Not the mad woman in the attic but the cultural critique: Understanding the organic writing of Sylvia Plath through the bell jar

Bu çalışma Sylvia Plath’in pek çok araştırmacı tarafından gözardı edilen organik yazma biçimini incelemektedir. Plath’in gerek şiirlerinde gerekse kısa öyküleri ve romanında geliştimiş olduğu yenilikçi yazma biçimi bitmek tükenmek bilmeyen yanlı otobiografi ler ve bu otobiografi lerin ışığında gelişen okuma biçimleri arasında kaybolmuştur. Karanlıkta kalan bu yazma biçimi ise Plath’in eserlerinin incelenmesinde Surça Fanus’un merkeze alınması ile açığa çıkarılmaktadır. Plath’in organik yazma biçiminin incelenmesi sadece eserlerine yeni bir bakış açısı getirmekle kalmayıp aynı zamanda Plasth’in reddedilen politik söyleminin var olduğunun ortaya çıkarılması açısından da önemlidir.

Tavan arasındaki deli kadın değil kültür eleştirmeni: Sırça fanus ile Sylvia Plath'in organik yazma biçiminin açığa çıkarılması

This study analyzes the organic form of writing of Sylvia Plath that has been ignored by most of the Plath scholars. Although Plath achieved and maintained a unique and evolving style both in her poetry and prose, this unique style has been read under the misleading light of Plath’s biography retold by different Plath scholars. Putting The Bell Jar at the center of the reading process, this study focuses on how Plath built an organic form of writing and also how it has been attempted by the establishment by some literary critics to remove all political connections from her entire body of work.

PDF

___

Alexander, P. (1991). Rough Magic: A Biography of Sylvia Plath, Viking, New York.
Alvarez, A. (2006). The Writer’s Voice. Sylvia Plath, Jean Rhys, William Shakespeare, John Donne, W.B. Yeats, Coleridge, Bloomsbury, London.
Alvarez, A. (1972). The Savage God. A Study of Suicide, New York: Random House
Ames, L. (1971). Afterward. The Bell Jar. By Sylvia Plath. New York: Harper and Row
Brain, T. (2007). “Unstable Manuscripts: The Indeterminacy of the Plath Canon.” The Unraveling Archive: Essays on Sylvia Plath. (Ed. Anita Helle), Michigan UP, Ann Arbor, 17-39.
Brain, T. (2006), “Sylvia Plath’s Letters and Journals.” The Cambridge Companion to Sylvia Plath. (Ed. Go Gill), Cambridge UP., Cambridge, 124-139.
Britzolaskis, C. (1999). Sylvia Plath and the Theatre of Mourning, Carendon Press Oxford.
Connors, K. (2007). “Visual Art in the Life of Sylvia Plath: Mining Riches in the Lily and Smith Archives.” The Unraveling Archive: Essays on Sylvia Plath. (Ed. Anita Helle), Michigan UP., Ann Arbor, 65-89.
Gilbert, M . S., and Susan G. (2000). Mad Woman in the Attic, The Women Writer and the Nineteenth Century Literary Imagination. Yale UP., New Haven.
Harris, M. (1988). ‘The Bell Jar.’ West Coast Review (October 1973): 54-6. Sylvia Plath. The Critical Heritage. (Ed. Linda Wagner Martin), Routledge, New York, 107-113.
Haymann, R. (1991). The Death and Life of Sylvia Plath. Birch Lane, New York.
Jameson, F. (2002). The Political Unconscious. Narrative as a Socially Symbolic Act, Routledge, Oxon.
Koren, Y., and Eliat N. (2007). Lover of Unreason. Asia Wevill, Sylvia Plath’s Rival and Ted Hughes’s Doomed Love, New York: Carroll & Graf Publishers,
Kroll, J. (1978). Chapters in Mythology: The Poetry of Sylvia Plath. Harper Colophon, New York: Malof, S., 1971, “Waiting for the Voice to Crack.” New Republic, 33-5. Sylvia Plath. The Critical Heritage, 1988, (Ed. Linda Wagner Martin), Routledge, New York, 103-107.
Orr, P. (1966). The Poet Speaks. Barnes & Noble, INC., New York.
Peel, R., 2007, “The Political Education of Sylvia Plath.” The Unraveling Archive: Essays on Sylvia Plath. (Ed. Anita Helle), Michigan UP., Ann Arbor, 39-65.
Peel, R. (2002). Writing Back. Sylvia Plath and Cold War Politics, Madison: Farleigh Dickinson University Press.
Perloff, M. (1984). “The Two Ariels: The (Re)making of the Sylvia Plath Canon.” American Poetry Review, 10-18.
Perloff, M. . (1972). “A Ritual for Being Twice”: Sylvia Plath’s “The Bell Jar.” Contemporary Literature Vol. 13, No, 4, 507-522.
Plath, S. (2008). The Collected Poems. Ed. Ted Hughes. New York: Harper Perennial.
Plath, S. (2004). Ariel. The Restored Edition. New York: Harper Perennial,.
Plath, S. (2000). Johnny Panic and the Bible of Dreams. Short Stories, Prose, and Diary Excerpts. Ed. Ted Hughes. New York: Harper Perennial.
Plath, S. (2000). The Unabridged journals of Sylvia Plath. Ed. Karen Kukil. New York: Anchor Books.
Plath, S. (1975). Letters Home: Correspondence. Ed. Aurelia Plath. New York: Harper and Row.
Plath, S. (1972). Winter Trees. New York: Harper and Row.
Plath, S. (1971). Crossing the Water. New York: Harper and Row.
Plath, S. (1971). The Bell Jar. New York: Harper and Row.
Plath, S. (1968). The Colossus and other Poems by Sylvia Plath. Vintage, New York.
Rose, J. (2003). On not being able to sleep: Psychoanalysis and the Modern World. Princeton, New Jersey.
Rose, J. (2001). The Haunting of Sylvia Plath. Harvard UP, Cambridge.
Stevenson, A. (1989). Bitter Fame. A Life of Sylvia Plath. Houghton Miffl in Company, Boston.
Wagner Martin, L. (1992). The Bell Jar. A Novel of the Fifties, Twayne, New York.
West, P. (January 9 1972). “Crossing the Water” Book World, Chicago Tribune, Sylvia Plath. The Critical Heritage, Linda Wagner, M. (ed.), Routledge, New York, 157-161.
Zajdel, M. (1984). ‘Apprenticed in a Bible of Dreams: Sylvia Plath’s Short.
Stories’ Ed. Linda Wagner Martin, 1988, Critical Essays on Sylvia Plath, Sylvia Plath. The Critical Heritage. Routledge, New York, 182-93.