___

Bacher, Lutz (1978) The mobile mise-en-scene: A Critical Analysis of the Theory and Practice of Long Take Camera Movement in the Narrative Film. New York: Arno Press.

Hamid, Rahul (2004) "Der Letzte Mann (The Last Laugh)", Senses of Cinema, http://archive.sensesofcinema.com/contents/cteq/04/32/der_letz-te__mann.html (Erişim: 24.03.2009).

Menard, David George (2003) "Bazinian Theory - Toward a synthesis of cinema - a theory of the long take moving camera", http: //www. hors-champ.qc.ca/new_offscreen/synthesis_theory.html (Erişim: 24.03. 2009)

Monaco, James (2001 [1977]) Bir Film Nasıl Okunur?, çev. Ertan Yılmaz. Istanbul: Oğlak Yayıncılık.

Sadoul, Georges (1982) Geschichte der Filmkunst, Frankfurt am Main: Fischer Taschenbuch Verlag.

Stanjek, Klaus (1987) "Kamerabewegungen: Gestaltungstile verschiedener Regisseure", HFF Münih Semineri Notları.

Tobias, Scott (2008) "The Last Laugh", http://www.avclub.com/ar-ticles/the-last-laugh,6874/ (Erişim 02.09.2008).

Vertov, Dziga (1968 [1923]) "'Sinema-göz'cülerin Devrimi", çev. Nijat Özön, Türk Dili (Sinema Özel Sayısı) sayı: 196, 295-98. "Karl Freund",http://www.film-zeit.de/home.

php?action=result&sub= person&person_id = 11526, (Erişim: 24.03.2009)

"Unchained Camera Technique", http://en.wikipedia.org/ wiki/Un-chained Camera Technique

"Entfesselte Kamera", http://de.wikipedia.org/wiki/Entfesselte_Kamera