Ida’nın Dinî Bağlılık Tercihinin Dindarlık Kuramları Açısından İncelenmesi

Dindarlık olgusunu anlamaya ve açıklamaya yönelik yaklaşımların başında gelen ‘yoksunluk’, ‘rasyonel tercih’, ‘sosyalizasyon’, ‘etnik köken ve din’ ile ‘varoluşsal güvensizlik’ gibi teoriler dindarlığı genellikle tek bir unsurla açıklama eğilimindedir. Bireysel farklılıklar göz önüne alındığında ise farklı bireylerin dinî tecrübeleri de farklı olabilmektedir. Din, karmaşık ve çok yönlü bir olgu olduğundan dindarlık ile ilgili tek bir kuramsal yaklaşımın dinî bağlılığın tüm biçimlerini açıklaması zordur. Farklı din algılarını yansıtabilme imkanı bakımından dini bağlılığın filmler aracılığıyla incelenmesi, konuyla ilgili yaklaşımları daha derinlemesine anlamamıza katkı sağlayabilir. Bu bağlamda yönetmenliği Paweł Pawlikowski tarafından yapılan Ida (2013) filmi 1962 Polonya’sında Yahudi soykırımı sonrası döneme mercek tutar. Film, politik ve tarihi katmanlara sahip olmakla birlikte bu çalışmada dindarlık teorileri özelinde ele alınmıştır. Nitel desende planlan bu film incelemesinde, dindarlık kuramları bağlamında toplumsal-dinî kimlik analizi yapılmıştır. Filmin ana karakteri olan Anna’nın (Ida) hikayesine kendilik arayışı ve dinî kimliğinin keşfi bağlamında odaklanılmıştır. Onun deneyimleyerek karar verme sürecinde ise dinî sosyalleşme, rasyonel tercih ve anlam ve aidiyet arayışı etkili olmuş ve Anna dini bağlılığı seçerek manastıra geri dönmeye karar vermiştir.

Anahtar Kelimeler:

ıda, Pawel Pawlikowski, Varoluşçuluk, Sosyal Öğrenme, Yoksunluk

Examination of Ida’s Choice of Religious Devotion in Terms of Religiosity Theories

Approaches to understanding and explaining the phenomenon of religiosity include 'deprivation theory', 'rational choice theory', 'socialization theory', 'ethnicity and religion' and 'existential insecurity theory'. These theories frequently attempt to explain religiosity using a single factor. Because of human diversity, various individuals may have unique religious experiences. Considering that religion is a multifaceted and complex phenomenon, no single theoretical approach to religiosity can adequately explain all forms of religious commitment. In the context of movies reflecting individuals' perceptions of life, examining the perception of religiosity through film can contribute to a deeper understanding of the approaches to the subject. Pawel Pawlikowski's Ida (2013) is a movie about Poland in 1962, following the Holocaust. Although the film has political and historical layers, in this study, it was analyzed specifically in terms of theories of religiosity. In this direction, social-religious identity analysis was carried out within the framework of film analysis in qualitative design. The article is focused on the story of Anna (Ida) the main character of the film, in the context of her search for self and the discovery of her religious identity. Religious socialization, rational choice and existential pangs seem to have influenced her experiential decision-making process, and ultimately Anna decided to return to the convent.

Keywords:

Ida Paweł Pawlikowski, Existentialism, Social Learning, Deprivation, Rational Choice.,

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