KATAR’DA KÜLTÜR, MİRAS VE MÜZE ÇALIŞMALARI

Dünya 2000’lerin ortasından itibaren Arap Körfezi’ndeki “yeni müzeleri” yakından izlemektedir.1970'e kadar, Bahreyn, Birleşik Arap Emirlikleri, Kuveyt ve Katar gibi eski İngiliz sömürgelerindemüzelerin kültürel bir politika ile tanınmasını önerecek hiçbir gelişme yaşanmamıştır. 1960'larınsonlarında bölgede kültürel mirası gururla sergileyecek müzeler açılmaya başlamıştır. Katar’ın ulusalmirasını koruma, Arap kimliğini geliştirmeyi amaçlayan Katar Müzeleri, ülkenin bölgedeki gücünü,geleneksel bedevi yaşam tarzını, Al Thani hanedanının egemenliğiyle birlikte petrol sonrasımodernleşme dönemini ve göçle birlikte gelişen yeni Doha kimliğini yansıtmaktadır. Bu gelişmelerinsonucu olarak Katar müzeleri, ulusal kimliği temsil eden nesneleri sınıflandırmakta; teknolojiktasarımlarla sunmakta ve cazibe merkezleri haline gelmektedir. Bu çalışmada, Arap Körfezi’ndekimüzeciliğin gelişiminden hareketle Katar’daki müzelerin amaç ve işlevlerine genel bir bakış sunmakamaçlanmaktadır. Bu amaç doğrultusunda Katar Ulusal Müzesi, İslam Sanatları Müzesi ve MathafÇağdaş Sanatlar Müzesi’nin uluslararası izleyici kitlesi için kendine özgü kimlikleri geliştirmekamacıyla miras nesneleri üzerinden izledikleri müzecilik yaklaşımı değerlendirilmiştir.

CULTURE, HERITAGE AND MUSEUM STUDIES IN QATAR

World has been closely monitoring the new museums in the Arabian Gulf since the mid-2000s. Until the 1970s, there were no developments in the old British colonies, such as Bahrain, the United Arab Emirates, Kuwait and Qatar which would largely promote cultural recognition of museums. In the late 1960s, studies for museums concerned about historical development in the region. Qatar Museums aim to emphasize the need to preserve Qatar's national heritage and to develop Arab identity. These museums classify the objects representing the identity of Qatar; technology with digital design that push the boundaries and make these regions the center of attraction. The aim of this study is to provide an overview of the forms and functions of museums in Qatar. For this purpose, Qatar National Museum, Museum of Islamic Arts and Mathaf Museum of Contemporary Arts were evaluated through Qatar museums' local approach to cultural heritage to develop unique identities for the international audience.

