«Cengiz AYTMATOV’un evreni»  kavramının  3 tanım ve açıklamasını vermek mümkündür:Birincisi – Aytmatov’un bir insan olarak dünya, evren algılayışı değişik ve sıradışı olduğundan, yazarın dünyası ile evreni biri birine bağlıdır. AYTMATOV evreninin ikinci tanımı – insan ile diğer insanın konuşmasıdır.            AYTMATOV kendisi sıradışı bir insan olarak halkına, Türk dünyasına ve tüm insanoğluna hasretini, kasvetini aktarmış, insanlar ile paylaşmış gibidir.AYTMATOV evreninin üçüncü tanımı – insanoğlunu Kırgız halkının yegane değerleriyle tanıştırmasıdır. Cengiz AYTMATOV ise, yaşadığı döneme uygun olarak Kırgızların karakterinde Varoluşçuluk felsefesini yansıtarak dünyaya tanıştırmıştır.İnsanoğlunu daha ileriye, daha iyiye çağıran, dünyanın entellektüel güçlerini bir araya getiren «Isık Göl Forumu’nu»  da AYTMATOV düzenlemiştir. Cengiz atamızın dediği gibi «Bizler bütün insanoğluna hitap ediyoruz» ifadesi hala aklımızdadır.                 Böylelikle, AYTMATOV dediğimizde Kırgızların özel, onlara has varoluşçuluk felsefesinin oluştuğunu görebiliyoruz. 

As stated in ancient Greek philosophy, every person is a microcosm. In this regard, what does the concept of “Aitmatov’s universe” include, the universe of a person who acts as a symbol of Kyrgyz culture? Is it possible to present the writer's creativity as a phenomenon of “Aitmatov's philosophy”?I would like to highlight the three meanings of the Aitmatov universe:The first meaning is the perception of this world by Aitmatov’s personality, i.e. macrocosm. It is about the relationship between the writer's universe and the universe as the universe. This is the allegorical significance of the meeting of two universes. “And the day lasts longer than a century” or “The spotted dog running along the edge of the sea” reflects the particular perception of reality by the writer. The dialectic of the relationship between man and the universe is that if a man without a universe simply does not exist, the universe without a man will not be able to reflect his laws of being.The second meaning is the meeting of the personality of the writer with the personality of the reader. This is the appeal of the personality of Aitmatov to each of us, i.e. intimate talk. “Face to face”, “Farewell, Gulsary” show the world of the individual as a special universe with which the writer's universe communicates. The writer socializes the human universe and, in accordance with historical time, finds answers to the most important questions of human nature.The third meaning is the projection of the spiritual culture of the Kyrgyz people in the Aitmatov universe. It is like preserving the national memory of the Kyrgyz. That is why, over time, the writer himself became a special symbol of the people, the Kyrgyz culture in general. This can be seen in the works “White Ship”, “Early Cranes”.           The works of Aitmatov managed to convey to the world the charm of the Kyrgyz soul, contemplating this world and responding to special manifestations of artistry."The Aitmatov Universe" in the present is an established term that reveals the richness of Aitmatov's nature in three basic ways: personal, spiritual-cultural, and universal. In this regard, the philosophical interpretation of this term projects the world view context, rather than the literary.The concept of Aitmatov's philosophy is more specific, allowing you to focus not on the literary analysis of his works, but on the philosophical nature of the writer's thoughts. In this regard, Aitmatov's reasoning is considered as an existential philosophy, allowing to relate the thoughts and actions of a person in the context of essence and existence. The Kyrgyz version of existential ideas is presented in many works of the writer, when arguments about the meaning of human life are projected in the Kyrgyz understanding of the world. The relations “the universe is a man, a man is a person, life is death, a man is nature” in the works of Aitmatov receive a kind of interpretation in the context of the originality of Kyrgyz culture. If we take the novel “The Cassandra Brand”, here we can talk about the universal significance of the problems of essence and existence in the Aitmatov performance. Global changes of the world have generated adequate global thoughts about the essence, purpose and purpose of human life. It is no coincidence that his words at the opening of the Issyk-Kul Forum became a call for a deeper appeal of the human spirit: “in art, we appeal primarily to the word, to the spirit, and to consciousness as such, as the initial impulses of life-thinking beings, in the hope that endless knowledge his own essence will help a person to survive and to re-find himself ... ". This means that Aitmatov’s work in an existential sense can be divided into two stages — the national version of existential ideas, and the global level of understanding and reflection of human essence.The phenomenon of Aitmatov as a writer is revealed in the fact that he seems to open his inner world to everyone who tries to get in touch with his works. That is why a dialogical monologue of a person with himself, a dialogue with a writer and the world as a universe, is born. Obviously, this is the phenomenon of Aitmatov, his greatness, his wisdom and subtle sophistication, his closeness to the human soul and the ability to present the problems of man to the whole world.