This study examines Ulvi Cemal Erkin’s concerto for violin through a formal structure, and gives a short background of composing style. The paper presents the formal structure of each section in independent charts. This piece is highly valuable in the education of composition, with regard to the technique of analysis and practice. It contributes to raise awareness in composition students in terms of analytical comprehension of the pieces of great composers. The paper also provides Erkin’s techniques of composing this concerto, and knowledge of his style of composing. At the end of the article, the formal structure of the concerto is presented
Berry, Wallace. (1996). Form in Music, New Jersey: Prentice-Hall, Inc., Englewood Cliffs.
Erkin, U.C. (1968). Keman Konçertosu Partisyon, Ankara: Devlet Konservatuvarı Yayınları.
Sun, Muammer. (2004) Türk Müziği Makam Dizileri, Anakara: Sun Yayınevi.
Aydın, Yılmaz. (2003). Türk Beşleri, İstanbul: Müzik Ansiklopedisi Yayınları.
Saygun, A.A. (1966). Musiki Nazariyatı, Kitap IV, İstanbul: Milli Eğitim Basımevi.
Stein, L. (1962). Anthology of Musical Forms, Amerika: Summy- Birchard Inc.
Bestecilik Eğitimi Bakımından Ulvi Cemal Erkin’in Keman Konçertosu’nun Formal Analizi