Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts
Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts
This study recognizes reciprocal interplay of cinematography
and literature, which constitute one another in a dynamic process of
remediation, while highlighting intermedial reflexivity from screen to
paper and how its “cinematic,” multifaceted dimensions of imagery,
art, movement, technology, and industry interact with paper-based
writings of Robert Coover. Embracing the techniques and forms of
screen technologies, as well as exposing their ideological constructions
and stereotypes, Coover’s texts reveal filmlike texture, spectacle,
theatricality, and violence, disclosing the disintegration of the confines
in-between media, as well as relative non-distinction of the frontier
between the real and the mediated, where virtuality imposes as a
cultural force and dominates actuality. The study is informed by Paul
Virilio’s, Jean Baudrillard’s, and Gilles Deleuze’s accounts on how
media and image-manipulation imprison the viewers through means of
identification, and how cinematography contributes to the genesis of a
new notion of reality.
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