Hatşepsut: Naibelikten Firavunluğa Yürüyen Bir Kraliçe

Yeni Krallık Dönemi’nde18. Hanedan’ın mensubu olarak önce kral naibi, ardından ise kral (firavun) olup yönetimde etkili olan Hatşepsut, Eski Mısır’ın önde gelen şahsiyetlerindendir. Kocası II. Tutmosis’in ölümü üzerine tahta geçen III. Tutmosis’in yaşının çok küçük olmasından dolayı Hatşepsut kral naibi olarak yönetimi geçici olarak devralmıştır. Ancak günden güne güçlenen kraliçe, üvey oğlu III. Tutmosis’i geri plana iterek taç giymiş ve erkek firavunlardan farksız biçimde Mısır’ı yönetmeye başlamıştır. Meşruiyetini de sağlayan Hatşepsut 20 yıl boyunca iktidarda kalmış ve önemli işlere imza atmıştır. Genellikle erkeklerin geçtiği krallık makamında olmasından dolayı sanatsal çalışmalarda kendini kimi zaman bir erkek gibi tasvir ettiren Hatşepsut kadın kimliğini gizlemeyerek, öz benliğini yansıtan heykel ve resimler de yaptırmıştır. Resmî törenlerde ise bir gelenek olarak firavunların uyguladığı takma sakal kullanmayı da ihmal etmeyen kraliçe, saltanatı boyunca bu ve benzeri seremonileri başarıyla yerine getirmiştir. Bütün bunlar kaynaklarda onun “kadın firavun” olarak nitelendirilmesine neden olmuştur. Dönemindeki gelişmelere bakıldığında ise savaşlardan ziyade daha çok ticari faaliyetlerin ön planda olduğu görülmektedir. Bu doğrultuda pek çok bölgeyle ticari ilişkiler geliştirilmiştir. Bunlar arasında ise en önemlisi Punt Seferi’dir. Öte yandan Hatşepsut’un döneminde az da olsa askeri sefer yapıldığı dile getirilmektedir. Özet olarak, bu çalışmada Eski Mısır tarihinin en önemli şahsiyetlerinden biri olan Hatşepsut ve dönemi incelenmiştir. Giriş bölümünde ise Hatşepsut’un bu konuda ilk olmadığının anlaşılması için yönetimde söz sahibi olan kraliçeler hakkında bilgi verilmiştir.

Hatshepsut: A Queen Who Walking from Regent to the Pharaoh

During the New Kingdom Period, Hatshepsut, who was first the regent and then the king (pharaoh) as a member of the 18th Dynasty, was one of the leading figures of Ancient Egypt. Hatshepsut temporarily took over the administration as regent, due to the very young age of Tutmosis III, who took the throne after the death of her husband Tutmosis II. However, the queen, who got stronger day by day, pushed her stepson Thutmose III to the background and she was crowned and started to rule Egypt without being different from the male pharaohs. Hatshepsut who also provided its legitimacy, remained in the administration for 20 years and achieved important practice. Hatshepsut, who sometimes portrayed herself as a man in artistic works due to the fact that she is usually in the kingdom where men rule, has also made sculptures and paintings that reflect her own self, not hiding her female identity. Queen, who did not neglect to use the fake beard, used by the pharaohs as a tradition in official ceremonies, successfully performed these and similar ceremonies during her reign. All this caused him to be described as a "woman pharaoh" in sources. Considering the developments in her period, it is seen that commercial activities are more in the foreground than wars. In this direction, commercial relations have been developed with many regions. The most important of these relations is the one with the country of Punt. On the other hand, it is stated that there was a small amount of military expeditions during Hatshepsut's period. In summary, in this study one of the most important figures in the history of Ancient Egypt, Hatshepsut and her period were examined. In the introduction section, information is given about the queens who have a say in the administration to understand that Hatshepsut is not the first in this regard.

