Güney ve Grotesk: Flannery O’Connor’ın ‘Çarpık’ Karakterleri

Bu makalenin amacı Amerikan Güney’inin grotesk çağrışımlarını araştırmak, Wolfgang Kayser’in (1906-1960) tiplemeleri temelinde Flannery O’Connor’ın (1925-1964) kısa öykülerindeki grotesk karakterleri incelemek ve buna bağlı olarak bu karakterlerin şiddet olgusuyla ilişkilerini ortaya koymaktır. Güney’in kendine özgü özellikleri çoğunlukla sürekli olarak grotesk vurgusu yapmasıyla bilinen güney yazınının her alanına nüfuz etmiştir. Önemli bir güneyli yazar olarak O’Connor da kendi edebiyatında grotesk karakterlere yer vermiştir. O’Connor’ın karakterleri üç farklı şekilde grotesk özellik göstermektedirler; bedensel kusurluluk, düşünsel aykırılık ve davranışsal yozlaşma. Bu makalede, bahsi geçen üç grotesk kaynağı üç kısa öykü aracığıyla incelenmektedir: “Parker’s Back,” “The Comforts of Home” ve “The Partridge Festival.”

The South and The Grotesque: Flannery O’Connor’s ‘Twisted’ Characters

The objective of this article is to research the grotesque undertones of American South, investigatethe grotesque characters in Flannery O’Connor’s (1925-1964) short fiction based on WolfgangKayser’s (1906-1960) typology and accordingly reveal their affinities with the phenomenon ofviolence. The distinctive qualities of the South infuse all aspects of southern literature that is mostlynotable for its perennial emphasis upon the grotesque. As a significant southern writer, O’Connor alsoemploys grotesque characters in her fiction. O’Connor’s characters emanate grotesque singularities inthree different manners; corporeal malformation, intellectual incongruity and behaviouraldegeneration. These three motives for the grotesque are analyzed through three short stories in thisarticle: “Parker’s Back,” “The Comforts of Home” and “The Partridge Festival.”

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