Book Review: Service (Propria) for Saint Alice, Empress of All Russia, born Heterodox as Alix, converted to Orthodoxy as Alexandra F. Romanova (Orginal; Ἀκολουθία εἰς Ἁγίαν Ἀλίκην, τὴν Πασῶν τῶν Ῥωσσιῶν Αὐτοκράτειραν, Ἑτερόδοξον μὲν Γεννηθεῖσαν Ἀλίκην, Ὀρθόδοξον δὲ Γενομένην Ἀλεξάνδραν Φ. Ῥομάνοβαν)

A critical and thorough review of the book of Dr Alicia Maravelia and of her musical CD (with the Cantor Mr Athanasios Daskalothanasis) is presented. The book is a rare example of Orthodox Hymnography and composition of Byzantine Music written by a woman, following the tradition and norms of the Orthodox Church. It is dedicated to the celebration of the Feast of Saint Alice (Alix/Alexandra F. Romanova), last Empress of Russia and Passion–Bearer Saint and Martyr. The CD contains select hymns chanted by Mr Athanasios Daskalothanasis and a musicological analysis booklet of more than 50 pages, with introductory text. A short description and musicological analysis of her talented works are given, with several comments on the Oktoechos and comparisons to the Ottoman and Arabic Music and Ways (Maqam).

Book Review: Service (Propria) for Saint Alice, Empress of All Russia, born Heterodox as Alix, converted to Orthodoxy as Alexandra F. Romanova (Orginal; Ἀκολουθία εἰς Ἁγίαν Ἀλίκην, τὴν Πασῶν τῶν Ῥωσσιῶν Αὐτοκράτειραν, Ἑτερόδοξον μὲν Γεννηθεῖσαν Ἀλίκην, Ὀρθόδοξον δὲ Γενομένην Ἀλεξάνδραν Φ. Ῥομάνοβαν)

A critical and thorough review of the book of Dr Alicia Maravelia and of her musical CD (with the Cantor Mr Athanasios Daskalothanasis) is presented. The book is a rare example of Orthodox Hymnography and composition of Byzantine Music written by a woman, following the tradition and norms of the Orthodox Church. It is dedicated to the celebration of the Feast of Saint Alice (Alix/Alexandra F. Romanova), last Empress of Russia and Passion–Bearer Saint and Martyr. The CD contains select hymns chanted by Mr Athanasios Daskalothanasis and a musicological analysis booklet of more than 50 pages, with introductory text. A short description and musicological analysis of her talented works are given, with several comments on the Oktoechos and comparisons to the Ottoman and Arabic Music and Ways (Maqam).

