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•  AALTONEN, Sirkku; Time-Sharing on Stage, Multilungual Matters, Clevedon, 2000
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• ARROJO, Rosemary; “Writing, Interpreting and the Control of Meaning”, in Edwin Gentzler and Maria Tymoczko (eds.), Translation and Power, University of Massachusetts Press, Amherst, 2002, pp. 63-79
• BENJAMIN, Walter; “The Task of the Translator” [1923], trans. James Hynd and E.
• M. Valk, in Delos A Journal On & Of Translation, Texas: National Translation Center, No. 2, 1968, pp. 76-99
•  BLYTH, Ian and SELLERS, Susan; Hélène Cixous: Live Theory, London: Continuum, 2004
• CIXOUS, Hélène, Black Sail, White Sail, trans. Catherine A. F. MacGillivray, in New Literary History: A Journal of Theory and Interpretation 25, 1994, pp. 219- 354
•  CIXOUS, Hélène and CALLE-GRUBER, Marille; Hélène Cixous, rootprints: Memory and Life Writing, trans. Eric Prenowitz, London-New York: Routledge, 1997 
• CIXOUS, Hélène; Stigmata: Escaping Texts, trans. Keith Cohen, Catherine A. F. MacGillivray and Eric Prenowitz, London-New York: Routledge, 1998
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•  DOBSON, Julia; “Asserting Identities: The Theatres of Tsvetaeva and Cixous”, in Forum for Modern Language Studies, Vol. 35: 3, 1999, pp. 261-269
•  DRIVER, Sam, Anna Akhmatova, Twayne Publishers, New York, 1972
• FORT, Bernadette; “Theater, History, Ethics: An Interview with Hélène Cixous on
• The Perjured City, or the Awakening of the Furies”, in New Literary History Vol. 28:3, The University of Virginia Press, USA, 1997, pp. 425-456
• GODARD, Barbara; “Theorizing Feminist Discourse/Translation”, in Bassnett, Susan and Lefevere, André (eds.), Translation, History and Culture, Cassell, London, 1995, pp. 87-96
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•  LISPECTOR, Clarice; “Looking for Some Dignity”, in Celia Correas de Zapata (ed.) Short Stories by Latin American Women: The Magic and the Real, The Modern Library, New York, [1990] 2003, pp. 129-137
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•  ROBINSON, Douglas; Translation and Empire, Manchester: St. Jerome, UK, 1997
•  SELLERS, Susan; Language and Sexual Difference: Feminist Writing in France, St. Martin‟s Press, New York, 1991
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• Makalenin sonraki bölümü ise Hélène Cixous‟nun 1994 tarihli Black Sail, White Sail (Siyah Yelken, Beyaz Yelken) adlı oyunu üzerine odaklanmaktadır. Rus şair Anna Akhmatova‟nın Stalin sonrası Rusya‟da, şiirlerini yayınlatabilme uğruna verdiği mücadeleyi konu alan oyun, çeviri metaforlarının kullanımı açısından ayrı bir anlam kazanmaktadır. Makale, çeviri metaforlarıyla Cixous‟nun, Akhmatova‟yı bahsi geçen oyununda nasıl ele aldığı üzerinde durmakta ve bu şekilde, Hélène Cixous, Clarice Lispector ve Anna Akhmatova arasındaki ilişkiyi ortaya çıkarmayı amaçlamaktadır.