Spinning the Tale: Spinster Detectives and the Construction of Narrative in the Miss Silver Mysteries

The concept of spinster detective is one that has been relatively understudied, despite general contemporary interest in the detective form as an academic as well as a popular genre. The spinster detective sub-genre has remained on the sidelines, probably because of its utilization of an old woman as the detective. As an alternative to the professional detective, she represents a counter figure who sits comfortably in her chair knitting away as the events revolve around her. It is interesting to note that the word “spinster” itself comes from the act of spinning and spinster detectives from Miss Marple onwards have been frequently represented as old ladies who alternatively knit, crochet, weave, spin, or embroider. This correlation between being unmarried and “spinning” gains a poignant dimension when the actions of detecting and spinning are considered as central to these narratives. What the spinster detective does, in effect, is, she spins a tale; she constructs events in such a way as to explain who committed a crime and how, by forming a narrative out of the evidence. Her narrative is a counter narrative to the dominant presence and construction of the professional detective. This paper aims to reveal how the Miss Silver character in the Patricia Wentworth detective series gains narrative presence in the novels through the act of knitting, and how she gains a legitimate voice through this seemingly passive production.
Anahtar Kelimeler:

Miss Silver, spinster detectives

___

  • Christie, A (2002). A murder is announced. New York, USA: Harper Collins.
  • Higgins, E. F. (1996). The female rivals of Sherlock Holmes: Alternative sleuths, alternative heroes.
  • C. R. Putney, J.A.C. King and S. Sugarmann (Ed.). Sherlock Holmes: Victorian Sleuth to Modern Hero. Maryland, USA: Scarecrow.
  • Houston, M., and C. Kramarae (1991). Speaking from silence: Methods of silencing and resistance. Discourse & Society, No. 2 (4), pp. 387-399.
  • Klein, K. G. (1995). The woman detective: Gender and genre. Illinois, USA: U of Illinois.
  • Miller, J. H. (1976). Ariadne’s thread: Repetition and the narrative line. Critical Inquiry, No. 3 (1), pp. 57-77.
  • Ovid (2001). Metamorphoses. H. Gregory (trans.). New York, USA: Signet Classics.
  • Roberts, J. W. (1995). Amelia Butterworth: The spinster detective. G. Irons (Ed.). Feminism in Women’s Detective Fiction. Toronto, Canada: U of Toronto.
  • Ross, C. L. (1994). Anna Katherine Green. In K. G. Klein (ed.) Great Women Mystery Writers: Classic to Contemporary. Connecticut, USA: Greenwood.
  • Wentworth, P. (1961). The watersplash. Middlesex, UK: Penguin.
  • Wentworth, P. (1963). Death at deep end. New York, USA: Pyramid.
  • Wentworth, P. (1973). The clock strikes 12. London, UK: Coronet.
  • Wentworth, P. (1976). The silent pool. London, UK: Coronet.
  • Wentworth, P. (1980). The fingerprint. New York, USA: Bantam.
  • Wentworth, P. (1980). The ivory dagger. New York, USA: Bantam.
  • Wentworth, P. (1984). The case is closed. London, UK: Coronet.
  • Wentworth, P. (1990). The girl in the cellar. London, UK: Coronet.
  • Electronic resources
  • Mallory, M. Murder she taught: The puzzling career of Hildegarde Withers. Mystery Scene.
  • Retrieved from https://www.mysteryscenemag.com/index.php?option=com_content &view=article&id=3224:murder-she-taught-the-puzzling-career-of-hildegarde- withers&catid=20:articles&Itemid=191.
  • Stoyer, D. Miss Maud Silver. The Thrilling Detective Web Site. Retrieved from http://www. thrillingdetective.com/eyes/silver.html.