J. Paul Getty’s Motivations for Collecting Antiquities

J. Paul Getty’s Motivations for Collecting Antiquities

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  • Addison 1712 J. Addison, Cato (1712).
  • Alsop 1982 J. Alsop, The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared (1982).
  • Auchincloss – Morgan 1990 L. Auchincloss – J. P. Morgan, The Financier as Collector (1990).
  • Ayres 1997 P. Ayres, Classical Culture and the Idea of Rome in Eighteenth-Century England (1997).
  • Cabanne 1963 P. Cabanne, The Great Collectors (1963).
  • Christian 2010 K. Christian, Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527 (2010).
  • Cook 1917 A. Cook, “A Pre-Persic Relief from Cottenham”, JHS 37, 1917, 116-125.
  • Dyson 1998 S. Dyson, Ancient Marbles to American Shores: Classical Archaeology in the United States (1998).
  • Fejfer 2003 J. Fejfer, “Restoration and Display of Classical Sculpture in English Country Houses: A Case of Dependence”, in: J. B. Grossman – J. Podany – M. True (eds.), History of Restoration of Ancient Stone Sculptures (2003) 87-104.
  • Getty 1965a J. Getty, The Joys of Collecting (1965).
  • Getty 1965b J. Getty, How to be Rich (1965).
  • Getty 1968 J. Getty, The Golden Age (1968).
  • Getty 1986 J. Getty, As I See It: My Life as I Lived It (1986).
  • Getty Trust 2007a Getty Trust, Press Release, “The Italian Ministry of Culture and the J. Paul Getty Museum Sign Agreement in Rome”, Aug. 1, 2007.
  • Getty Trust 2007b Getty Trust, Press Release, “Ministry of Culture for the Hellenic Republic and J. Paul Getty Museum Sign Agreement Finalizing Return of Objects to Greece”, 7 February 2007.
  • Greenblatt 2005 S. Greenblatt, Renaissance Self-Fashioning: From More to Shakespeare (2005).
  • Gummere 1963 R. Gummere, The American Colonial Mind and the Classical Tradition (1963).
  • Hewins 1960 R. Hewins, The Richest American: J. Paul Getty (1960).
  • Hoffmann 1970 H. Hoffmann, Ten Centuries that Shaped the West: Greek and Roman Art in Texas Collections (1970).
  • Howard 1968 S. Howard, “Henry Blundell’s Sleeping Venus”, Art Quarterly 21.4, 1968, 405-420.
  • Howard 1982 S. Howard, Bartolomeo Cavaceppi: Eighteenth-Century Restorer (1982).
  • Howard 1991 S. Howard, “Ancient Busts and the Cavaceppi and Albacini Casts”, JHC 3.2, 1991, 199-217.
  • Howarth 1985 D. Howarth, Lord Arundel and His Circle (1985).
  • Jackson-Stops 1985 G. Jackson-Stops (ed.), The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting (1985).
  • Jardine 1998 L. Jardine, Worldly Goods: A New History of the Renaissance (1998).
  • Lapatin 2011 K. Lapatin, “The Getty Villa: Art, Architecture, and Aristocratic Self-Fashioning in the Mid-Twentieth Century”, in: S. Hales – J. Paul (eds.), Pompeii in the Public Imagination from its Rediscovery to Today (2011) 270-285.
  • Le Vane – Getty 1955 E. Le Vane – J. Getty, Collector’s Choice: The Chronicle of an Artistic Odyssey through Europe (1955).
  • Lee 1981 N. Lee, Lucius Junius Brutus (1681).
  • Levkoff 2008 M. Levkoff, Hearst, the Collector (2008).
  • Marvin 2003 M. Marvin, “Possessions of Princes: The Ludovisi Collection”, in: J. B. Grossman et al. (eds.), History of Restoration of Ancient Stone Sculptures (2003) 225-239.
  • Middleton 1836 R. Middleton, Letter to Nathaniel Russell Middleton, 28 March 1836, South Carolina Historical Society, Middleton Family Papers 1736-1929 (1168.00).
  • Montagu 1759 E. Montagu, Reflections on the Rise and Fall of the Antient Republicks Adapted to the Present State of Great Britain (1759).
  • Moore 2005 M. Moore, “A Note on a Horse Bit from the Collection of J. Pierpont Morgan in the Metropolitan Museum of Art”, AntK 48, 2005, 40-54.
  • Mullett 1939 C. Mullett, “Classical Influences on the American Revolution”, CJ 35.2, 1939, 92-104.
  • Oldmixon 1730 J. Oldmixon, History of England during the Reigns of the Royal House of Stuart (1730).
  • Perkins 1958 J. Perkins, “Four Roman Garland Sarcophagi in America”, Archaeology 11.2, 1958, 98-104.
  • Picón 1983 C. Picón, Bartolomeo Cavaceppi: Eighteenth-Century Restorations of Ancient Marble Sculpture from English Private Collections (1983).
  • Pollitt 1978 J. Pollitt, “The Impact of Greek Art on Rome”, TAPA 108, 1978, 155-174. Procter 1998 B. Procter, William Randolph Hearst: The Early Years, 1863-1910 (1998).
  • Procter 2007 B. Procter, William Randolph Hearst: Final Edition, 1911-1951 (2007).
  • Rosenbaum 2013 L. Rosenbaum, “Getty’s Latest Repatriation (Plus AAMD Members’ Loose Interpretation of Cultural-Property Guidelines”, Arts Journal Blogs, 13 January 2013, available at http://www.artsjournal.com/culturegrrl/2013/01/gettys_latest_ repatriation_plu.html.
  • Scott 2003 J. Scott, The Pleasures of Antiquity: British Collectors of Greece and Rome (2003).
  • Strouse 2000 J. Strouse, “J. Pierpont Morgan: Financier and Collector”, MMAB 57.3, 2000, 1-64.
  • Syson 2001 L. Syson, Objects of Virtue: Art in Renaissance Italy (2001).
  • Thornton 1998 D. Thornton, The Scholar in His Study: Ownership and Experience in Renaissance Italy (1998).
  • Vvon Bothmer 1990 D. von Bothmer, Glories of the Past: Ancient Art from the Shelby White and Leon Levy Collection (1990).
  • Zirpolo 2008 L. Zirpolo, “Severed Torsos and Metaphorical Transformations: Christina of Sweden’s Sale delle Muse and Clytie in the Palazzo Riario-Corsini”, Aurora 9, 2008, 29-53.