___

  • ALLEN, J. P., 2006. “After Hatshepsut The Military Campaigns of Thutmose III”, Hatshepsut: From Queen to Pharaoh, Ed.: Catharine H. Roehrig, Yale University Press, New Haven and London, ss. 261-266.
  • BARD, K. A. 2015., An Introduction to the Archaeology of Ancient Egypt, Blackwell Publishing, Oxford.
  • BEETZ, K. H., 2008. “Egypt”, Encyclopedia of Society and Culture in the Ancient World Vol. 1, (Editor in Chief: Peter Bogucki), Facts On File, New York, ss. 392, 396.
  • BIERBRIER, M. L., 2008.Historical Dictionaries of Ancient Egypt, The Scarecrow Press, Lanham-Toronto-Plymouth.
  • BIETAK, M., 2006. “Egypt and the Aegan Cultural Convergence in a Thutmoside Palace at Avaris”, Hatshepsut: From Queen to Pharaoh, Ed.: Catharine H. Roehrig, Yale University Press, New Haven and London, ss. 75-82.
  • BROWN, C. G., 2010. Dancing For Hathor Women in Ancient Egypt, Continuum, London.
  • BUDGE, E. A. W., 2010. An Egyptian Hieroglyphic Dictionary: With an Index of English Words Vol. I, Cosimo Inc., New York.
  • BUNSON, M. R., 2002. Encyclopedia of Ancient Egypt. Facts On File Inc, New York.
  • CHANEY, E., 2020. “‘Mummy First: Statue After’: Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art”, Ancient Egypt in the Modern Imagination, Art, Literature and Culture, Ed.: Eleanor Dobson – Nichola Tonks, Bloomsbury, London, New York, ss. 47-73.
  • CHRISTENSEN, W., 2009. Great Empires of the Past: Empire of AncientEgypt, New York.
  • CLAYTON, P. A., 2001. Chronicle of the Pharaohs the Reign- by-Reign Record of the Rulers and Dynasties of Ancient Egypt with 350 illustrations 130 in color, Thames & Hudson, New York.
  • CLINE. E. H., 2018. MÖ 1177 Medeniyetin Çöktüğü Yıl, Çev.: Ayşegül Kulgin, Bilge Kültür Sanat Yayınları, İstanbul.
  • ÇOLAK, K., 2008. “Mısır’ın Fransızlar Tarafından İşgali Ve Tahliyesi (1798- 1801)”, SAÜ Fen Edebiyat Dergisi, 2008-II, ss. 141-183.
  • DODSON, A., 2000. Monarchs of The Nile, The American University in Cairo Press, Cairo-New York.
  • DORMAN, P, F., 2005. “The royal steward, Senenmut. The Career of Senenmut”, Hatshepsut: From Queen to Pharaoh, Ed.: Catharine H. Roehrig, The Metropolitan Museum of Art, New York; Yale University Press, New Haven, ss. 107-109.
  • FREEMAN. C.,2003. Mısır, Yunan ve Roma, Çev.: S. Kemal Angı, Dost Kitabevi, Ankara.
  • GALAN, J. M., 2004. “Preface”, Creavity and Innovation in the Reign of Hatshepsut, Ed.: Jose M. Galan, Betsy M. Bryan, Peter F. Dorman, The Oriantel Institute of Chicago, The University of Chicago Publishing, Chicago-Illinois, ss. vii.
  • GIBB, H. A. R.– DAVIES, C. C., 1964. “Naib”, MEB İslam Ansiklopedisi, C. 9, İstanbul, 1964, ss. 50.
  • HART, G., 2005. The Routledge Dictionary of Egyptian Gods and Goddesses, Routledge, London-New York.
  • HORNUNG, E., 2004. Ana Hatlarıyla Eski Mısır Tarihi, Kabalcı Yayınevi, İstanbul.
  • KELLER, C. A., 2006. “The Statuary of Hatshepsut”, Hatshepsut: From Queen to Pharaoh Ed.: Catharine H. Roehrig, Yale University Press, New Haven and London, ss. 158-173. KUHRT, A., 2013. Eskiçağ’da Yakındoğu MÖ 3000-330, C. I, Çev.: Dilek Şendil, İş Bankası Yayınları, İstanbul.
  • LABOURY, D., 2004. “How and Why did Hatshepsut Invent the Image of Her Royal Power”, Creavity and Innovation in the Reign of Hatshepsut, Ed.:Jose M. Galan – Betsy M.Bryan – Peter F. Dorman, The Oriantel Institute of Chicago, The University of Chicago Publishing, Chicago-Illinois, ss. 49- 91.
  • MIDDLETON, R., 1962, “Brother-Sister and Father-Daughter Marriage in Ancient Egypt”, American Sociological Review, Vol. 27, No. 5 (Oct.,1962), ss. 603-611.
  • MIEROOP, M. V. D., 2019 Eski Mısır Tarihi, Çev.: Ali Oğuz Bozkurt, Homer Kitabevi, İstanbul.
  • MORKOT, R. G., 2005. The Egyptians An Introduction, Routledge-Taylor & Francis e-Library, New York.
  • O’CONNOR, D. 2006 “Thutmose III: An Enigmatic Pharaoh” Thutmose III A New Biography, Ed.: Erich Cline and David O'Connor, The University of Michigan Press, Ann Arbor, ss. 1-38.
