Bu araştırmada resimlerini yaparken insanoğlunun varoluş karşısındaki çaresizliğinin, yalnızlığının ve tutsaklığının farkına varan bireyin tedirgin ruh halinden yola çıkarak bunu sorunsallaştıran Atilla Galip Pınar'ın çalışmalarındaki imgeler sembolik açıdan irdelenerek değerlendirilmiştir. Bu değerlendirmenin yapılabilmesi için öncelikle kaynaklar taranmış, sanatçıyla ilgili önceki yıllarda yazılmış yazılar ve yapılmış röportajlar incelenmiş, kendisiyle yüz yüze yapılan röportaj sonucunda sanatçının işleri hakkında çok yönlü bir bakış açısı oluşturulmaya çalışılmıştır. Sanatçının gerek ulusal gerekse uluslararası müzelerde sergilenen eserleri ve basılı kaynaklar incelenerek edinilen bilgiler doğrultusunda sanatçının bu bağlamdaki eserleri tespit edilmiş ve orijinal eserler üzerinden incelemeler yapılmıştır. Yapılan incelemeler neticesinde insan ve doğa ilişkisini temel alan çalışmalarıyla sanatçı, özellikle günümüz insanının maddeselliğe indirgenmiş genel bilinç düzeyine eleştiriler yöneltiyor denebilir. Atilla Galip'e göre, belki her dönemden daha karmaşık bir karanlığın içerisinde debelenen insanoğlu maddesellikle anlamsızlaştırmaktadır. Özünden her gün biraz daha uzaklaşan insanoğlu kendini sarmalayan maddesellikle körleşmiş, körleştikçe de giderek doğadan daha çok kopmuştur. Kaosun, kısırdöngünün, kötülüğün alabildiğine hüküm sürdüğü günümüz dünyasında insanın yaşam dengesini sürdürebilmesi ise ancak öz-gerçekliğine doğru yönelmesiyle bir nebze mümkün olabilir. Bu da ancak doğaya dönüşle mümkün olacaktır. Fakat kişinin yapacağı bu yolculukta karşılaşacağı 'şey' muhtemelen beklediği saflıkta ve iyilikte olmayacaktır. Bu da sanatçının sembolleştirilmektedir. Figür, renk ve form seçimlerinin titizlikle yapıldığı çalışmalarında sanatçı varoluşu çeşitli sembollerle görselleştirmektedir. Ürkmüş ve bağıran bu hayvan imgeleri, insanla özdeşleştirilerek bir nevi varoluş karşısındaki çaresizliği ve tedirginliği yansıtmaktadır. Her imge ekosistemde olduğu gibi sanatçının eserlerinde de hem birbirine bağlıdır hem de birbirine dönüşmektedir. Sanatçının eserlerinde dikkati çeken başka bir öge de doğayla bağlarını kendi elleriyle koparmaya çalışan günümüz insanının tasviridir. Elinde makas ile bu bağları keserken betimlenen bu imge bir nevi kendi sonunu elleriyle hazırlamaktadır. Tüm bu unsurların birlikteliğini betimlerken kullanacağı renkleri ve formları, psikolojik yansımalarını dikkate alarak titizlikle seçen sanatçı sonuçta, kaotik bir uyumun egemen olduğu, ontolojik düşünce katmanlarından oluşan, güçlü eserler ortaya çıkarmıştır

In this study, the helplessness of mankind's existence while pictures of opposite, the individual prisoner of loneliness and unsettled spirit based on camper, Ali Galip Pınar's work was evaluated by the symbolic aspect of the images are discussed. In order to do this assessment resources are scanned, handwritten in previous years about the artist and interviews examined the interview face to face as a result of the artist's works as we tried to create a versatile perspective. The artist exhibited in museums both national and international works and printed resources according to information obtained by examining the artist's works are in this context have been identified through the review of the original artifacts. As a result of the investigation is based on the relationship between man and nature with the work of the artist, especially of modern man to the level of reduced material slams global consciousness. According to Atilla Galip, maybe in a more complicated every time darkness, struggling human beings materially avun, so short life more. It was rotted from the every day is a little more dull, blind yourself and embrace human beings who may be materially more than nature was increasingly lost. Chaos reigned the grandeur of the vicious circle of evil in today's world but maintain the balance of self lives-you may be able to correct a little bit not miss reality. However this will be able to return to nature. But people will face this journey of ' thing ' will not be probably expects a purity and good. This is the work of the artist becomes the symbol with images writhing in pain. The figure, color and form of the work was done with various symbol way of the artist meticulously visual confusion. Frightened, and b that's a kind of animal images, human helplessness and anxiety across the reflects existence. Each image is in the works of artists such as ecosystem and depend on each other as well as to each other. Another striking element in his works also depends on the nature of modern man who tried to pull off her own portrayal. Scissors cut this with ties to pictured this image kind of own destruction with his hands. All of these elements together will use to describe the colors and forms, taking into account the psychological image meticulously San