Summary: this research Highlights the poetry of Ibn al-Jazar generally, and Monitoring the technical features that distinguish his elegy especially, on the poetry, which was issued for talent poet in the lament of some princes and friends revealing feature of the features of the conflict in the Ottoman era the one hand, and on the evolution of social relations between different races and denominations considered through elegy of poet to his friends on the other. The research also monitors how to paint the image of dead. with depending on modern critical Curriculum who depends on tools of language, rhetoric, and depends on the induction and the analysis and monitoring of the linguistic phenomena that contributed to the distinction poet for other poets. Introduction: Despite the plenty of poetry of Ibn al-Jazari and its distinctiveness technical features that make it worthy to study, but we have not seen from scholars and researchers interested in it. Although critics considered Ibn al-Jazari poet of praise, however, the verses that Ibn al-Jazari said to lament some of the princes of Sayfa, Jnbulad and others revealing the demonstrates technical excellence. Perhaps the most important features of these integrated picture that he used to say about dead. Ibn al-Jazari grew up in Aleppo, "the Ottoman period, memorized the Koran, and then went to the education rings and writers, and opened his poetic talent early, and intended to princes and rulers in Damascus, Iraq, and entered Constantinople, and chosen by Sayfa princes of Tripoli for themselves; and wrote them a lot of praise poems". The mention of Ibn al-Jazari in the books of his contemporaries not commensurate with his poetical talent, not merely mentioned in some of 4 Karim ABDELDAİM Turkish Studies International Periodical for the Languages, Literature and History of Turkish or Turkic Volume 11/15 Summer 2016 them only a brief signals, or short phrases accompanied by some verses, ibn masum said about him: "one of the poets who phrased poems. the master of poem's secrets. the hunter of the firstborn of ideas. with his poetical talent he opened the closed door of the eloquence". Khafaji was translated to him and talked about his meeting with him by praising him and regretting his short Life "I saw him in Constantinople, a young man dragging his robe of youth and etiquette, his bright moon is sighted on the horizon, and his bright face foreshadow his general intelligence, and he went along to the glory road uninhibited, actively, but he died after short Lif . and Almohba said about him that "in his poetry collection between compose and tenderness". Research importance: Historical feature: because of The importance of the historical period in which the poet lived in it, as terms of the spread of the wars of the Ottoman Empire externally, and the proliferation of internal conflict between them and some of the states on the one hand, and the conflict between the states each other; make the study of poet's lament for the princes which were parties to the conflict, and they lost their lives, more important. Which enriches the historical research by the multiplicity of ways in which draws from them substance and diversity to include more than one aspect of life in that era. Because of the vision of the poet of the event that may have violated the historian who underlines by his pen Informations without emotions, while the poet translates his feelings towards things, his suffering, his blessing, and his saddening to bursts of poetry and images affect in the recipient, and then reacts with them and see the event through the vision of the poet. The poet when he senses the smell of death " he feels appalling slap was pointed to his heart, because the destiny injured him by his son or his father or his brother, and he reeling from the horror injury like slaughtered, because of this poet is weeping with many tears, and regulating poems to reveal anguish of his heart and its injured. Trying to have seen, and he sees death overlooking his sights, which descended into its cavity, and there is no one to give a hand, and he is trying to call for help but there is no help; the mouth of the abyss approaching him and it is about to eat him. Hence he is crying and he is putting the crying on guitar of poetry which composed all the pain and sorrows in sad music. Social feature: Beside the political feature, Ibn al-Jazari's lament to those princes, there is a side of social looms particularly in some verses of lament which he wrote for a friend of his, perhaps revealing a manifestation of the fusion of ethnic and religious communities annexed by the Ottoman Empire and characterized; in one pot, surpassing ethnic and religious boundaries. Technical and stylistic feature: It is striking that Ibn al-Jazari did not give full space to lament - to be considered a mean purpose- in his poems, but he gave a little space to it, but the lamentation was generally mixed with praise; where he used to lament the son of praised one or his father or one of his family's member within the long poems, and the mean purpose of those poems is praise, and the lamentation came for this 5 صورة المرثي في شعر ابن الجزري Turkish Studies International Periodical for the Languages, Literature and History of Turkish or Turkic Volume 11/15 Summer 2016 purpose, and in each, Ibn al-Jazari draw a picture for the dead one -both pure lamentation and mixed with praise, the research is trying to detect the lines and tools; to see some of the features that characterized the poet in a lamentation style. Study plan: the research for revealing the poet's style in lamentation in general and his created Image for dead especially; is based on the modern stylistic curriculum, which draws its tools from language and rhetoric. and revealing the stylistic' levels: phonology, morphology, syntacticm, imaging and semantics, and collecting them together, out of the extended image consisting of partial images. and monitoring the contribution of partial images and the rest of the stylistic levels. The research is divided on: An introduction, the importance of research, the study plan, an extended five images: - The life of another kind. - The life and honor. - Struggle with death. - Self-pity. - Honesty and redemption. Conclusion poetry of Ibn al-Jazari in lamentation characterizes in imaging partial images which joined together to form the extended images, to make it he used -beside image- the stylistic' levels: phonology, morphology, syntacticm, and semantics, so that the tools of phonology, morphology, syntacticm, and semantics contributed contributed with pictorial tools in imaging partial images, especially opposite phonemes that hade contribution in reinforcing the images and giving them an meaning of commons. and the contribution of a repeated phonemes in the strengthening of ties between the compositions, which was reflected on the images. and the contribution of acoustically clear phonemes in giving clarity to images. and contribution of sapphires phonemes in suggesting the spread of images and breadth. and the contribution of some morphological variations such as a formula "afala" in bringing efficiency in the provision of other life requirements for dead. and the Past tense contributed to confirm the images and the possibility realized. and the contribution of some synthetic templates such as the conjunction and description to highlight aspects of the images and colors. and the contribution of some of the structural phenomena such as the presentation and the delay in honoring the dead by restricting what gives him life. and the contribution of the poet's choices of words with suggestive connotations, in servicing the images of the dead. and the image of the Dead reflects some aspects of which political side, particularly the conflict between the states in the Ottoman Empire. Social side reagent for the manifestation of the fusion of ethnic and religious communities annexed by the Ottoman Empire and characterized; in one pot, surpassing ethnic and religious boundaries.