Postmodernist hotel-casino complexes in northern Cyprus

Kuzey Kıbrıs’ta turizm sektöründeki yeni gelişmelerle birlikte mimari yapı da değişimler göstermiştir. 1998’de Türkiye’de alınan kumar yasağı kararından sonra, bölgedeki turizm yatırımları özellikle ‘otel-kumarhane’ komplekslerine kaymış, dolayısıyla bu yapı türlerinin sayısı artmıştır. Birleşmiş Milletler Sekreteri Kofi Annan’ın hazırladığı 2003 tarihindeki birleşme planından sonra kontrolsüzce gelişen yapılaşmayla ‘otelkumarhane’ türü yapılar daha da çoğalmıştır. Özellikle Karpaz / Bafra bölgesinde başlayan tema oteller, kitle turizmine yanıt olarak ortaya çıkmıştır. Konuyu üslupsal-semiotik ve mimarlık tarihi açısından ele alan bu çalışma, Kuzey Kıbrıs’taki turizm mimarlığının gelişimi üzerine kurgulanmış; Girne, Lefkoşa, Gazi Mağusa ve Bafra’da inşa edilen ve özellikle postmodern üslupta olan ‘otel-kumarhane’ türü yapılar üzerine odaklanmıştır. Çalışmada sayıları hızla artan bu tür otel yapılarının çoğunlukla son on yıl içinde inşa edildiği ve modernist- Uluslararası Üslup eğilimi barındıranlardan daha fazla sayıda olduğu görülmüştür. Sözü edilen postmodern yapıların çoğunlukla batı kökenli klasik ögelerden oluşan, nadiren de geleneksel Türk mimarisi ögelerini anımsatan ve yansıtan yaklaşımlar içinde oldukları saptanmıştır.

Kuzey Kıbrıs’ta post-modern otel-kumarhane yapıları

Recent developments in tourism strongly affect related architecture in Turkish-Cypriot northern Cyprus. Increased investments are made in hotel-casino complexes since gambling was forbidden in Turkey in 1998, and the investements were directed to Cyprus. With the boom of the construction-sector in the northern part of the divided island which started after the reunion plan of UN-General Secretary Kofi Annan in 2003, the number of hotel-casinos increased. The implementation of concept hotels at Vokolida (Bafra) in the Karpas peninsula, is the answer to the challenges and chances of mass tourism. This historical and stylistic-semiotic study on the developments in hotel architecture in northern Cyprus focuses on hotel-casino complexes which comprise postmodernist buildings, the majority of which has been constructed within the last ten years. Today postmodernist complexes exceed the number of hotel-casinos which have been designed in a modernist attitude, or in “International Style”. Their design rarely refers to traditional Turkish architecture, but mainly to the western classical heritage.

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