Narrative fragments and story-telling in Samuel Beckett's Endgame

Anlatı ve öykü anlatma bilgi, anlam, gelenek ve kimlik gibi unsurları içeren insana özgü önemlikavramlardır. Samuel Beckettin genellikle öykülemeye ve anlatı ya yabancı ve uzak olduğu düşünülen Endgame(Oyunun Sonu) adlı oyunundaki karakterler bütün başarısızlıklarına karşın öyküler yaratmaya ve anlatmayagirişerek öykü anlatma edimini sorunsallaştırılar. Durağan bir şimdiki zamana hapsolan bu oyun kişileri genede öyküler, anılar, fıkralar anlatmaktan ve yaşadıkları boşluğu doldurmak için diyaloga girmekten geridurmazlar. Bu makalenin amacı Beckettin oyununu zaman, iktidar ve kimlik bağlamında incelemektir.

Samuel Beckett in oyunun sonu adlı yapıtında anlatı parçaları ve öykü anlatma

Narrative and story-telling are important human concepts encapsulating such issues as cognition,meaning, tradition and identity. Characters in Samuel Beckett s Endgame , which is assumed to be antagonisticto story-telling, problematise the act of story-telling by attempting to create or retell stories, despite theirobvious failures and difficulties and objections they come across. Being trapped within the uneventful present,they tell stories, anecdotes, jokes, and fill in the void with dialogues. This paper examines story-telling in theplay within the context of time, power, and identity.

___

  • ATKINS, Kim (2004). “Narrative Identity, Practical Identity and Ethical Subjectivity”, in Continental Philosophy Review (2004), 37: 341-366. http://www.springerlink.com/index/U7089356154M5034.pdf, accessed 14 March 2008.
  • BAIR, Deidre (1978). Samuel Beckett: A Biography. London: Jonathan Cape.
  • BECKETT, Samuel (1970). Proust. New York: Grove. - (1973). Endgame: A Play in One Act followed by Act without Words: A Mime for One Player. London: Faber.
  • DIAMOND, Elin (1975). ‘“what? … who? … no! … she!” - The Fictionalizers in Beckett’s Plays.’ Samuel Beckett: A Collection of Criticism . Ruby Cohn, ed. NY: McGraw Hill. 111-119.
  • FREUD, Sigmund (1976). Jokes and Their Relation to the Unconscious. James Strachey (trans.), Angela Richards, ed. The Pelican Freud Library. Volume 6. Harmonsworth: Penguin.
  • HAWTHORN, Jeremy (2000). A Glossary of Contemporary Literary Theory. London: Arnold.
  • HALE, Jane Alison (1992). “‘Endgame’: ‘How Are Your Eyes?’” Waiting for Godot and Endgame: Contemporary Critical Essays. (Ed. Steven Connor). New Casebooks. MacMillan: London. 71-85.
  • HERRERO-MARTÍN, R. (2007). “Narrative Performance of the Word in Beckett’s Early Theatre”. Tiyatro Araştırmaları Dergisi, 23. Ankara: Ankara Üniversitesi Yay. 193-221.
  • KENNER, Hugh (1975). “Life in the Box.” Samuel Beckett’s Endgame. Ed. by Harold Bloom. NY: Chelsea House, 41-48. Reprinted in Drama For Students . Vol. 18.
  • KEMP, T. P. (1989). “Toward a Narrative Ethics: A Bridge between Ethics and the Narrative Reflection of Ricoeur.” Kemp, T. Peter and Rasmusson, David, eds. The Narrative Path: The Later Works of Paul Ricoeur. Cambridge. MIT P. 65-88.
  • LAUGHLIN, Karen (1988). “‘Sadism Demand a Story’: Looking at Gender and Pain in Samuel Beckett’s Plays”. Samuel Beckett: A Casebook. Ed. Jennifer M. Jeffers. Garland: New York. 39-62.
  • MARTIN, Wallace (1991). Recent Theories of Narrative . Ithaca: Cornel UP.
  • MCQUILLAN, Martin (2000). ed. The Narrative Reader. London: Routledge.
  • MILLER, J. Hillis (1998). Reading Narrative. Norman: U of Oklahoma P.
  • MORRISON, K. (1983). Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. London: U of Chicago P.
  • NEVE, Michael (1988). “Freud’s Theory of Humour, Wit and Jokes”. Laughing Matters: A Serious Look at Humour. Ed. John Durant, Jonathan Miller. Harlow: Longman. 35-44.
  • POSTLEWAIT, T. (1978). “Self-Performing Voices: Mind, Memory and Time in Beckett’s Drama”. Twentieth Century Literature Vol. 24. No:4, 473-491.
  • PRINCE, Gerald (1990). “On Narratology (Past Present Future).” French Literary Studies, 17 (1).
  • RICHARDSON, Brian (2001). “Denarration in Fiction: Erasing the Story in Beckett and Others.” Narrative May v9 i2. 168.
  • RICOEUR, Paul (1991) : “Life: A Story in Search of a Narrator.” A Paul Ricoeur Reader: Reflection and Imagination. Ed. Mario J. Valdes. New York: Harvester. 425-437.
  • SCHOLES, Robert and KELLOGG, Robert (1996) . The Nature of Narrative . New York: Oxford UP.
  • ST. AUGUSTINE (1992). Confessions. (trans. by Henry Chadwick). Oxford: Oxford UP.
  • WORTON, Michael (1990). “‘ Waiting For Godot and Endgame : Theatre as Text”. The Cambridge Companion to Beckett. John Trilling, ed. Cambridge: Cambridge UP, 67-87.