The non-competent narrator is standing issue of literary studies since the very early modernity. Nowadays subjectivist, multi-perspective, polyphonic and fragmented structures of narrative are usual and we can no longer treat them as original author strategies. Interesting are still the ways of transformation of novel tells about internal emotions, reflections, changes and moods of people and collectives into the movie-formats, as that is the outwardly unremarkable parameters of narration are visualized. Daniel Kehlmann's Fame. Novel in Nine Stories (2009) and Isabel Kleefeld movie Fame (2012) are double example to show thе transformations of ‘non-competent naration’ in novel and in film.