Shirin Akter POPY

Recuperating Father(s) and Retracing “I” in Maxine Hong Kingston’s China Men

Recuperating Father(s) and Retracing “I” in Maxine Hong Kingston’s China Men

Overtones Ege Journal of English Studies

53-61

Chinese-American history, Forefathers, Dialogical self, China Man, Maxine Hong Kingston

33717

Benzer Makaleler

“The Lady of Shalott” as a Metaphor for Class Relations under Capitalism

Overtones Ege Journal of English Studies

Çağan FIRTINA

Elusive Idea of Nationhood and Bifurcated Identity in Amitav Ghosh’s The Glass Palace

Overtones Ege Journal of English Studies

Khandakar ISLAM

“Always to do ladies, damosels, and gentlewomen succour”: The Instrumental Presence of Women in Le Morte Darthur as the Motifs of the Damsel in Distress, the Enchantress and The Seductress

Overtones Ege Journal of English Studies

Yağmur Su KOLSAL

Hey, Hey, Hey, It’s Fat Albert: Bill Cosby’s Junk-yard Paradise

Overtones Ege Journal of English Studies

David LİVİNGSTONE

Colonial Remnants and the Commoditization of Desire in Shyam Selvadurai's Funny Boy and Bapsi Sidhwa's Cracking India

Overtones Ege Journal of English Studies

Intercultural Marriage: Contemporary Expressions of Displacement/Emplacement in British Fiction

Overtones Ege Journal of English Studies

Affective Boundaries and Replication in Wuthering Heights

Overtones Ege Journal of English Studies

İpek KOTAN YİĞİT

Love and Longing for the Reed-bed: A Comparative Study of Sufi Themes in The Forty Rules of Love and the Mathnawi

Overtones Ege Journal of English Studies