Investigation of the effects of red clay on the structural properties of chamotted clay bodies

Chamotte means fired clay. It is also called Grog and it can have many particle sizes, from fine to coarse. The composition formed by the addition of chamotte to various clay compositions is called chamotte mud (CM). The most preferred and widely used muds in the production of artistic ceramic products are chamotte mud and red pottery mud (R-PM). The sintering, linear shrinkage, water absorption, and color properties of these muds vary depending on their components and firing temperatures. Chamotte mud has properties that make it suitable for use at high temperatures (1150-1200 oC). The obtained products, however, have a high-water absorption value, because it deforms in high-temperature firings, the red Kınık pottery mud used in the study is typically used for artistic productions at low temperatures such as 900-1000 oC. Ceramic artists may prefer to combine and use both types of mud to enhance the color effects and shaping properties in their works. The aim of this study is to reduce water absorption of the body while increasing firing shrinkage, in other words, increasing shrinkage during sintering by adding red pottery mud to chamotte mud and also to optimize the tendency of the R-PM to undergo deformation with temperature. As a result, the products obtained, particularly those produced for artistic outdoor use, will have a longer lifetime. In experimental studies, 6 recipes were produced by combining chamotte and red mud in specific ratios, and the changes in properties such as water absorption, linear shrinkage, color, gloss, microstructure, and sintering behavior of ceramic bodies as a result of firing at 1160 oC were investigated.

Keywords:

Clay, Ceramics, Ceramic art, Characterization Design,

PDF

___

[1]. E. Escalera Mejia, “Characterization and preparation of lightweight silica based ceramics for building applications,” Doctoral Thesis, Luleå University of Technology Department of Engineering Sciences and Mathematics Division of Materials, Sweden, 7-44, 3, 2015.
[2]. İ. Yardımcı and K. Ertürk, “Hierarchy in ceramic art,” Journal of Literature and Art Studies, vol. 7, no. 6, 705-721, 2017.
[3]. S. Guggenheim and R. T. Martin, “Definition of Clay and Clay Mineral: Joint Report of the AIPEA Nomenclature and CMS Nomenclature Committees, Clays and Clay Minerals,” 43, 255-256; Clay Minerals, 30, 257-259, 1995.
[4]. P. Danaee, R. Ghaeini and D.A. Hendrix, “A Deep Learning Approach for Cancer Detection and Relevant Gene Identification,” Pacific Symposium on Biocomputing, Big Island, Hawaii, 2017, vol. 22, 219-227. [5]. D. Rhodes, Clay and Glazes for the Potter, Chilton Book Company Radnor, Pennsylvania, A&C Black, London, 2015, 46.
[6]. A. Çakır Arianpour and F. Arianpour, “Effect of Kastamonu red clay addition on color properties of ceramic engobes,” American Journal of Engineering Research (AJER), vol. 9, no. 3, pp. 253-257, 2020.
[7]. P. Hettiarachchi, J. T. S. Motha, H. M. T. G. A. Pitawala, “Identification of an appropriate body composition for red clay products,” Cerâmica, vol. 56, pp. 285-290, 2010.
[8]. Anadolu University in Turkey Online. https://www.lindaarbuckle.com/handouts/clays-and-clay-bodies.pdf, (Accessed Jan. 25, 2023).
[9]. M. Petersham, Understanding Clay Recognition and Processing, Virginia: Volunteers in Technical Assistance (VITA), USA, 1984, pp. 3-18.
[10]. Anadolu University in Turkey Online. http://www.professorgreco.com/wp-content/uploads/2016/02/Basic-Ceramic-Terms.pdf, , (Accessed; Ags. 25, 2023).
[11]. J. W. Conrad, Advanced Ceramic Manual Technical Data for the Studio Potter, Falcon Company–Publishers, San Diego, CA2007, p. 41.
[12]. Y. H. Cuff, Ceramic Technology for Potters and Sculptors, University of Pennsylvania Press, Philadelphia, 1996, vol. 1, pp. 20-400.
[13]. Y. Morito, “A Holistic Approach to Ceramic Sculpture,” Its History, Theory, and Materiality, Cambridge Scholars Publishing, 1, ISBN (13): 978-1-5275-8638-3, 2002, pp. 225.
[14]. D. Scott, Clays and Glazes in Studio Ceramics, The Crowood Press, Ramsburry, 1998, 18-19.
[15]. R. Hopper, The Ceramic Spectrum- A Simplified Approach to Glaze &Color Development, Second Edition, Krause Publications, 2001, pp. 92.
[16]. C. Romanosoglou, T. Alexandridis, M. Tsapoga, E. Papaioannoy and N. Karadimas, “Glaze calculation software based on the Seger method with recipe mixing utilities, limit formulas and toxicity measurements,” International Conference on Software Engineering, 10.13140/2.1.1409.8249, 2010, pp. 45-49.
[17]. J. Britt, The Complete Guide to High-Fire Glazes, Sterling Publishing Company, Inc., 184 pages, ISBN:1600592163,2007, p.14.
[18]. M. L. Gulrajani, Colour Measurement: Principles, Advances and Industrial Applications, Elsevier, ISBN: 0857090194, 9780857090195, 225, 2010.
[19]. Bın Mat Nawı, A., Effect of Waste Plaster of Paris on Physical And Mechanical Properties of Ceramic Pottery Body, Master Thesis, Faculty of Mechanical and Manufacturing Engineering Universiti Tun Hussein Onn Malaysia, Malaysia, pp. 7-119, 2016.
[20]. E. D. Aydın, “Ceramic as a Coating Material to Investigate the Parameters That Affect the Regional Distribution of Production,” Master's Thesis, Sakarya University, Institute of Natural Sciences, Sakarya, Türkiye, 50 pages, 2011.
[21]. H. He et al., “Changes in Structure, Morphology, Porosity, and Surface Activity of Mesoporous Halloysite Nanotubes Under Heating,” Applied Clay Science, vol. 70, pp. 67-73, 69,71, 2012.
[22]. A. Anil and N. M. Misra, “Studies on thermal reactions and sintering behaviour of red clays by irreversible dilatometry”, AIP Conference Proceedings 1953, American Institute of Physics, 1-4, 2018.
[23]. R. Zakin, Ceramics: Mastering the Craft, Krause Publication, 2nd, Iola, WI, 24-280, (2001).