Renaissance English Theatre as a Political Propaganda Instrument of the English Monarchy

16. yüzyılda İngiltere'de meydana gelen sosyo-kültürel, dini ve siyasi değişimlerden etkilenen İngiliz Tiyatrosu Kraliçe I. Elizabeth'in 1558 yılında tahta çıkmasıyla beraber orta çağa özgü özelliklerini terk etmeye başlamıştır. Ülkeye hakim olan Protestanlığın da etkisiyle birlikte, kilise tarafından sahnelenen dini içerikli oyunlar gözden düşmeye başlamıştır. Bunun yerine, oyun şirketleri tarafından yazılan her türlü klasik, komedi, trajedi ve tarihi oyunların sahnelendiği büyük tiyatro binaları kurulmuş ve tüm zamanların en önemli tiyatrolarından birisi ortaya çıkmıştır. Kurulan bu büyük tiyatro binaları, sadece eğlence amacıyla değil, aynı zamanda propagandasını kullanılmıştır. Dönemin en etkili kitle iletişim aracı olan tiyatroyu denetlemek için Kraliçe'ye bağlı olarak görev yapan Eğlence İşleri Sorumlusu (the Master of the Revels) oyun şirketlerine lisans verme ve oyunları sansürleme görevlerini yürütmüştür. Bu çalışmada, Rönesans İngiliz Tiyatrosu'nun genel özellikleri anlatılmış ve Kraliçe I. Elizabeth'in siyasi propaganda aracı olarak tiyatroyu nasıl kullandığı araştırılmıştır

İngiltere Monarşisinin Siyasi Propaganda Aracı olarak Rönesans İngiliz Tiyatrosu

Influenced from the sociocultural, religious and political changes that happened in England in the sixteenth century, English Theatre started to desert its medieval characteristics by the ascendance of Elizabeth I to the English throne in 1558. The influence of Protestantism in England was extremely high and as such, medieval plays having religious characteristics started to lose their popularity. In lieu of these plays, various kinds of classical plays, comedies, tragedies and history plays were staged in newly erected permanent theatre houses, and there emerged one of the best theatres of all times. Those newly built theatre houses were not only used for amusement, but also were used with a purpose of the political propaganda of Queen Elizabeth. So as to monitor the theatre, the most effective mass communication instrument of Renaissance England, a governmental body called the Master of the Revels maintained the duties such as licencing and censoring for play companies. This research has studied the general characteristics of the Renaissance English Theatre and the way Queen Elizabeth I employed the theatre as an instrument of her political propaganda

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