The American as Mono No Aware in Kazuo Ishiguro’s “Cellists”

Ferhan ÖZTÜRK

EXILE AND DISPLACEMENT IN KHIRBET KHIZEH, JOURNAL OF AN ORDINARY GRIEF AND I SAW RAMALLAH

Begüm TUNÇ

The Use of Discourse Markers in Second Language Writing of Iraqi Undergraduate Students

Sarmad ALAHMED, Ozkan KIRMIZI

Violation of Grice’s Maxims and its Effect on the Conversational Structure and Plot Development of Ishiguro’s Never Let Me Go

Mustafa CANLI

The traces of post-pastoral possibilities in Dylan Thomas’s “F TG F D F” and “R M D F C L”

Mohsen ZOHRAB BEİGİ

The Problematical Representation of the Hero in The Song of Roland

Azime PEKŞEN YAKAR