21. Yüzyılda Çift Müzikliliği Yeniden Değerlendirmek: Bir Göçmenin Bakışı

Abstract Re-evaluating Bimusicality in and for the 21st Century: An Immigrant’s Perspective Mehmet Ali Sanlıkol* After laying out the complexities of the globalism that surrounds us in the 21st century, this paper attempts to offer some reflections considering the experiences of immigrants against the background of thinking on the sub- ject of bimusicality in ethnomusicology. Özet Bu bildiri, 21. yüzyılda bizi çevreleyen küreselleşmenin ihtiva ettiği karma- şıklıkları irdeleyip etnomüzikoloji disiplininde çift müziklilik konusu üze- rine yapılmış çalışmalar ışığında göçmenlerin tecrübelerini değerlendirerek çeşitli fikir ve düşünceler öne sürecektir.

Anahtar Kelimeler:

çiftmüziklilik, göçmenin bakış açısı, müzikleme, etnomüzikoloji

Re-Evaluating Bimusicality in and for The 21st Century: An Immigrant’s Perspective

Keywords:

Bimusicality, immigrant'perspective, ethnomusicology, musicking,

PDF

___

Referans1 J. (2007). Ethnomusicology, intermusability, and performance practice. In H. Stobart (Ed.), The new (ethno)musicologies (pp. 121–138). Lanham, Maryland:Scarecrow Press.
Referans2 S. (2007). Local bimusicality among London’s freelance musicians. Ethnomusicology, 51(1), 85–105.
Referans 3 S. (2010). What time is it there? Cambridge: Polity Press.
Referans 4 M. (1960). The challenge of bi-musicality. Ethnomusicology, 4(2), 55–59.
Referans 5I. (2009). The Master and his Emissary: The Divided Brain and the making of the Western World. New Haven and London: Yale University Press.
Referans 6 A. (2004). Age, Accent, and Experience in Second Language Acquisition: An Integrated Approach to Critical Period Inquiry. Clevedon, Buffalo, Toronto, Sydney: Multilingual Matters.
Titon, J. (1995). Bi-musicality as metaphor. The Journal of American Folklore, 108 (429), 287–297.
Tokita, A. (2014). Bi-musicality in modern Japanese culture. International Journal of Bilingualism, Vol. 18(2), 159–174.