KAFKA’NIN “BİR KÖY DOKTORU” HİKÂYESİNDE TEKİNSİZ EVLER VE EVSİZLİK

Bu makale, Kafka’nın “Bir Köy Doktoru” hikâyesinde metaforik olarak “varlık” anlamına da gelen “ev” teması üzerinde durmaktadır. Ev kavramını hem asıl itibariyle (uzamsal olarak), hem de metaforik olarak (var olma hali) olarak ele alarak, hikâyenin bu kavramı kişisel gizlilik ve kamusal ifşa arasındaki çekişmeli ilişki üzerinden nasıl kurduğunu gösteriyoruz. Hastanın evi toplumsal baskıların arka bahçesi olarak temsil edilirken, doktorun evi kendi varlığına ve evine sahip olmayı engelleyen cinsel dürtüler tarafından yönetilmektedir. Bu her iki ev de doktorun “evsizliğinin” bir temsilidir. Dolayısıyla, Kafka’nın klostrofobik edebi dünyasında doktorun ya da herhangi başka birinin kendi şahsiyetinin mahreminde ya da başkalarıyla huzur içinde evinde hissedebileceği bir ev gerçekte bulunmamaktadır. 

THE UNCANNY HOMES AND HOMELESSNESS IN KAFKA’S “A COUNTRY DOCTOR”

This article focuses on the topos “house” which acts as a metaphor for “being” in Kafka’s short story “A Country Doctor.” We handle the notion of the house both literally (spatially) and metaphorically (as one’s being), demonstrating the ways in which the story constructs the house on the contentious relationship between individual privacy and public revelation. While the patient’s house is a playground for societal pressures that demand public exposure, the doctor's house is controlled by sexual forces that demand secrecy, preventing him from taking full ownership of the house or his own being. Both houses are representations of the doctor’s homelessness. There is indeed no house in Kafka’s claustrophobic literary world where one can fully feel at home, i.e. in peace with his own private being and in comfort with others. 

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