Sezai Karakoç’un Şiirinde Tanrı Kavramının Tasavvuf Epistemolojisi Açısından Anlamı ve Kullanımı

Bu çalışmada modern Türk şiirinde metafizik duyuşu önemli ölçüde şiirinde yansıtmaya

In Karakoç’s Poetry, Meaning and Use of the Concept of God in Terms of Islamic Sufism Epistemology

In this work, the conceptualisation of God in Sezai Karakoç, who, in his poem, triesto reflect the metaphysical feeling significantly in modern Turkish poetry is going to bediscussed. It has been seen that God, who was pushed to the shore of life in the modernityprocess, has been attempted to place in a central position again in Karakoç poetry. It hasbeen seen that human being, matter and nature have been repositioned according to thetraditional understanding that God is at the center. In poems, it has been found that theconcept of God is considered more like the God in understanding of Being in Tasavvuf.It is seen that the epistemology of Tasavvuf, in which the entity is divided into two as“absolute being” and “relative being”, is accepted in many poems of Karakoç in a similarway. As a basic source in the study, Karakoç’s collective poems called Gün Doğmadanwere taken as basis and partly as a result of thought writings.

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  • Aristoteles, Poetika, Şiir Sanatı Üstüne, çev. Samih Rifat, Can Yayınları,E-kitap 1. Sürüm (Aralık 2013 tarihli 9. basım esas alınarak hazırlanmıştır), İstanbul,Şubat 2014.