Gallery Review - Visualising An Ancient Legend: The “Troy: Myth And Reality Exhibition” At The British Museum

Troia Savaşı’nın farklı dönemlerdeki yansımalarından oluşan ve BP (British Petrol) tarafından desteklenen Troy: Myth and Reality sergisi, British Müzesi tarafından 21 Kasım 2019 ve 8 Mart 2020 tarihleri arasında organize edilmiştir. Üç bölümlü serginin ilk bölümü, daha çok Homer tarafından destansı iki şiirde, İlyada ve Odysseia’da anlatılan Troia Savaşı ve olaylarının ebedi tragedyasına, mite ayrılmıştır. Savaşla ilgili dört ana tema, ihtilaf – Έρις, Savaş – Πόλεμος, Düşüş – Άλωσις ve Geri Dönüş – Νόστος ilk bölümü oluşturur ve günümüzde büyük çoğunluğu Türkiye sınırları içerisindeki kuzeybatı Küçük Asya’da konumlanan Troia Arkeolojik Alanı’nda, Hisarlık’ta, bulunan eserlerle birlikte antik efsaneyi görselleştirir. İkinci bölüm, küçük bir alanda daha fazla eser sergilemek amacıyla bir rotunda içine yerleştirilmiştir ve daha çok 19. yüzyılda Hisarlık’taki ilk “kapsamlı” kazıları gerçekleştiren, Alman iş adamı ve sansasyonel amatör arkeolog Heinrich Schliemann’a adanmıştır. Londra sergisinin üçüncü bölümünde, modern sanat eserleri ve tartışmalı “Suriye’nin Kraliçeleri” adlı video klibi de içeren Troia Savaşı’nın çağdaş yorumlamalarıyla birlikte, Troia hikayesini ilk kez anlatan kitaplar da yer alma onuruna erişmiştir. Euripides’in “Troia’lı Kadınlar” adlı tragedyasından esinlenen ve 13 Suriyeli mülteci kadın tarafından canlandırılan “Suriye’nin Kraliçeleri” adlı oyun, savaşlar sırasında öldürülen, işkence gören ve istismara maruz kalan Troia’lı ve Suriyeli kadınlar arasında bağlantı kurar. British Müzesi, sergi sırasında, eylemcilere göre “iklim krizine” sebep olan BP’yi hedef alan iklim protestolarına maruz kalmıştır. Bu çalışma, Bloomsbury’i bizzat ziyaretimin anısına, British Müzesi’nin çağdaş sergileme tekniklerini kullanarak antik efsaneyi nasıl görselleştirdiğini değerlendirmeyi ve geçici sergide hedeflenen sosyo-politik olayları analiz etmeyi amaçlar.

Gallery Review - Visualising An Ancient Legend: The “Troy: Myth And Reality Exhibition” At The British Museum

Consisting of echoes of the Trojan War from different periods and supported by BP (British Petroleum), the exhibition “Troy: Myth and Reality” was staged by the British Museum in London between 21 November 2019 and 8 March 2020. The first section was mostly devoted to the “myth”, the timeless tragedy of the Trojan War and its consequences, which were narrated by Homer in two epic poems, the Iliad and the Odyssey. Four episodes related to the war form the first section, Discord – Έρις, War – Πόλεμος, Fall – Άλωσις and Return – Νόστος, which visualise the legend with artefacts uncovered in the mound of Hisarlık, the archaeological site of Troy in northwest Asia Minor now in modern-day Turkey. In order to display more artefacts in a small space, the second section was placed in a rotunda, and is dedicated to Heinrich Schliemann, a German businessman and fame-seeking amateur archaeologist who “comprehensively” excavated Hisarlık for the first time in the nineteenth century. In the third section of the exhibition, the first books published telling the story of Troy take pride of place; along with modern artworks and contemporary interpretations of the Trojan War, including the controversial video clip, Queens of Syria. Inspired by the ancient tragedy of Euripides, “The Trojan Women”, 13 Syrian refugee women in the video correlate Trojan and Syrian women who have been killed, tortured and abused in conflicts. In the course of the exhibition, the British Museum was exposed to climate protests targeting BP, who, according to activists, ‘caused the climate crisis’. In memory of my visit to Bloomsbury in person, this paper aims to evaluate how the British Museum utilised contemporary display techniques to visualise the ancient legend and to analyse socio-politic cases targeted in the exhibition.

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