Yapının Metafiziği: Alfred Lord Tennyson Sanatında Güzellik ve Gerçeklik

Biçimsel sanat, sabit fikirleri sorgulamak ve neyin güzel, saf ve gerçek olduğunu yeni algılar yaratmak için A. L. Tennyson Viktorya dönemi şiirinde başlangıç noktası olarak hareket eder. Tennyson’ın güzellik ve konu olarak biçime olan çift yönlü şiirsel ilgisi bazı algıların oluşmasına neden olur. Şiirinin çoklu değişim, ilişki ve yaratımın sonsuz bir alanı olan bu algılar doğrultusunda yapının metafiziği ile ilgili bir tartışma başlatır. Şiirleri modern estetikle birlikte yaşar ve gelecek hareketleri biçim, nesne ve gerçeklik arasındaki bağlama odaklanır. Tennyson, biçimi sınırlı bir içeriğe direnç olarak kullanır. Geniş bir kapsamıyla, yeni algısal gerçekliklere ya da alternatif bir gerçeklik anlayışına karşı yenileyici organik şemalara sanatsal bir ilham verir. Aynı zamanda şiirleri teknik ve içerik olarak çelişkili zıt fıkirlerin kucaklanmasından oluşur. Bu makale, bahsedilen kucaklamanın etkilerini incelemekle beraber şiirlerin sanatsal-nesne ve gerçeklik ile ilgili çağdaş felsefi fikirleri anlamlandırma niteliği tanır.

The Metaphysics of The Form: Beauty and Reality in The Art of Alfred Lord Tennyson

In the Victorian poetry of A. L. Tennyson, formal artistry acts as the starting point for questioning fixed ideasand creating new perceptions of what is beautiful, pure, and real. Tennyson’s dual-oriented poetic interest inform as beauty and subject matter leads to the perception that his poetry acts as an unlimited field of multiplechanges, relations, and creations that open a discussion about the form’s metaphysics. Tennyson uses theform as resistance towards a limited context and, overall, artistically inspires new perceptive realities orinnovative organic schemata towards an alternative understanding of reality. His poems are symbiotic withtheir contemporary Aestheticism and posterior movements focusing on the relation between form, object, andreality.Tennyson’s poems (as a technique and content) consists of the embracing of conflicting elements.This article examines the effects of this embracing and recognizes the poems’ quality to act as a field ofunderstanding contemporary philosophical ideas on artistic-object and reality.

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