Game of Thrones’da Çok Yüzlü Erkeklik Türleri

A Game of Thrones, Yedi Krallık olarak adlandırılan antik bir dünyada iktidar mücadelesini anlatan eşsiz bir fantastik ortaçağ hikâyesidir. İlk kez 1996’da Amerikalı yazar George R. R. Martin tarafından roman serisi olarak yazılan eser, HBO şirketi tarafından 2011 yılında televizyona uyarlanmıştır. Altıncı sezonunu bitiren dizinin sekiz sezonda tamamlanacağı duyurulmuştur. 2011’deki ilk yayımlanışından beri milyonlarca izleyiciyi kendine bağlayan dizi toplamda 38 Emmy ödülüne layık görülmüştür. A Game of Thrones’ta cinsiyet ana temalardan biridir, çünkü iktidar mücadeleleri çeşitli cinsiyet rollerinin etrafında sürdürülmektedir. Bu makale A Game of Thrones’ta erkeklik kavramını ve karakterlerde gözlenen çeşitli erkeklik modellerini analiz etmektedir. Sınıflandırma tüm karakterleri iki farklı cinsiyet kategorisine göre konumlandırmaktadır. Bu erkeklik tasvirlerinin, karakterlerin gelişimine ve kurgunun genel seyrine etki- sini de mercek altında almaktadır. Böylece ana karakterlerde temsil bulan erkeklik türlerinin yapı sökü- müne uğratılarak, gerçek kimliklerinin açığa çıkarılması hedeflenmektedir.

The Many Faced Masculinities in A Game of Thrones

A Game of Thrones is a stunning medieval fantasy which tells the story of the immense strugglefor power in an ancient world named ‘The Seven Kingdoms’. It was originally written as a series ofnovels by the American author George R. R. Martin in 1996 and adapted to the TV screen by HBO in2011. The series has completed its sixth season and is scheduled to go on for a total of eight seasons.Since its first broadcast in 2011, A Game of Thrones has attracted millions of viewers on a global scaleand has received a total of 38 Emmy Awards. In A Game of Thrones, gender is one of the central themes,as power relations generally evolve around different gender roles. This study analyses masculinity in AGame of Thrones and the different types of masculinities which are identified through various male andfemale characters. This classification places all of the characters in two distinct gender categories. It alsoreveals the impact of these diverse forms of masculinities on the lives of the main characters and thegeneral storyline of the production. Thus, the paper deconstructs the constructed masculinities in A Gameof Thrones by exposing their representation through the main characters.

PDF

___

Abate M. A. (2008). Tomboys: A literary and cultural history. Philadelphia 2008.
Adi I. R. (2012). “Popularizing epic narrative in George R. R. Martin’s a Game of Thrones”. Humaniora 24 (2012) 303-314. Retrieved from: .
Armstrong J. K. (2016). “Game of Thrones at 20: How the Saga Became a TV Hit”. Retrieved from http://www.bbc.com/culture/story/20160419-game-of-thrones-at-20-how-the-saga-became-a-tv-hit
Benioff D. & Weiss D. B. (Producers). (2011). Game of Thrones [Television series]. US/UK 2011.
Bourdieu P. (2007). Masculine Domination. Cambridge 2007.
Brod H. & Men’s Studies Association. (1998). Theorizing Masculinities. Thousand Oaks 1998.
Butler J. (1990). Gender Trouble: Feminism and the Subversion of Identity. London 1990.
Connell R. W. & Messerschmidt J. W. (2005). “Hegemonic Masculinity”. Gender & Society 19 (2005) 829-859. Doi:10.1177/0891243205278639.
Connell R. W. (1995). Masculinities. Cambridge 1995.
Halberstam J. (1998). Female Masculinities. Durham – London 1998.
Halberstam J. (2013). The Queer Art of Failure. Durham 2013. Jacoby H. O. (2012). Game of Thrones and Philosophy: Logic Cuts Deeper Than Swords. Hoboken 2012.
Kupers T. (2001). “Psychotherapy with Men in Prison”. A New Handbook of Counseling and Psycho- therapy Approaches for Men (2001). San Francisco.
Lowder J. (2012). Beyond the Wall: Exploring George R. R. Martin’s a Song of Ice and Fire, From a Game of Thrones to a Dance with Dragons. Dallas 2012.
Mares N. M. (2017). “Writing the Rules of Their Own Game”. Ed. B. A. Pavlac, Game of Thrones Versus History: Written in blood (2017) 147-160. Hoboken.
Messerschmidt J. W. (2018). Hegemonic Masculinity: Formulation, Reformulation, and Amplification. Lanham 2018.
Mosher D. L. & Sirkin M. (1984). “Measuring a Macho Personality Constellation”. Journal of Research in Personality 18 (1984) 150-163. Doi:10.1016/0092-6566(84)90026-6.
Mosher D. L. & Tomkins S. S. (1988). “Scripting the Macho Man: Hypermasculine Socialization and Enculturation”. Journal of Sex Research 25 (1988) 60-84. Doi:10.1080/00224498809551445.
Spargo T. (2009). Foucault and Queer Theory. Cambridge 2009.