles. In E. W. Ross, J. W. Comett, and G. McCutcheon (Eds.), Teacher Personal Theorizing: Connecting Curriculum, Practice, Theory, Research (pp.115-136). New York: State University Press.
  • Tokinan, O. B. (2008). The effects of creative dancing activities on motivation, self-esteem, self- efficacy and dancing performance. Master’s thesis, Dokuz Eylül Üniversitesi, İzmir.
  • Turner, M. E. (1999). Child-centered learning and music programs. Music Educators Journal, 86 (1), 30-35.
  • Umuzdaş, S., & Umuzdaş, S. (2013). An analysis of the student classroom teachers’ perceptions about the music course through metaphors. International Journal of Human Sciences, 10(1), 719-729.
  • Van Der Linde, C. (1999). The relationship between play and music in early childhood educational insights. Education, 119(4), 610-616.
  • Yazıcı, T. (2015). Metaphorical perceptions of class teacher candidates in relation to “music course” concept. Educational Research and Reviews. 10(24), 2937-2943.
  • Yıldırım A. ve H. Şimşek. (2011). Qualitative research methods. Ankara: Seçkin Publishing.
  • Young, V. (2001). Teacher development in music. In C. Philpott & C. Plummeridge (Eds.), Issues In Music Teaching (pp. 209-223). London: Routledge/Falmer.
  • Zangwill, N. (2007). Music, Metaphor, and Emotion. The Journal of Aesthetics and Art Criticism, 65(4), 391-400.