Eco, Golding’in Geçiş Ayinleri ve Varoluşun Sınırlarını Aşmak

William Golding’in Geçiş Ayinleri (1980) adlı romanı, bilişsel, ontolojik ve göndergesel sınırlarla çevrilmiş ve bunlarla mücadele eden insanlık deneyiminin derinliklerini keşfetmektedir. Edmund Talbot’u ve James Colley’i Avustralya’ya bir ekvator geçiş yolculuğunda tasvir ederek, Golding, Colley’in ölümünün tezahür ettiği insan varoluşunu sınırlandıran ve sınırlayan çizgilerin ötesinde yatan karanlığın olduğunu vurgulamaktadır. Böylelikle, Geçiş Ayinleri adlı romanı, Umberto Eco’nun “sözleşmesel gerçekçilik” teorisi üzerine yazıldığı Kant ve Ornitorenk: Dil ve Biliş Hakkında Denemeler (1999) adlı eser ile bağdaşmaktadır ve bir kültürel sözleşme çerçevesinde varlığın özünü sorgulayan insanoğlunun bazı şeyleri yapmaya yasaklandığı iddia etmektedir. Bu makale, Umberto Eco’nun “sözleşmesel gerçekçilik” teorisi ışığında William Golding’in Geçiş Ayinleri adlı romanının tematik bir incelemesini sunmaktadır.

Eco, Golding’s Rites of Passage and Breaching the Limits of Being

William Golding’s novel Rites of Passage (1980) explores the depths of human experience, absorbed in and struggling against the cognitive, ontological and referential limits inherent in its essence. By portraying Edmund Talbot and James Colley on an equator-crossing voyage to Australia, Golding emphasizes the fact that it is darkness that lies beyond the lines that systemize and limit human existence, which is manifested by Colley’s death. In this way, Rites of Passage comports with Umberto Eco’s theory of ‘contractual realism’, elaborated in Kant and the Platypus: Essays on Language and Cognition (1999), in a sense that it asserts that within a framework of a cultural contract, there are certain things that we as human beings are vetoed from doing in our inquiry after the essence of Being. This article provides a thematic examination of William Golding’s novel Rites of Passage in the light of Umberto Eco’s theory of ‘contractual realism’.

Keywords:

Umberto Eco, William Golding, contractual realism, being, truth limit,

PDF

___

Abrams, M.H. (1981). A Glossary of Literary Terms, New York: Holt, Rinehart, and Winston.
Alter, R. (1975). Partial Magic: The Novel as a Self-Conscious Genre, Berkley and Los Angeles: University of California Press.
Aristotle. (2016). Metaphysics. Indianapolis and Cambridge: Hackett Publishing Company.
Aubenque, P. (1962). Aristotle and the Problem of Metaphysics, Paris: PUF.
Boyd S. J. (1990). The Novels of William Golding. New York: Harvester Wheatsheaf.
Braun, V. and Clarke, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, (3): 77-101.
Byron, G. (1970). Poetical Works. London, Oxford and New York: Oxford University Press.
Caesar, M. (2013). Umberto Eco: Philosophy, Semiotics and the Work of Fiction. Cambridge: Polity Press.
Crawford, P. (2002). Politics and History in William Golding. The World Turned Upside Down.
Columbia and London: University of Missouri Press.
Crompton, D. (1985). A View from the Spire: William Golding’s Later Novels. Oxford: Blackwell.
Di Martino, L. (2012). Between ‘New Realism’ and ‘Weak Thought’: Umberto Eco’s ‘Negative Realism’ and the Discourse of Late Postmodern Impegno. Quaderni d’Italianistica XXXIII, (2): 189-218.
Dodds, E. R. (1951). The Greeks and the Irrational, Berkley and Los Angeles: University of California Press.
Eco, U. (1988). The Aesthetics of Thomas Aquinas, Cambridge: Harvard University Press.
Eco, U. (1999). Kant and the Platypus. Essays on Language and Cognition, London: Vintage. Eco, U. (2012). On Literature. London: Random House.
Foucault, M. (1971). Madness and Civilization: A History of Insanity in the Age of Reason, London: Routledge.
Gasiorek, A. (1995). Post-War British Fiction: Realism and After, London: Routledge. Gindin, J. (1988). William Golding, London: Macmillan.
Golding, W. (1980). Rites of Passage, London: Faber and Faber.
Golding, W. (2013). To the Ends of the Earth: A Sea Trilogy. London: Faber and Faber.
Habermas, J. (1995). Peirce and Communication. In Peirce and Contemporary Thought, (edited by K. Ketner), New York: Fordham University Press.
Haffenden, J. (1985). Novelists in Interview, London: Methuen.
Holy Bible: King James Version Journaling Bible, (2014). New Orleans: Barbour Publishing.
Hutcheon, L. (1995). Historiographic Metafiction. In Metafiction, (edited by M. Currie), London and New York: Longman.
Kinkead-Weekes, M., and Gregor, I. (1984). William Golding: A Critical Study. London: Faber and Faber.
Maguire, M., and Delahunt, B. (2017). Doing a Thematic Analysis: A Practical, Step-by-Step Guide for Learning and Teaching Scholars. AISHE-J. Autumn, (3): 1-14.
Nietzsche, F. (1913). The Birth of Tragedy. In The Complete Works of Friedrich Nietzsche, (edited by O. Levy), Edinburgh and London: T.N. Foulis.
Pacitti, D. (1999). Literary Philosophy, The Times Higher Education Supplement. January 22: 33.
Peirce, C. S. (1983). Writings of Charles S. Peirce, Bloomington: Indiana University Press.
Redpath, P. (1986). William Golding: A Structural Reading of His Fiction, London: Vision.
Sevier, C. S. (2015). Aquinas on Beauty, New York and London: Lexington Books.
Stancati, C. (2017). Umberto Eco: The Philosopher of Signs, Books & Ideas, September (25): 1- 10.
Wilde, O. (1973). De Profundis and Other Writings, Harmondsworth: Penguin.