Overtones Ege Journal of English Studies

“The Lady of Shalott” as a Metaphor for Class Relations under Capitalism

Sayfalar: 5-13

Çağan FIRTINA

Elusive Idea of Nationhood and Bifurcated Identity in Amitav Ghosh’s The Glass Palace

Sayfalar: 15-24

Khandakar ISLAM

“Always to do ladies, damosels, and gentlewomen succour”: The Instrumental Presence of Women in Le Morte Darthur as the Motifs of the Damsel in Distress, the Enchantress and The Seductress

Sayfalar: 25-35

Yağmur Su KOLSAL

Hey, Hey, Hey, It’s Fat Albert: Bill Cosby’s Junk-yard Paradise

Sayfalar: 37-43

David LİVİNGSTONE

Colonial Remnants and the Commoditization of Desire in Shyam Selvadurai's Funny Boy and Bapsi Sidhwa's Cracking India

Sayfalar: 45-52

Can ÖZGÜ

Recuperating Father(s) and Retracing “I” in Maxine Hong Kingston’s China Men

Sayfalar: 53-61

Shirin Akter POPY

Intercultural Marriage: Contemporary Expressions of Displacement/Emplacement in British Fiction

Sayfalar: 63-69

Şebnem TOPLU

Affective Boundaries and Replication in Wuthering Heights

Sayfalar: 71-81

İpek KOTAN YİĞİT

Love and Longing for the Reed-bed: A Comparative Study of Sufi Themes in The Forty Rules of Love and the Mathnawi

Sayfalar: 83-96

Maha ZAWİL

Review: Prometheus by Ridley Scott

Sayfalar: 97-100

Antonio SANNA

Review: Mass Media/Mass Culture: An Introduction by James R. Wilson and S. Roy Wilson

Sayfalar: 101-102

Selin TURAN