Baba, Hukuk ve Kaybedilen Çocuklar: Üç Film Üzerinden Bir Hukuk Kurgusu İncelemesi

ÖzetHukuk ve Toplum çalışmalarının öngördüğü güzergahta hukuku idealize edilmiş mutlaklıklar ve kutsallıklarüzerinden değil güncel hayattaki değişken ve çelişkili halleriyle incelemeyi hedefleyen bu yazı, Başka Bir Dünya(Egoyan, 1997), Bir Ayrılık (Farhadi, 2011) ve Küf (Aydın, 2012) filmlerinden hareketle bu filmlerdeki paralelbabalık ve hukuk kurgularına odaklanmaktadır. Hukukun hayatı anlamlandırmada ve hayattaki problemleriçözmede iddiası ile babanın çocuğunu her daim koruyup onun geleceğini şekillendirmedeki iddiasının sonderece kırılgan ve çaresiz iktidar kurguları olduğunun altını çizen bu yazı, babalığı ve hukuku dünyevi vedeğişime açık olarak kurgulamaya davet etmektedir.

Law, Father And Lost Children: A Study On Legal Imagination Through A Review Of Three Movies

AbstractInspired by law and society scholarship, this paper aims to study the law-in-action, in its multiplicities andcomplications, rather than the law-in-books, as fixed and idealized. In analyzing A Sweet Hereafter (Egoyan,1997), A Separation (Farhadi, 2011), and Mold (Aydın, 2012), I aim to demonstrate the inevitable fragility ofthe parallel images of the law, as an audacious institution that can comprehend life in its totality and solveall the problems that emerge, and the father as the ultimate authority who protects the child and shapes herlife. Instead, this study calls the reader to imagine the father and the law as mundane and flexible.

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