  • ROBINS, G., 1999. “The Names of Hatshepsut as King”, The Journal of Egyptian Archaeology, Vol. 85, ss. 103-112.
  • ROEHRIG, C. H. 2005. “The Burial of A Royal Woman and Child of the Late Seventeenth Dynasty”, Hatshepsut: From Queen to Pharaoh, Ed.: Catharine H. Roehrig, The Metropolitan Museum of Art, New York; Yale University Press, New Haven ss.15-22.
  • ROTH, A. M., 2005a. “Hatshepsut’s Mortuary Temple at Deir El-Bahri”, Hatshepsut: From Queen to Pharaoh, Ed.: Catharine H. Roehrig, The Metropolitan Museum of Art, New York; Yale University Press, New Haven, ss. 147-157.
  • ROTH, A. M., 2005b. “Models of Authority Hatshesut’s Predecessors in Power”, Hatshepsut: From Queen to Pharaoh, Ed.: Catharine H. Roehrig, The Metropolitan Museum of Art, New York; Yale University Press, New Haven, ss. 9-15.
  • SCOTT, E., 2012. Hatshepsut, Queen of Sheba, New York 2012.
  • SHIRLEY, J.J., 2004. “The Power of the Elite: The Officials of Hatshepsut’s Regency and Coregency”, Creavity and Innovation in the Reign of Hatshepsut, Ed.: Jose M. Galan – Betsy M. Bryan – Peter F. Dorman, The Oriantel Institute of Chicago, The University of Chicago Publishing, Chicago-Illinois, ss. 173-245.
  • SZAFRANSKI, Z. E., 2004. “The Exceptional Creativity of Hatshepsut” Creavity and Innovation in the Reign of Hatshepsut, Ed.: Jose M. Galan – Betsy M.Bryan – Peter F. Dorman, The Oriantel Institute of Chicago, The University of Chicago Publishing, Chicago-Illinois, ss. 125-137.
  • SZPAKOWSKA, K., 2012. "Hidden Voices: Unveiling Women in Ancient Egypt", A Companion to Women in the Ancient World, Ed.: Sharon L. Jamesand – Sheila Dillon, Wiley-Blackwell, Oxford, ss. 25-37.
  • THOMPSON, Stephen E., 2020. Ancient Egypt: Facts and Fictions, ABC Clio, Santa Barbara-Denver.
  • TIGNOR, R. L., 2010. Egypt A Short History, Princeton University Press, Princeton-Oxford.
  • TYLDESLEY, J. 2006. Chronicle of the Queens of Egypt From Early Dynastic Times To The Death of Cleopatra With 273 Illustrations, 173 in Color, Thames & Hudson, New York.
  • TYLDESLEY, J. A., 1998. Hatchepsut The Female Pharoah, Penguin Books, (e-book), London.
  • VERCOUTTER, J., 1992. Eski Mısır, Çev.: Emine Su, İletişim Yayınları, İstanbul.
  • WALLENFELS, R., (Ed.), 2000. The Ancient Near East: An Encyclopedia for Students, Vol. II, New York.
  • WALLENFELS, R., (Ed.), 2000. The Ancient Near East: An Encyclopedia for Students, Vol. III, New York.
  • WHITE, J., (Ed.), 2016. All About History, Book of Ancient Egypt, Future Publishing, London.
  • WILKINSON, T., 2013. Eski Mısır M.Ö. 3000’den Kleopatra’ ya Bir Uygarlığın Tarihi, Çev.: Ümit Hüsrev Yolsal, Say Yayınları, İstanbul.
  • YILMAZ, C., 2020. Amarna Mektupları Işığında Akdeniz Dünyası’nın Siyasi ve Sosyal Görünümü, Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü, Yayınlanmamış Doktora Tezi, Denizli.
  • Web Tabanlı Kaynaklar https://www.ucl.ac.uk/museumsstatic/digitalegypt/chronology/hatshepsut.html (21.01.2020)
  • https://www.thoughtco.com/profile-of-female-pharaohs-3528392 (21.01.2020)
  • https://www.researchgate.net/publication/275024253_Hatshepsut_Egyptology (22.01.2020)
  • https://www.parcast.com/blog/2016/10/26/5-powerful-women-rulers-of-ancient-egypt (30.07.2020)
  • https://www.historyextra.com/period/ancient-egypt/the-female-kings-of-ancient-egypt/ (30.07.2020)
  • https://www.guardians.net/hawass/hatshepsut/search_for_hatshepsut.htm (30.07.2020)
  • https://www.britannica.com/topic/ka-Egyptian-religion (23.07.2020).
  • https://www.behindthename.com/name/ahmose (6.07. 2020)
  • https://www.ancient.eu/punt/ (22.01.2020)
  • https://owlcation.com/humanities/Senmut-coutier-or-lover-of-Hatshepsut (2.08. 2020.)
  • https://en.wikipedia.org/wiki/Fourth_Dynasty_of_Egypt (21.01.2020)
  • http://www.ancient-egypt.co.uk/people/cartouche/pages/sahura.htm (22.07.2020)
  • https://www.medicalbag.com/home/features/grey-matter/impact-of-royal-inbreeding-part-iii/ (03.08.2020)