Apameıa antik kentinden heykeltıraşlık eserleri

Bu çalışmada, Phrygia Bölgesinde yer alan Apameia kentinde (Afyon ili, Dinar ilçesi) bulunan ve bugün Afyon Müzesinde sergilenen üç adet heykelin ikonografik ve stilistik analizi yapılmıştır. Bu eserler; oturan Muse torsosu, oturan erkek torsosu ve zırhlı imparator torsosundan oluşmaktadır. Oturan Muse, Hellenistik Döneme diğer iki heykel ise Roma Dönemine aittir. Kentte bulunmuş olan bu eserlerin niteliği ve kaliteli işçilikleri göz önüne alındığında kentin önemli bir heykeltıraşlık aktivitesine sahip olduğu görülmektedir.

The sculpture works in the apameia city

This study makes an iconographic and stylistic analyses of the three pieces of sculpture works that are found in the Apameia City (Afyon province, Dinar county), in the region of Phrygia and today they exhibited in the Afyon Museum. These works include the torso of seated Muse, torso of seated man and torso of armored emperor. The seated Muse belongs to the Hellenistic Period and the other two statues belong to the Roman Period. These works found in this city give some important clues about the sculpture of the city.

___

  • Amelung, W. (1903). Die Skulpturen des Vaticanischen Museums. I. Berlin.
  • Andreae, B. (hrsg.), (1995). Bildkatalog der Skulpturen des Vatikanischen Museums Band I Museo Chiaramonti Teilband 1. Berlin.
  • Ballanca, M. (1996). “Survey of Roman and Byzantine Remains at Dinar, Işıklı and Pınarbaşı, 1994” 13. Araştırma Sonuçları Toplantısı, 185-198.
  • Boardman, J. (2005). (Çevr.G.Ergin) Yunan Heykeli Klasik Dönem. İstanbul.
  • Boschung, D. (1993). Die Bildnisse des Augustus. Berlin.
  • Dohrn, T. (1960). Die Tyche Antiocheia. Berlin.
  • Fuchs, W. (1969). Die Skulptur der Griechen. Hirmer.
  • Hamilton, W.J. (1842). Researchs in Asia Minor, Pontus and Armenia. Vol. I. London. Hausmann, U. (1960). Griechische Weihreliefs. Berlin.
  • Hill, D.K. (1949). Catalogue of Classical Bronze Sculpture in the Walters Art Gallery. Baltimore.
  • Hischfeld, G. (1875). Über Kelainai-Apameia Kibotos. Berlin.
  • Holtzmann, B. (1984). “Asklepios” LIMC II,1: 863-897; LIMC II,2: 631-667.
  • İnan, J. (1975). Side’nin Roma Devri Heykeltıraşlığı. Ankara.
  • İnan, J.-Rosenbaum, E. (1966). Roman and Early Byzantine Portrait Sculpture in Asia Minor. London: Ox.Un.Press.
  • İnan, J.-Alföldi-Rosenbaum, E. (1979). Römische und frühbyzantinische Porträtplastik aus der Türkei: Neue Funde. Mainz am Rhein: von Zabern.
  • Karageorghis, V. (1964). Sculptures from Salamis I. Nicosia- Cyprus: Nicosia Printing Works.
  • Koch, L. (1994). Weibliche Sitzstatuen der Klassik und des Hellenismus und ihre Kaiserzeitliche Rezeption: Die bekleideten Figuren. Charybdis 4, Münster;Hamburg: Lit.
  • Landwehr, C. (2000). Die Römischen Skulpturen von Caesarea Mauretaniae. Band II. Idealplastik. Männliche Figuren. Verlag Philipp von Zabern, Mainz am Rhein.
  • Lindner, R. (1990). “Hades” LIMC V 386 vd.
  • Lippold,G. (1936). Die Skulpturen des Vaticanischen Museums. Berlin.
  • Magie, D. (1950). Roman Rule in Asia Minor. Princeton-New Jersey.
  • Merker, G.S. (1973). The Hellenistic Sculpture of Rhodes. Göteborg.
  • Özgan,R. (2013). Roma Portre Sanatı I. İstanbul.
  • Pfuhl, E.-Möbius, H. (1977). Die Ostgriechischen Grabreliefs I. Mainz am Rhein.
  • Pinkwart, D. (1965). Das Relief Des Archelaos von Priene und die “Musen des Philiskos”. Kallmünz: M.Lassleben.
  • Ramsay, W.M. (1897). Cities and Bishoprics of Phrygia I,2. Oxford.
  • Reeder, E.D. (1988). Hellenistic Art in the Walters Art Gallery. Baltimore, Maryland.
  • Richter, G.M.A. (1950). The Sculpture and Sculptors of the Greeks. London.
  • Ridgway, B.S. (1990). Hellenistic Sculpture I: The Styles of ca. 331-200 B.C. Bristol: Bristol Classical Press.
  • Robinson, D.M. (1926). “Roman Sculptures from Colonia Caesarea (Pisidian Antioch)”. The Art Bulletin, Vol. 9, No. 1: 5-69.
  • Rose, C.B. (1997). Dynastic Commemoration and Imperial Portraiture in the Julio-Claudian Period. Cambridge.
  • Sevin, V. (2001). Anadolu’nun Tarihi Coğrafyası I. Ankara.
  • Simon, E. (1994). “Poseidon” LIMC VII,1: 447-497; LIMC VII,2: 352-393.
  • Summerer vd. L. (2011). Kelainai-Apameia Kibotos: Développement urbain dans le contexte anatolien. Bordeaux.
  • Topbaş, A. (1991). “Dinar (Apameia) Tiyatro Kurtarma Kazısı” I.Müze Kazıları Semineri, 309-319.
  • Üyümez vd. M. (2010). “2008 Yılı Kelainai-Apameia Kibotos Çalışmaları” 27. Araştırma Sonuçları Toplantısı, 37-52.
  • Vermeule, C.C. (1966). Hellenistic and Roman Cuirassed Statues: Second Supplement. Berytus XVI: 49-59.
  • Vermeule, C.C. (1968). Roman Imperial Art in Greece and Asia Minor. Cambridge.