___

  • BLAGOJEVIĆ, G.: «Βυζαντινὸ Μέλος καὶ Ταὐτότητα Φύλλου: Συγκριτικὴ Μελέτη τῆς Κατά¬στασης στὴν Σερβία καὶ στὴν Ἑλλάδα», Theoria and Praxis of the Psaltic Art: The Genera of the Rhythmopœia and Current Psaltic Issues. Acta of the IV Int. Congress of Byzantine Musicology and Psaltic Art (Στάθης, Γ.Θ., ed.), Athens (Institute of Byzantine Musicology) 2015, 331-342.
  • CATAPHYGIOTOU–TOPPING, E.: «Kassiane the Nun and the Sinful Woman», Greek Orthodox Theological Review 263, 1981, 201-209.
  • CATAPHYGIOTOU–TOPPING, E.: «Women Hymnographers in Byzantium», Diptycha 3, 1982-1983, 98-110. ДИМИТРИЈЕВИЋ, В.: Љубав је Јача од Смрти: Свети Цар Николај II, Света Царица Алексан¬дра, Света Кнегиња Јелисавета и Мученици Дома Романових. Житија, Поуке, Страдања и Чуда, Београд (Библиотека Образ Светачки / Књига сто Дванаеста) 2008.
  • ERICKSON, C.: Alexandra: The Last Tsarina, New York (St Martin’s Griffin) 2001.
  • GERLACH, O.: «2.1. Das Labyrinth des Oktōīchos: Der Oktōīchos zwischen Mittelalter und heutiger Tradition», Im Labyrinth des Oktōīchos: Über die Rekonstruktion mittelalterlicher Improvisationspraktiken in liturgischer Musik, Bernin (Humboldt–Universität / PhD Dissertation) 2006, 109-154 & XI-XII, XXXV.
  • GERLACH, O.: «“The Heavy Mode (Echos Barys) on the Fret Arak”: Orthodox Chant in Istanbul and the Various Influences during the Ottoman Empire», Porphyra 22, 2014, 82-95.
  • ΜΑΡΑΒΕΛΙΑ, A.: Ἀκολουθία εἰς Ἁγίαν Ἀλίκην, τὴν Πασῶν τῶν Ῥωσσι¬ῶν Αὐ¬το¬κρά¬τειραν, Ἑτερόδοξον μὲν Γεννηθεῖσαν Ἀλίκην, Ὀρθόδοξον δὲ Γε¬νομένην Ἀλε¬ξάνδραν Φ. Ῥομάνοβαν, Ἀθῆναι (Occasional Publications of the Hellenic Institute of Egyptology – 21-2) 12018 & 22018, pp. 64 & 88 (respectively).
  • ΜΑΡΑΒΕΛΙΑ, A. & ΔΑΣΚΑΛΟΘΑΝΑΣΗΣ, Α.: ᾈσματικὴ Ἀκολουθία Ἁγίας Ἀλί¬κης. Ὑμνογραφία: Ἀλίκη Μαραβέλια – Ἑρμηνεία, Ἐπεξεργασία Ἀθανάσιος Δα¬σκαλοθανάσης (Ψηφιακὸς Δίσκος / CD), Ἀθῆναι (Occasional Publications of the Hellenic Institute of Egyptology – 23) 12019.
  • PALÉOLOGUE, M.: Alexandra Feodorovna, Imperatrice de Russie, Paris (Plon) 1932.
  • ΠΑΝΑΓΙΩΤΟΠΟΥΛΟΥ, Δ.Γ.: Θεωρία καὶ Πρᾶξις τῆς Βυζαντινῆς Ἐκκλησιαστικῆς Μουσικῆς, Ἀθῆναι (Σωτὴρ) 31982.
  • ΠΙΠΕΡΑΚΗ–ΚΑΒΑΓΙΑ, Α. & ΙΣΙΔΩΡΑ [ΚΑΘΗΓΟΥΜΕΝΗ]: Βίος, Ἀκολουθία καὶ Παρακλητικὸς Κανὼν τοῦ Ὁσίου Γέροντος Πορφυρίου τοῦ Καυσοκαλυβίτου, Ἀθῆναι (Ἑπτάλοφος) 22017.
  • ΧΑΤΖΗΧΡΟΝΟΓΛΟΥ, Γ.Ε.: Μαθήματα Βυζαντινῆς Ἐκκλησιαστικῆς Μουσικῆς (ἀπὸ τὸ Ἀνα¬στασιματάριον Ἰωάννου τοῦ Πρωτοψάλτου) 1-5 (μετὰ 13 Ψηφιακῶν Δίσκων), Ἀθῆναι (Μυ¬ρίπνοον) 2011-2013.
  • ΧΑΤΖΗΧΡΟΝΟΓΛΟΥ, Γ.Ε.: Τὰ Προσόμοια: Πρόλογοι – Αὐτόμελα, σὲ Ἀργὸ καὶ Σύντομο Μέ¬λος (μεθ’ ἑνὸς Ψηφιακοῦ Δίσκου), Ἀθῆναι (Μυρίπνοον) 22015.
  • ХРУСТАЛЁВ, В.М.: Романовы: Последние дни Великой Династии, Москва (АСТ) 2013.
Rast Müzikoloji Dergisi-Cover
  • ISSN: 2147-7361
  • Yayın Aralığı: Yılda 4 Sayı
  • Başlangıç: 2013
  • Yayıncı: Genç Bilge Yayıncılık (Young Wise)
Sayıdaki Diğer Makaleler

Vokalist mi yoksa oyuncu mu: Müzikal tiyatro türünde hangisi daha iyi performans göstermeye hazır?

Marina KRUGLOVA, Anna SHCHERBAKOVA, Aigul GAREEVA, Alexander VASİLENKO

A study on film score applying the Neo-Riemannian theory: focusing on Bernard Herrmann’s mysterious island

Inho LEE, Johee LEE

The integration of music and its influence on the inclusion of autistic children in educational activities of preschool institutions

Shqipe AVDIU-KRYEZİU, Arsim AVDİU

Book Review: Service (Propria) for Saint Alice, Empress of All Russia, born Heterodox as Alix, converted to Orthodoxy as Alexandra F. Romanova (Orginal; Ἀκολουθία εἰς Ἁγίαν Ἀλίκην, τὴν Πασῶν τῶν Ῥωσσιῶν Αὐτοκράτειραν, Ἑτερόδοξον μὲν Γεννηθεῖσαν Ἀλίκην, Ὀρθόδοξον δὲ Γενομένην Ἀλεξάνδραν Φ. Ῥομάνοβαν)

Georgios CHATZICHRONOGLOU

Non-native English teachers’ views on the use of music and songs in teaching English as a foreign language to primary school learners

Teuta AGAJ AVDIU

V.R.'nin “Game” şarkısının taslak versiyonlarında özne-nesne ilişkileri kavramı. Tsoy

Svetlana Andreevna PETROVA

Balina Şarkısı: Kambur Balina Megaptera Novaeangliae Kültürlerinde Müzikal Pratikler

Ali KELEŞ

Meslek yüksek okulu öğrencilerinin ruhsal durum algıları ile müzik tercihlerinin incelenmesi

Gonca SOYSAL, N. Fikri SOYSAL, Elçin BALCI

V.R.'nin “Game” şarkısının taslak versiyonlarında özne-nesne ilişkileri kavramı. Tsoy

Svetlana Andreevna PETROVA

Preludes and fugues for piano in the polyphonic works of Chinese composers

Marianna CHERNYAVSKA, Mengzhe ZHANG