Erkeklik Çalışmalarının Eksik Boyutu: Estetik, Erotik ve Varoluş

Son yıllarda kesişimsel paradigma toplumsal cinsiyet çalışmaları alanında öne çıkmaya başladı. Şüphesiz bu durum hem kadınlık ve erkeklik arasındaki hiyerarşik ve ikili ilişkileri hem de bu ilişkilerin ırksal, etnik, dini, cinsel ve diğer hiyerarşi ve ikliklerle olan bağını kavramaya yönelik önemli açılımlara sebep oldu. Buna rağmen, erkekliği hiyerarşiler ve ikilikler üzerinden analiz etmenin durumu kendini tekrar eden, otomatikleşmiş ve asıl sorunsalı olan farklılıklara ve nuanslara gerekli hassasiyeti gösteremeyen bir makineye dönüşüp dönüşmediğini sorgulamanın vakti gelmiştir. Bu doğrultuda, kesişimsel paradigmanın diğer analitik çerçevelerin de dahil edilmesiyle bütüncül bir hal alacak olması diğer ilgili boyutlara da dikkatin yönelebileceği olasılığıyla mutlaka sorgulanmalıdır. Özellikle, bu çalışmada Martin Heidegger, Michel Foucault (1971 sonrası), Roland Barthes (1971 sonrası) ve Michel Maffesoli'nin çalışmalarında da temsilinin görüldüğü, varoluşçu ve estetik düşünceden alınabilecek ilhamları/esinlenmeleri tartışmak istemekteyim. Tartışma, bu alanda 30 yıldan fazladır süren çalışmalarımdan da boyutları içerecektir.

Missing from Masculinity Studies: Aesthetics, Erotics, Existence

During recent years, the intersectionalist paradigm has become prominent in gender studies. No doubt this has led to new and important insights on hierarchical and dichotomous relations between masculinity and femininity; as well as on the connections between gender hierarchies/dichotomies and racial, ethnical, religious, sexual and other hierarchies/dichotomies. However, the time has come to ask whether analysing masculinity in terms of hierarchies and dichotomies is turning into a bit of an automatic machinery, repeating itself without due respect for the diversities and nuances of the phenomena it wants to study. It must further be asked if the intersectionalist paradigm should be complemented by introducing other analytic frameworks that may help sharpen attention to other relevant aspects. In particular, I want to discuss the possible inspirations that might be taken from existential and aesthetic thinking, as represented for instance in the work of Martin Heidegger, Michel Foucault (after 1971), Roland Barthes (after 1971) and Michel Maffesoli, as well as including some aspects of my own work in the field over 30 years.

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