Seramiğe Dönüşen Organik Nesneler: Teknik ve Sanatsal Örnekler

Günümüzde seramik malzemeyi bir ifade aracı olarak kullanan çağdaş sanatçılar, eserlerinin plastik diline katkı sağlamak için çeşitli sır, şekillendirme ve pişirim alternatifleri denemektedirler. Burada ele alınacak şekillendirme alternatiflerinden biri de sanatçıların kumaş, dantel, ip, bitkisel ürünler, doğal ve yapay süngerler gibi çeşitli organik nesneleri döküm çamuru içine daldırıp çıkararak şekillendirmesidir. Bu teknikle seçilen nesneler üzerinden hem doku hem de form elde edilmektedir. Bu makalede seramik formu ve bünyesi olarak kullanılan nesnelerin seramiğe nasıl dönüştüğü, nesnelerin nasıl şekillendirildiği araştırılacaktır. Araştırma yönteminde, söz konusu tekniği uygulayan ulusal ve uluslararası sanatçıların eserleri ele alınacak, seçilen nesne üzerinden tekniğin plastik dili incelenecektir. Sonuç olarak sanatçıların; eserlerini diğer bilinen şekillendirme yöntemlerinden farklı olarak oluşturdukları, bu tekniğin şekillendirme yöntemlerine katkı sağladığı anlaşılmıştır. Teknikte, kullanılan nesnelerin seçimi sanatçının tercihine bağlı olduğu görülmüştür. Seramik sanatı açısından ortaya çıkan eserlerin çoğunlukla seramiğin plastik diline katkı sağladığı söylenebilir. Bu teknikle elle şekillendirilmeyecek kadar orijinal dokuları da elde etme olanağı bulunmaktadır.

Anahtar Kelimeler:

Seramik Bünye, Seramik Sanatı, Seramik Şekillendirme, Döküm Çamuru

Organic Objects Which Turn Into Ceramic: Technical and Artistic Examples

Contemporary artists using ceramic materials have been trying various types of glaze, shaping and firing alternatives in order to contribute to the plastic interpretation of their works. One of the shaping alternatives that will be discussed here is the organic products such as fabric, lace, rope, herbal products, natural and artificial sponges shaped by the artist by dipping and removing the object from slip casting. With this technique, both the form and the tissue are obtained from the selected objects. In this article, it will be discussed that how the objects used as ceramic form and body turn into ceramics and how the objects are shaped. In the research method, the artworks of the national and international artists who have applied the relevant technique will be discussed and the plastic interpretation of the technique will be examined in terms of the selected material. The results reveal that the artists apply the techniques differently from other well -known shaping methods in their artworks, which contributes to shaping methods. The results also shows that the choice of the objects used in the technique is dependent on the artist’s preference. It can be said that the artworks produced in terms of ceramic art mostly contribute to the plastic interpretation of ceramics. With this technique, it is also possible to obtain original textures that cannot be shaped by hand easily.

Keywords:

Ceramic Body, Ceramic Art, Ceramic Shaping, Slip Casting,

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GÖRSEL KAYNAKÇA
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