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• [1] Geoffrey Batchen (2000), Vernacular Photographies, History of Photography, 24:3, 262- 271, DOI: 10.1080/03087298.2000.10443418, [2] Ari J. Blatt (2009), Phototextuality: Photography, Fiction, Criticism, Visual Studies, 24:2, 108-121, DOI: 10.1080/14725860903106112 [3] Davide Deriu (2016), ‘Don’t look down!’: A Short History of Rooftopping Photography, The Journal of Architecture, 21:7, 1033-1061, DOI: 10.1080/13602365.2016.1230640, [4] Arnaud Frich (2007), Panoramic Photography - From Composition and Exposure to Final Exhibition (Translated by: Alan Greene), Elseiver Inc., MA-USA, [5] Rosemary Hawker (2013), Repopulating the Street: Contemporary Photography and Urban Experience, History of Photography, 37:3, 341-352, DOI: 10.1080/03087298.2013.798521, [6] Ingrid Hölzl (2011), Blast-off Photography: Nancy Davenport and Expanded Photography, History of Photography, 35:1, 33-43, DOI: 10.1080/03087298.2010.496218, [7] Helen Jackson (2009), Knowing Photographs Now: The Knowledge Economy of Photography in the Twenty-first Century, Photographies, 2:2, 169-183, DOI: 10.1080/17540760903116622, [8] Corinna Jacobs (2004), Interactive Panoramas-Techniques for Digital Panoramic Photography, Springer-Verlag Berlin Heidelberg, [9] Peggy Ann Kusnerz (2001), Survey Histories of Photography, History of Photography, 25:4, 384-391, DOI: 10.1080/03087298.2001.10443242, [10] Jeffrey Mifflin (2015), Photography and Exploration, Early Popular Visual Culture, 13:2, 174-175, DOI: 10.1080/17460654.2015.1013254 [11] Simone Natale (2012), Photography and Communication Media in the Nineteenth Century, History of Photography, 36:4, 451- 456, DOI: 10.1080/03087298.2012.680306, [12] Elisabeth Neudörfl (2010), Photography vs. Visibility: Seeing Unseen Aspects of a City, Visual Resources, 26:1, 13-29, DOI: 10.1080/01973760903537843, [13] Michael Siebenbrodt, Lutz Schöbe (2009), Bauhaus 1919-1933 Weimar-Dessau-Berlin, Parkstone Press, NY-USA, GÖRSEL KAYNAKÇA [1] Figür 1: Michael Siebenbrodt, Lutz Schöbe (2009), Bauhaus 1919-1933 Weimar-Dessau- Berlin, Parkstone Press, NY-USA, sn.209, [2] Figür 2: The International Center of Photography Exhibition of Philippe Halsman Photographs, Design For Arts in Education, 1979, 81:2, 9-11, DOI: 10.1080/07320973.1979.9939994, [3] Figür 3: Hami Onur Bingöl, 2014,