Sacred Animals and Fantastic Creatures of Urartian Belts – Mythological Reflections of Urartian Civilization

Abstract: In this article the fundamental aspects of the Urartian belt’s mythological iconography are discussed. The main purpose of the article is the detailed investigation of key figures, spiritual personages, sacred animals, fantastic creatures, as well as connected with them scenes, motives and decorations of Urartian belts. Those objects depicted many sacred symbols and images that were parts of religious beliefs and sacral values of ancient Urartians. Among excellently ornamented images of Sacred Tree, Winged Sun, holy plants, stars, planets, sacral signs, scenes of hunt, figures of horse riders, soldiers and priests, the most significant parts of presented iconography comprised the principally important key pictures of Sacred Animals and Fantastic Creatures. Their outlines and compositions with other main iconographic elements created the mythological content of Urartian belts, thus, making those objects sacred and having a special meaning and significance. As our investigation suggests, bronze belts were considered as sacred talismans or “mini-temples” serving the purpose of carrying Divine Forces and the images of Gods, Genies, Sacred Animals and Fantastic Creatures in one given amulet-object, that inspired Urartians in their war or piece activities, and, according to their beliefs, helped them to achieve the victory and success in all undertakings.

Sacred Animals and Fantastic Creatures of Urartian Belts – Mythological Reflections of Urartian Civilization.

  Abstract: In this article the fundamental aspects of the Urartian belt’s mythological iconography are discussed. The main purpose of the article is the detailed investigation of key figures, spiritual personages, sacred animals, fantastic creatures, as well as connected with them scenes, motives and decorations of Urartian belts. Those objects depicted many sacred symbols and images that were parts of religious beliefs and sacral values of ancient Urartians. Among excellently ornamented images of Sacred Tree, Winged Sun, holy plants, stars, planets, sacral signs, scenes of hunt, figures of horse riders, soldiers and priests, the most significant parts of presented iconography comprised the principally important key pictures of Sacred Animals and Fantastic Creatures. Their outlines and compositions with other main iconographic elements created the mythological content of Urartian belts, thus, making those objects sacred and having a special meaning and significance. As our investigation suggests, bronze belts were considered as sacred talismans or “mini-temples” serving the purpose of carrying Divine Forces and the images of Gods, Genies, Sacred Animals and Fantastic Creatures in one given amulet-object, that inspired Urartians in their war or piece activities, and, according to their beliefs, helped them to achieve the victory and success in all undertakings.

___

  • Azarpay, G. 1990 Urartian Art and Artifacts: a Chronological Study, Berkeley and Los Angeles, University of California Press, p. 2
  • Bonacossi, D. 1995 “Una cintura di bronzo Urartea nel Monastero della Congregazione Mechitarista Armena dell’isola di San Lazarro – Venezia”, Studi Micenei ed Egeo-Anatolici 35:139
  • Bonacossi, D. 2009 “Urartian Bronze Belts in the National Museum of Aleppo”, Zeitschrift für Assyriologie und Vorderasiatische Archäologie 89/1:94
  • Curtis, J. 1996 “Urartian Bronze Belts”, A Zeitschrift für Assyriologie und Vorderasiatische Archäologie 86/1:119
  • Darke, D. 2011 Eastern Turkey – 2-nd Edition, Connecticut USA, The Globe Pequot Press Inc., p. 323
  • Esayan, S., Hmayakyan, S. 1990 “The Urartian Clothing”, Historico-Philological Journal 3:203
  • Hamilton, R.W. 1965 “The Decorated Bronze Strip from Gushchi”, Anatolian Studies 15:43
  • Hmayakyan S.G. 1990 The State Religion of the Kingdom of Van, Yerevan, Academy of Sciences of Armenia, page 35.
  • Hooker, J.T. 1990 Reading the Past: Ancient Writing from Cuneiform to the Alphabet, Berkeley and Los Angeles, University of California Press /Trustees of British Museum, p. 54
  • Salvatori. S. 1976 “Notes on the Chronology of Some Urartian Artifacts”, East and West 26/½:92
  • Salvatori, S. 1976 “An Urartian Bronze Strip in a Private Collection”, East and West 26/½: 99
  • Steadman, S., McMahon, G. 2011 The Oxford Handbook of Ancient Anatolia: (10,000 – 323 BCE), New York, Oxford University Press, Inc., p. 3.
  • Steadman, S., McMahon, G. 2011 The Oxford Handbook of Ancient Anatolia: (10,000 – 323 BCE), New York, Oxford University Press, Inc., p. 4.
  • Taşyürek, O. 1977 “Adana Bölge Müzesindeki “Dedeli” Bronz Urartu Kemeri – The “Dedeli” Bronze Urartian Belt in the Adana Regional Museum”, Türk Arkeoloji Dergisi 24/2:157
  • Taşyürek, O.A. 1977 “The Urartian Bronze hoard from Giyimli”, Philadelphia University Museum Expedition Summer 1977, 19/4:18