___

  • Abdi, K. (2007). “The Name Game: The Persian Gulf, Archaeologists, and the Politics of Arab-Iranian Relations”, Selective Remembrances: Archaeology in the Construction, Commemoration, and Consecration of National Pasts içinde, ed. Phil L. Kohl, Mara Kozelsky and Nahman Ben-Yehuda, Chicago, IL: University of Chicago Press, p.206–243.
  • AI-Mulla, I. M. (2013). Museums in Qatar: Creating Narratives of History, Economics and Cultural Co-Operation, Unpublished Doctor of Philosophy, UK: the University of Leeds: School of Fine Art, History of Art and Cultural Studies.
  • Artun, A. (2015). Çağdaş Sanatın Örgütlenmesi, İstanbul: İletişim Yayınları.
  • Artun, A. (2017). Mümkün Olmayan Müze, İstanbul: İletişim Yayıncılık.
  • Barbour B. (2012). Salvaging Memory: The Msheireb Arts Centre (MAC) and the Echo Memory Project, Unpublished Essay, United States of America.
  • Bouchenaki, M. (2011). “The Extraordinary Development of Museums in the Gulf States”, Museum International, 63(3-4), p.93-103.
  • Buchli, V. and Lucas, G. (2001). “The Archaeology of Alienation: A Late Twentieth Century British Council House”, The Archaeology of the Contemporary Past, ed. Victor Buchli, London: Routledge, p.158-167.
  • Exell, K. (2016). “Desiring the Past and Reimagining the Present: Contemporary Collecting in Qatar”, Museum & Society, 14 (2), p.259-274.
  • Exell, K. ve Rico, T. (2013). “There is No Heritage in Qatar: Orientalism, Colonialism and Other Problematic Histories”, World Archaeology, 45 (4), p.670-685.
  • Fibiger, T. (2011). “Global Display-Local Dismay: Debating “Globalized Heritage” in Bahrain”, History and Anthropology, 22 (2), p.187–202.
  • Hooper-Greenhill, E. (2007). Museums and Education, Purpose, Pedagogy, Performance, UK: Routledge.
  • Kapiszewski, A. (2016). “Arab Versus Asian Migrant Workers in the GCC Countries”, South Asian Migration to Gulf Countries: History, Policies, Development, ed. Prakash C. Jain, Ginu Zacharia Oommen, UK: Routledge, p.46-70.
  • Karp, K., Kratz, C. A., Szwaja, L. and Ybarra-Frausto, T. (2006). Museums Frictions: Public Cultures, Global Transformations, ed. Ivan Karp, USA: Duke University Press.
  • Kazerouni, A. (2014). Mirrors of the New Order: Museums in the Arab Principalities of the Persian Gulf between 1991 and 2011, Unpublished Lecture, 19th Dar al-Athar al-Islamiyyah Cultural Season, January, Kuwait: Al Maidan Cultural Centre.
  • Lord, G. D. (2007). “Museums, lifelong learning, and civil society”, The Manuel of Museum Learning, ed. Lord, B., New York: Alta Mira Press, p.5-9.
  • Mason, R. (2006). “Cultural Theory and Museum Studies”, A Companion to Museum Studies, ed. S. McDonald, p.17-32, UK: Blackwell Publishing.
  • McClellan, A. (2012). “Museum Expansion in the Twenty-First Century: Abu Dhabi”, Journal of Curatorial Studies, 1(3), p.271-293.
  • Merrick, J. (2019). Desert Rose, Oryx, May, p.62-68, Qatar: Qatar Airways. Miller, D. (2008). The Comfort of Things, Cambridge: Polity Press.
  • Peterson, E. J. (2006). “Qatar and the World: Branding for a Micro-State”, Middle East Journal, 60 (4), p.732-748.
  • Raban, J. (1987). Arabia Through the Looking Glass, UK: Pan Books Ltd.
  • Rice, M. (1977). “National Museum of Qatar, Doha”, Museum International, 29 (2-3), p.78- 87.
  • Talboys, K. G. (2006). Museum Educator’s Handbook, (2nd ed.), England: Ashgate Publishing.
  • Torch, C. (2010). European Museums and Interculture, Responding to Challenges in a Globalized World, European Council Report, Sweden: Stockholm.
  • Ulrichsen, K. C. (2011). Insecure Gulf: The End of Certainty and the Transition to the PostOil Era, London: Hurst and Company.
  • Wright, S. (2011). “Qatar”, Power and Politics in the Persian Gulf Monarchies in, ed. Christopher Davidson, London: Hurst and Company, p.113-133.
  • Yıldırım, A. ve Şimşek, H. (2006). Sosyal Bilimlerde Nitel Araştırma Yöntemleri, Ankara: Seçkin Yayıncılık.
  • Zahlan, S. R. (1989). The Making Modern Gulf States: Modern Gulf States, London: Billing and Sons Ltd.
  • İnternet Kaynakları
  • Artun, A. (2014). “Sanatın Özerkliği Üzerine”, http://www.aliartun.com/yazilar/sanatinozerkligi-uzerine/, Erişim tarihi: 06.07.2019.
  • Batty, D. (2012). “The Rise of the Gulf Art Scene”, The Guardian, 16 April, https://www.theguardian.com/artanddesign/2012/apr/16/rise-of-gulf-art-scene, Erişim tarihi: 10.08.2019.
  • Hossenally, R. (2012). “Qatar's Royal Patronage of the Arts: Glittering but Empty”, New York Times, 29 February, http://www.nytimes.com/2012/03/01/world/middleeast/qatars-royalpatronage-of-the-arts-glittering-but-empty.html?pagewanted=all&_r=0, Erişim tarihi: 07.08.2018.
  • Merrick, J. (2008). “Xanadu Reborn: New Museum of Islamic Arts”, The Independent, 25 November, https://www.independent.co.uk/artsentertainment/architecture/xanadureborn -new-museum-of-islamic-art-1033645.html, Erişim tarihi: 10.06.2019.
  • Ouroussoff, N. (2010). “Building Museums and a Fresh Arab Identity”, The New York Times, 26:1 - 6, https://www.3quarksdaily.com/3quarksdaily/2010/11/building-museums-and-afresh-arab-identity.html, Erişim tarihi: 16.09.2019.
  • Pratomo, W.; Provoost, K. (2017). “Why IM Pei’s Museum of Islamic Art is the Perfect Building to Suit Doha’s Style?”, ArchDaily, 6 March, https://www.archdaily.com/867307/ why-im-peis-museum-of-islamic-art-is-the-perfect-building-to-suit-dohas-style, Erişim tarihi: 07.06.2019.
  • Sherwood, S. (2006). “Is Qatar the Next Dubai?”, The New York Times, https://www. nytimes.com/2006/06/04/travel/04qatar.html?pagewante, Erişim tarihi: 10.05.2019.
  • Görsel Kaynaklar
  • Görsel 1. Qatar Museums 2019, http://www.qm.org.qa/en Erişim tarihi: 27.09.2019.
  • Görsel 2. Ceren Karadeniz arşivi, 2019.
  • Görsel 3. Louvre Abu Dhabi Museum 2019, https://www.louvreabudhabi.ae/?utm _source= GMB&utm_medium=organic&utm_campaign=louvre-abu-dhabi, Erişim tarihi: 27.09.2019.
  • Görsel 4. Ceren Karadeniz arşivi, 2019.
  • Görsel 5. Ceren Karadeniz arşivi, 2019.
  • Görsel 6. Ceren Karadeniz arşivi, 2019.
  • Görsel 7. Ceren Karadeniz arşivi, 2019.
  • Görsel 8. Ceren Karadeniz arşivi, 2019.
  • Görsel 9. Woods Bagot Architects, 2011, https://www.e-architect.co.uk Erişim tarihi: 10.09.2019.
  • Görsel 10. Ceren Karadeniz arşivi, 2019.
  • Görsel 11. Ceren Karadeniz arşivi, 2019.
  • Görsel 12. Ceren Karadeniz arşivi, 2019.
  • Görsel 13. Ceren Karadeniz arşivi, 2019.
  • Görsel 14. Mathaf, 2019, http://www.mathaf.org.qa/en/ Erişim tarihi: 09.110.2019.
  • Görsel 15. Mathaf, 2019, http://www.mathaf.org.qa/en/ Erişim tarihi: 09.110.2019.
  • Görsel 16. Msheireb Sanat Bölgesi, Erişim Kaynağı: Exell, K. (2016), Modernity and the Museum in the Arabian Peninsula, London and New York: Routledge, Erişim tarihi: 25.09.2019.