Yağmurdan Önce Filminde Manzara Resminin İlkelerini Aramak
Ian Christie’nin “Landscape and 'Location': Reading Filmic Space Historically in Before the Rain” (“Manzara ve ‘Mevki’: Yağmurdan Önce’nin Filmsel Mekânını Tarihsel Olarak Okuma”) başlıklı makalesi, Manchevski’nin Yağmurdan Önce (Before the Rain / Pred Dozhdot) filmine, Kenneth Clark’ın Landscape into Art isimli çalışmasından yararlanarak alternatif bir okuma önerisi getirir. Christie özellikle, Clark’ın kitabındaki “The Landscape of Symbols” and “The Landscape of Fact” isimli bölümlere atıfta bulunarak manzara resmindeki gerçekçi kırılmadan bahseder. Bu araştırmada, Clark’ın manzara resmi kuramları açıklanmaya çalışılmış, ardından bu kuramlarla bağı kurularak filmin mekânsal yaklaşımı hakkında tartışılmıştır. Tıpkı Clark’ın kurulan ve ardından kendini kuran manzara resmi açıklamaları gibi, filmde de önce kurulan/kurgulanan, daha sonra kendini kuran bir mekân olduğu iddia edilmiştir. Anahtar kelimeler: manzara resmi, semboller, gerçek, filmsel mekân ABSTRACT Ian Christie’s article called “Landscape and 'Location': Reading Filmic Space Historically in Before the Rain”, uses different art mediums in order to suggest an alternative reading of Manchevski’s movie that is titled Before the Rain by inspiring from Kenneth Clark’s book, Landscape into Art. Christie mentions especially the realistic reform in landscape painting by using the chapters of Clark’s book that are entitled “The Landscape of Symbols” and “The Landscape of Fact”. In this research, it is tried to be explained Clark’s landscape painting theory and then it is discussed the approach of the film about the space. It has been argued that, just as Clark’s explanations about builded and then self-builded landscape, in this film space is designed and self-designed. Key words: landscape painting, symbols, fact, filmic space
Ian Christie’s article called “Landscape and 'Location': Reading Filmic Space Historically in Before the Rain”, uses different art mediums in order to suggest an alternative reading of Manchevski’s movie that is titled Before the Rain by inspiring from Kenneth Clark’s book, Landscape into Art. Christie mentions especially the realistic reform in landscape painting by using the chapters of Clark’s book that are entitled “The Landscape of Symbols” and “The Landscape of Fact”. In this research, it is tried to be explained Clark’s landscape painting theory and then it is discussed the approach of the film about the space. It has been argued that, just as Clark’s explanations about builded and then self-‐builded landscape, in this film space is designed and self-‐designed.
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- Akyürek, E., (1994). Ortaçağdan Yeniçağa Felsefe ve Sanat, Kabalcı Yayınevi, İstanbul. Brown, K. S., (1998). Macedonian Culture and Its Audiences: An Analysis of Before the Rain, Ritual, Performance, Media, Ed. Felicia Hughes-Freeland, Routledge, Londra ve New York, p. 160-176. Christie, I., (2000). Landscape and 'Location': Reading Filmic Space Historically in Before the Rain, Rethinking History: The Journal of Theory and Practice, Volume 4, Issue 2, p. 165 174. Clark, K., (1952). Landscape into Art, John Murray Publishing, London. Clark, K., (1984). Landscape into Art, John Murray Publishing, London. Janson, H. W., (1986). History of Art, Harry N. Abrams Inc., Third Edition, New York. Rosenstone, R. A., (2000). A History of What Has Not Yet Happened, Rethinking History: The Journal of Theory and Practice, Volume 4, Issue 2, p. 183 - 192. Varlık Şentürk, L., (2012). Analitik Resim Çözümlemeleri, Ayrıntı Yayınları, İstanbul.