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DOMESTİK ALAN: SUSAN GLASPELL’IN “TRIFLES” ADLI OYUNUNDA GÜÇLENME VE HAPSEDİLMİŞLİK

Susan Glaspell’ın “Trifles” adlı oyunu yazarın zamansız oyunlarından biri olarak kabul edilir. Bu tiyatro oyunu sadece on dokuzuncu yüzyılda kadınların durumu açısından devrimci değil, aynı zamanda güncel cinsiyet, feminizm ve alan teorilerinin tekrar gözden geçirilip yorumlanması açısından da önemlidir. Bu makalenin amacı, domestik alan bakımından Susan Glaspell’ın “Trifles” adı oyununu konu alarak yeni bir bakış açısı getirmektir. Bu bakış açısına göre domestik alan “Trifles” adlı oyunda zaman zaman kadınlar için bir hapsedilmişlik ve ezilme anlamına gelirken bazen ise kadınların güçlenmesini ve onlara atfedilen domestik yaşam alanına bir baş kaldırı imkânı olarak görülebildiğini tartışmaktadır. Bu makalenin amacı domestik yaşam alanında kadının hapsedilmişliği Trifles isimli bu tiyatro oyununda kadın karakterlerin güç birliği sayesinde üstesinden gelinmiş ve kadınları güçlendiren bir hal kazanmıştır.

Anahtar Kelimeler:

Kadın, Cinsiyet, Güçlenme, Domestik Alan, Hapsedilme

DOMESTIC SPACE: A TERRAIN OF EMPOWERMENT AND ENTRAPMENT IN SUSAN GLASPELL’S “TRIFLES”

This article focuses on “Trifles” a timeless play written by Susan Glaspell. This play is revolutionary for several reasons: it focuses on the living conditions of 19th century women; it reinterprets the role of domestic space; and it shows how sisterhood is forged in domestic spheres. Domesticity becomes one of the determining factors of the play due to the bonds it creates among major women characters. When Glaspell wrote the play, women were designated to inside the house and especially the kitchen, women’s domains that do not assign important responsibilities and empowerment to men. This article argues that the typical entrapment of women can only be overcome through the sisterhood and empowerment of women.

Keywords:

Women, Gender, Empowerment, Domestic Space, Entrapment,

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