THE GESTION OF SPACE IN PAINTING AND POETRY

“Ut pictura poesis?” Everything seems to have already been said in this famous formulaof Horace. But who would think the relations between poetry and painting, to consider fromthe point of view of a rivalry or in the perspective of a mere imitation? To think of therelationship in terms of substitution or adequacy would be blindly look at what is beingplayed through various connections that take place on the horizon of these two arts. Paintingis even more constantly a powerful creative aliment for writers. Victor Hugo describing inLes Miserables, the battle of Waterloo composed as a painter, with the means of language.So many texts come from an image that we want to describe, where the writer tries to givean equivalent of the painting by the means of the language. One then finds oneself in anuncertain margin where literary creation is at the same time a subject of writing, an objectof reflection and a starting point for an unusual use of language. To give an account of themute speech of painters, a great challenge, is most often only within the reach of poets, whoexplore language in the confines of silence. How, in the face of a canvas, will not a writerbe seized by a quasi-immediate relation to the color actually received, lived, filtered by thesystem of language? How will poetic space allow the reader to become a spectator of thepage?

Anahtar Kelimeler:

painting, poetry, poetic space, pictorial space

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