Roma Mozaiklerinin İkonografisinde Doğu Batı’ya Karşı: Ortak Konulardan Seçilmiş Örnekler

Bu makale, Roma İmparatorluğu’nun doğu ve batı yarısında mozaik sanatçıları tarafından yansıtılan birkaçsanatsal konu ile ilgilenmektedir. Benim burada ele aldığım öncelikli olarak özel konutların ana giriş odalarınındekorasyonu için yaygın olan Dionysos’un zaferi ve av konularıdır. Dionysos’un zaferi, dünyevi mutluluğuve refahı anımsatmaktadır. Gerçekçi ya da mitolojik yöntemlerden birine sahip avlama ise yaygın aristokratikeğlencenin yanında, virtus ya da tehlikenin yüzündeki cesaretin erkeğe özgü niteliklerini de yansıtmaktadır.Genel olarak, sanatsal etkinin yönü batıdan doğuya doğru ilerlemektedir. Fakat, en az bir durumda imgelerdekiakım zıt yönde etkilenmiştir. Doğu ve batı zanaatkârlarının, yerel tarihi ve ekonomik durumlar tarafındankısmen şekillenen ortaklaşa konuları resmettiği biçimde, bölgesel tercihlerin nasıl geliştiği gösterilmektedir.

Anahtar Kelimeler:

Dionysos, zafer, av, virtus, Meleager

East versus West in the Iconography of Roman Mosaics: Selected Examples of Shared Themes

This article deals with a few different artistic themes represented by mosaicists in both the eastern and westernhalves of the Roman empire. The themes I discuss are the Triumph of Dionysos and the subject of the hunt, bothof which were popular primarily for decorating the main reception room of private homes. Dionysos’s triumphevokes worldly happiness and prosperity, and the hunt, of either realistic or mythological type, reflects a populararistocratic pastime as well as the manly quality of courage in the face of danger, or virtus. In general, thedirection of artistic influence flowed from west to east, but in at least one instance, the trend in imagery movedin the opposite direction. It is shown how eastern and western craftsmen developed regional preferences in theways they depicted the shared themes, partly shaped by local historical and economic circumstances.

Keywords:

Dionysos, triumph, hunt, virtus, Meleager,

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