Behaivour of women in the Middle east within the framework of gender identity and Kurdish musical exclamation:Zılgıt‟‟ ortilili‟‟

Bu çalışma, Kürtlerin müzikleri içinde ya da dışında kullandıkları zılgıtı, toplumsal cinsiyetdavranışları ‟ve Kürt kimliği‟ çerçevesinde ele almak için oluşturuldu. Zılgıt, ya da Kürtçesiyle tilili, OrtaDoğu kadınının derin keder ya da neşe içeren duygularını, genelde müzik içinde ama bazı zamanlarda damüzik dışında, dillerinin ağızlarının içinde hızlı bir biçimde oynatarak çıkardıkları sesin adıdır. Zılgıt‟ ya da tilili‟, özellikle Mezopotamya ve Kuzey Irak Kürtleri tarafından icra edildiği için,ağırlıklı olarak Kürt kimliğinin bir sembolüdür. Ayrıca yine kadınlar tarafından icra edildiği için kadıncinsel kimliğinin de bir sembolüdür. Kısacası zılgıtın Kürtler tarafından icra edilmesi etnik kimliğin,kadınlar tarafından icra edilmesi cinsel kimliğin bir göstergesidir. Dolayısıyla zılgıtın analizi içintoplumsal cinsiyet teorilerinin yanısıra, etnisite ve kültürel kimlik teorilerinden de yardım alınmıştır.

Toplumsal cinsiyet davranışları ve kürt kimliği çerçevesinde Orta Doğu kadınının müziksel ünlemi:Zılgıt ya da tilili

This study is constituted to handle the zılgıt that Kurdish use in or out their music with theframework of gender behaivour and Kurdish identity. Zılgıt or in Ku rdish mean tililiis the name of thesound telling middle East women‟s emotions including deep sorrow and hilarity, generally in music butsometimes without music by dancing their tongue in their mouth in a quick way.Zılgıt or tilili is predominantly the symbol of Kurdish identity as performed specially byMesopotamia and North Iraq Kurdish . Furthermore, it is the symbol of woman gender as performed bywomen. In brief, the performing of zılgıt by Kurdish is the symbol of ethnic identity, the performing ofzılgıt by women is the symbol of gender identity. Consequently, the assistance has been taken not onlyfrom gender identity but also from cultural and ethnic theories for analyzing of zılgıt.

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