result, chaotic harmony artist dominated, ontological thought layer, consisting of powerful artifacts. In this study, the helplessness of mankind's existence while pictures of opposite, the individual prisoner of loneliness and unsettled spirit based on camper, Ali Galip Pınar's work was evaluated by the symbolic aspect of the images are discussed. In order to do this assessment resources are scanned, handwritten in previous years about the artist and interviews examined the interview face to face as a result of the artist's works as we tried to create a versatile perspective. The artist exhibited in museums both national and international works and printed resources according to information obtained by examining the artist's works are in this context have been identified through the review of the original artifacts. As a result of the investigation is based on the relationship between man and nature with the work of the artist, especially of modern man to the level of reduced material slams global consciousness. Artist Atilla Galip Pınar, artist at work, being the opposite of helplessness, loneliness and anxious mood of the person who was aware of captivity; figure, color and form in which the elections scrupulously reflect the extensive and high-energy composition. Being opposite of ignorance, of transience, of helplessness, loneliness and imprisonment of up to realize individual, it turns into an uneasy spirit. Awareness, continuous and more intense state receives that person is faced with a sigh nausea and alienated. With this individual face has now entered a path of no return. This lack of awareness, it is blind to materiality that wraps around, and arrogant people today are increasingly disconnected from nature and a sense of inevitably dragged into the darkness to make early shallow end. These considerations form the conceptual background of the artist's works. His work often resembles a box indoors, transforming people, shouting, frightened animals, intricate branches, roots, trees... etc. It is depicted so as to overlap with the substrate. Atilla Galip Pınar, All the colors the artist uses to depict the combination of these elements and forms, choose carefully, taking into account their psychological effects. According to Atilla Galip, maybe in a more complicated every time darkness, struggling human beings materially avun, so short life more. It was rotted from the every day is a little more dull, blind yourself and embrace human beings who may be materially more than nature was increasingly lost. Chaos reigned the grandeur of the vicious circle of evil in today's world but maintain the balance of self lives-you may be able to correct a little bit not miss reality. However this will be able to return to nature. But people will face this journey of ' thing ' will not be probably expects a purity and good. This is the work of the artist becomes the symbol with images writhing in pain. The figure, color and form of the work was done with various symbol way of the artist meticulously visual confusion. For example, when to send which clocks concept of impermanence and death symbolizes the skulls of life, strength, power and speed symbol at the images, the symbol coaches masculinity, hypocrisy and slyness the symbol of the fox, agility and speed of the known and the rabbit, the symbol of fertility and rebirth are of male pride, fertility, courage and rooster as a symbol of domination, gods known as passenger cars, peace, speed and elegance symbol also escape from worldly passions of the soul with escape from predators gazelles that symbolizes so on. many game animals are frightened and almost cried out in agony in a way to look at the audience with their point of view, asking all accounts. Frightened, and b that's a kind of animal images, human helplessness and anxiety across the reflects existence. Each image is in the works of artists such as ecosystem and depend on each other as well as to each other. Another striking element in his works also depends on the nature of modern man who tried to pull off her own portrayal. Scissors cut this with ties to pictured this image kind of own destruction with his hands. May be called as a result of work done on the artist is mostly a box-like interior spaces, transforming people, shouting, frightened animals, intricate branches, roots, trees, etc. portray to coincide with this infrastructure. Box evocative venues in captivity while in the presence of the artist symbolizes human, animal images that frightened and screaming, people identifying reflects a kind of existential helplessness in the face and anxious. All of these elements together will use to describe the colors and forms, taking into account the psychological image meticulously San result, chaotic harmony artist dominated, ontological thought layer, consisting of powerful artifacts