Eş-Üretici Konumunda İzleyicinin İlişkisel Sanata Dair Tutumu

When assessed processually, we see that art movements are established on three majorcenter of discussion: "Artist, viewer and artwork". The changes/transformationsexposed by these three concepts with works which only focus on the effect what thepurpose has left on the viewer constitutes constitutes new perspective about makesense of art. Following the sense which puts the artist, artwork or viewer in the centerof production, the works in which these three center points are presented togetherpresents the striking samples of Postmodern Era art. Transformation of the body to anart object and inclusion of viewers in this process by movements such as Performance,Installation and Happening; today's sense of art moves to a relational dimension. In thissense which is revealed by the French art critic Baurrioud, relational art takes shapebased on the liberation of relations, beyond the liberation of individual