'Sanatçının Bir Genç Adam Olarak Portresi’ Romanında Paradoks ve Gerçeklik Kavramı

James Joyce yaratıcılığının esas ana konusu epidemiyoloji olarak İrlanda kültürünü, onun edebi ve sanatsal değerlerini tüm benliğiyle ortaya koymasındadır. Bu makalede, “A Portrait of the Artist as a Young Man” adlı romanında bilinci akışı paradokslar ve ekstra bireysel uyumsuzluklar konusu ile ilgili görüşler irdelenecek. Aslında romanda “uyum ve paradoks” olarak Joyce’nin ulaşabileceği hedefi sadece zihinsel veya psikolojik bir faktör değil, aynı zamanda yazar insan zihninde var olan ve tam da bu noktada devreye giren eşsiz bir sanatsal kavram tekniğini göstermek istemiştir. Bazen insan zihninde kesin olarak doğru veya yanlış bilinen kavramlar çelişki olarak ters sonuçlana bilir ve bu özdeşleştirmeler insan mantığının gücü ve idealarına göre paradoks olarak değişik türde tanımlanabilir. James Joyce göre, insan kendini keşfederken gerçek ve bağımsız olur. Estetik güzellik, sanat, aşk ve bu gibi hassas duygular sadece kişinin kendi benliğinin bir parçası olarak görülebilir. Tüm bunlardan yol alarak, yazar “A Portrait of the Artist as a Young Man” adlı romanında Stephan Dedalus’un sanatçı görüşünü gerçek bir prototip olarak değerlendirir ve ayrıca, yazar XIX yüzyılın İrlanda edebi kültüründe modern insanın yaşam mekanizmasını ana paradoks olarak ortaya çıkarıyor.

The Concept of Paradox and Reality in the Novel ‘Portrait of the Artist as a Young Man’

The main theme of James Joyce's creativity, epistemologically, it reveals the literary and artistic values of Irish culture, within its entirety. In this paper, it will be discussed andbe examined the views on the flow of consciousness paradoxesand extra individual mismatches in the novel of “A Portrait ofthe Artist as a Young Man". The goal that Joyce can reach as a“harmony and paradox” in the novel, is not just a mental orpsychological factor, along with, he wanted to show a uniqueartistic and consciousness concept technique that existed in thehuman mind precisely at this moment. Sometimes, the conceptsthat people want to know correctly in their minds, it may resultin the opposite. And in hence, these identifications can be defined in different types of as paradoxically, according to thepower and claims of human logic. According to the writer, human beings become real and independent, while they discoverthemselves. Aesthetic beauty, art, love, and such sensitive emotions can only be seen as part of one's own self. Based on allthese, the author considers the creative vision of Stefan Dedalusas a real prototype in his novel of “Portrait of an Artist as aYoung Man”. And also, the author, however, manages to revealas the main paradox the mechanism of modern human life inthe XIX th century Irish literary culture.

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