SANAT SERGİLEYEN SPORCULAR OLARAK DANSÇILAR: KLASİK BALE DANSÇILARININ FİZİKSEL UYGUNLUK BİLEŞENLERİ.

Klasik bale, vücut yoluyla sergilenen artistik bir anlatımdır ve bir takım fiziksel uygunluk gereksinimlerine sahip olunması gereken bir etkinliktir. Bu gereksinimlerin yerine getirilmesi ve dansçının kariyerinin gelişimi ya da ilerlemesi spor bilimlerinin araçlarına başvurularak sağlanabilir. Çünkü dansçının aerobik dayanıklılığının gelişimi için yalnızca bale sınıf eğitimi, provalar ya da sahne performansının yeterli olmadığı, yapılan araştırmalar sonucunda ortaya çıkmıştır. Dansçıların kas kuvveti değerleri, vücut yağ yüzdesi ve vücut ağırlıklarının ortalama değerden düşük olduğu ortaya çıkmakla birlikte bale dansçılarının beslenme bozukluklarının ortaya çıkışında yüksek risk grubunu oluşturduğunu söylemek mümkündür. Ortaya çıkan bu sonuçlar doğrultusunda bu araştırmanın amacı, profesyonel klasik bale dansçılarını “sahnede sanat sergileyen sporcular” olarak değerlendirmek ve dans performansı için spor bilimlerinden yararlanmanın önemini ortaya koymaktır. Bu doğrultuda, klasik bale dansçılarında optimal performansla ilgili fiziksel uygunluk bileşenleri üzerine yapılmış olan araştırmalar incelenerek var olan sonuçların derlenmesi amaçlanmıştır

SANAT SERGİLEYEN SPORCULAR OLARAK DANSÇILAR: KLASİK BALE DANSÇILARININ FİZİKSEL UYGUNLUK BİLEŞENLERİ.

Keywords:

-,

___

  • Alricsson M, Harms-Ringdahl K, Eriksson K, Werner S. (2003). The effect of dance training on joint mobility, muscle flexibility, speed and agility in young cross- country skiers: a prospective controlled ıntervention study. Scandinavian Journal of Medicine and Science in Sports, 13, 237-243.
  • Bushey SR. (October, 1966). Relationship of modern dance performance to agility, balance, flexibility, power, and strength. Research Quarterly, 37, 313-316.
  • Fuller M, Peirce D. (2009). Screening practices in dance; applying the research. Dance Dialogues, http:// www.ausdance.org.au/resources/publications/dance- dialogues/papers/screening-practices-in-dance.pdf (16.05.2010).
  • Galanti MLA, Holland GJ, Shafranski P, Loy SF, Vincent WJ, Heng MK. (1993). Physiological effects of training for a jazz dance performance. Journal of Strength and Conditioning Research, 7(4), 206-210.
  • Koutedakis Y, Hukam H, Metsios G, Nevill A, Giakas G, Jamurtas A, et al. (2007). The effects of three months of aerobic and strength training on selected performance and fitness-related parameters in modern dance students. Journal of Strength and Conditioning Research, 21(3), 808-812.
  • Koutedakis Y, Jamurtas A. (2004). The dancer as a performing athlete; Physiological considerations. Sports Medicine, 34(10), 651-661.
  • Koutedakis Y, Pacy P, Sharp NCC, Dick F. (1996). Is Fitness Necessary for Dancers?. The Journal of the Society for Dance Research, 12(2), 105-118.
  • Koutedakis Y, Sharp NCC. (2004). Thigh-muscles strength training, dance exercise, dynamometry, and anthropometry in professional ballerinas. Journal of Strength and Conditioning Research, 18(4), 714-718.
  • Paffenbarger RS, Olsen E. (1996). Lifefit . Champaign (IL): Human Kinetics Boks.
  • Ramel E, Thorsson D, Wollmer P. (1997). Fitness training and its effect on musculoskeletal pain in professional ballet dancers. Scandinavian Journal of Medicine and Science in Sports, 7, 293-298.
  • Redding E, Irvine S, Quin E, Rafferty S. (2009). Dance science: Scientific investigations into the effect of dance specific fitness training and its impact upon pedagogic practices and dance performance. International Symposium on Performance Science, h t t p : // w w w. p e r f o r m a n c e s c i e n c e . o r g /c a c h e / fl0019929.pdf (15.05.2010).
  • Rimmer JH, Rosentsweig J, Rubal B. (April, 1981). Annual Meeting of the American Alliance for Health, Physical Education, Recreation and Dance: Physiological profile of trained female dance majors . Boston, MA.
  • Ringham R, Klump K, Kaye W, Stone D, Libman S, Stowe, S, et al. (2006). Eating disorder symptomatology among ballet dancers. International Journal of Eating Disorder, 39, 503-508.
  • Schluger AE. (2010). Disordered eating attitudes and behaviours in female college dance students: Comparison of modern dance and ballet dance majors. North American Journal of Psychology, 12(1), 117-128.
  • Steinberg N, Siev-Ner I, Peleg S, Dar G, Masharawi Y, Hershkovitz I. (2008). Growth and development of female dancers 8-16 years. American Journal of Human Biology, 20, 299-307.
  • Toro J, Guerrero M, Sentis J, Castro J, Puertolas C. (2009). Eating disorders in ballet dancing students: Problems and risk factors. European Eating Disorders Review, 17, 40-49.
  • Twitchett E, Koutedakis Y, Wyon MA. (2009). Physiological fitness and professional classical ballet performance: A brief review. Journal of Strength and Conditioning Research, 23(9), 2732-2740.
  • Vetter RE, Dorgo S. (2009). Effects of partner’s improvisational resistance training on dancers’ muscular strength. Journal of Strength and Conditioning Research, 23(3), 718-728.
  • Wyon MA, Deighan MA, Nevill AM, Doherty M, Morrison SL, Allen N, et al. (2007). The cardiorespiratory, anthropometric, and performance characteristics of an international/national touring ballet company. Journal of Strength and Conditioning Research, 21(2), 389-393.
  • Wyon MA, Redding E. (2005). Physiological monitoring of cardiorespiratory adaptations during rehearsal and performance of contemporary dance. Journal of Strength and Conditioning Research, 19(3), 611-614.
  • Yannakoulia M, Keramopoulos A, Tsakalakos N, Matalas A. (2000). Body composition in dancers: The bioelectrical impedance method. Medicine and Science in Sports and Exercise, 32(1), 228-234.