“The Lady of Shalott” as a Metaphor for Class Relations under Capitalism

Çağan FIRTINA

Elusive Idea of Nationhood and Bifurcated Identity in Amitav Ghosh’s The Glass Palace

Khandakar ISLAM

“Always to do ladies, damosels, and gentlewomen succour”: The Instrumental Presence of Women in Le Morte Darthur as the Motifs of the Damsel in Distress, the Enchantress and The Seductress

Yağmur Su KOLSAL

Hey, Hey, Hey, It’s Fat Albert: Bill Cosby’s Junk-yard Paradise

David LİVİNGSTONE

Colonial Remnants and the Commoditization of Desire in Shyam Selvadurai's Funny Boy and Bapsi Sidhwa's Cracking India

Can ÖZGÜ

Recuperating Father(s) and Retracing “I” in Maxine Hong Kingston’s China Men

Shirin Akter POPY

Intercultural Marriage: Contemporary Expressions of Displacement/Emplacement in British Fiction

Şebnem TOPLU

Affective Boundaries and Replication in Wuthering Heights

İpek KOTAN YİĞİT

Love and Longing for the Reed-bed: A Comparative Study of Sufi Themes in The Forty Rules of Love and the Mathnawi

Maha ZAWİL

Review: Prometheus by Ridley Scott

Antonio SANNA

Review: Mass Media/Mass Culture: An Introduction by James R. Wilson and S. Roy Wilson

Selin TURAN